1. Neoliberal Scandals: Foxconn, Mike Daisey, and the Turn Toward Nonfiction Drama
  2. Shannon Steen
  3. pp. 1-18
  4. DOI: 10.1353/tj.2014.0023
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  1. Prostitutes, Nuns, Actresses: Breaking the Convent Wall in Seventeenth-Century Venice
  2. Christine Scippa Bhasin
  3. pp. 19-35
  4. DOI: 10.1353/tj.2014.0029
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  1. Rethinking Buenos Aires Theatre in the Wake of 2001 and Emerging Structures of Resistance and Resilience
  2. Jean Graham-Jones
  3. pp. 37-54
  4. DOI: 10.1353/tj.2014.0000
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  1. Whose Joke Is It Anyway?: Originality and Theft in the World of Standup Comedy
  2. George Pate
  3. pp. 55-71
  4. DOI: 10.1353/tj.2014.0005
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  1. The Act of Being Saved: Hell House and the Salvific Performative
  2. Hank Willenbrink
  3. pp. 73-92
  4. DOI: 10.1353/tj.2014.0010
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  1. Theatertreffen 2013 (review)
  2. Ljubiša Matić
  3. pp. 117-122
  4. DOI: 10.1353/tj.2014.0021
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  1. In The Beginning Was The End by dreamthinkspeak (review)
  2. Jonathan Chambers
  3. pp. 122-124
  4. DOI: 10.1353/tj.2014.0027
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  1. Bodytalk: Schlangen! by Rainer Kwasi and bodytalk (review)
  2. Catherine Diamond
  3. pp. 124-126
  4. DOI: 10.1353/tj.2014.0033
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  1. Children of the Sun by Maxim Gorky, adapted by Andrew Upton, directed by Howard Davies (review)
  2. Leah Lowe
  3. pp. 126-127
  4. DOI: 10.1353/tj.2014.0003
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  1. Oedipus Rex by Sophocles, Italian translation by Guido Paduano, directed by Daniele Salvo (review)
  2. Patricia R. Schroeder
  3. pp. 128-129
  4. DOI: 10.1353/tj.2014.0008
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  1. I, Cinna (The Poet) written and directed by Tim Crouch (review)
  2. Ian Bradford Ngongotaha Pugh
  3. pp. 129-132
  4. DOI: 10.1353/tj.2014.0013
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  1. Pericles, Prince of Tyre by William Shakespeare, directed by Mark Wing-Davey (review)
  2. Megan Herrold
  3. pp. 132-133
  4. DOI: 10.1353/tj.2014.0019
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  1. Eterniday by Charles Mee, directed and choreographed by Dan Safer (review)
  2. Timothy J. Schafer
  3. pp. 137-139
  4. DOI: 10.1353/tj.2014.0031
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  1. Sing Me a Tale, Tell Me a Song created and directed by Gilbert Laumord (review)
  2. Emily Sahakian
  3. pp. 139-140
  4. DOI: 10.1353/tj.2014.0001
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  1. Christmas in Hanoi by Eddie Borey, directed by Jeff Liu (review)
  2. Emily Raymundo
  3. pp. 141-143
  4. DOI: 10.1353/tj.2014.0006
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  1. The Night Alive by Conor McPherson, directed by Conor McPherson (review)
  2. Andrea Grunert
  3. pp. 143-145
  4. DOI: 10.1353/tj.2014.0011
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  1. Shakespeare and His Contemporaries?
  2. Patrick J. Murray
  3. pp. 151-159
  4. DOI: 10.1353/tj.2014.0022
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  1. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare edited by Madhavi Menon (review)
  2. Devin Toohey
  3. pp. 161-162
  4. DOI: 10.1353/tj.2014.0028
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  1. Persecution, Plague, and Fire: Fugitive Histories of the Stage in Early Modern England by Ellen MacKay (review)
  2. Musa Gurnis
  3. pp. 162-163
  4. DOI: 10.1353/tj.2014.0034
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  1. Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion by Lynn Enterline (review)
  2. Adonis Galeos
  3. pp. 163-164
  4. DOI: 10.1353/tj.2014.0004
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  1. Dramatic Battles in Eighteenth-Century France: Philosophes, Anti-Philosophes and Polemical Theatre by Logan J. Connors (review)
  2. Pannill Camp
  3. pp. 165-166
  4. DOI: 10.1353/tj.2014.0009
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  1. Entertaining Crisis in the Atlantic Imperium, 1770–1790 by Daniel O’Quinn (review)
  2. Daniel Smith
  3. pp. 166-167
  4. DOI: 10.1353/tj.2014.0014
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  1. Theatre of Crisis: The Performance of Power in the Kingdom of Ireland, 1662–1692 by Patrick Tuite (review)
  2. Deirdre O’Rourke
  3. pp. 167-168
  4. DOI: 10.1353/tj.2014.0020
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  1. Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)
  2. John W. Frick
  3. pp. 168-170
  4. DOI: 10.1353/tj.2014.0026
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  1. Uncle Tom’s Cabin On the American Stage and Screen by John W. Frick (review)
  2. Tom Robson
  3. pp. 172-173
  4. DOI: 10.1353/tj.2014.0002
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  1. Baggy Pants Comedy: Burlesque and the Oral Tradition by Andrew Davis (review)
  2. Patricia Elise Nelson
  3. pp. 173-174
  4. DOI: 10.1353/tj.2014.0007
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  1. Automata and Mimesis on the Stage of Theatre History by Kara Reilly (review)
  2. Michelle Mills Smith
  3. pp. 174-175
  4. DOI: 10.1353/tj.2014.0012
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  1. Great Lengths: Seven Works of Marathon Theater by Jonathan Kalb (review)
  2. Ralf Remshardt
  3. pp. 176-177
  4. DOI: 10.1353/tj.2014.0018
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  1. Site-Specific Performance by Mike Pearson (review)
  2. Angela Marino
  3. pp. 177-178
  4. DOI: 10.1353/tj.2014.0024
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  1. Masculinities and The Contemporary Irish Theatre by Brian Singleton (review)
  2. Nelson Barre
  3. pp. 178-179
  4. DOI: 10.1353/tj.2014.0030
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  1. Editorial Comment: Neoliberal and Other Scandals
  2. Ric Knowles
  3. pp. ix-xii
  4. DOI: 10.1353/tj.2014.0017
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