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  Volume 66, Number 1, March 2014

Table of Contents

Editorial Comment: Neoliberal and Other Scandals

pp. ix-xii


Neoliberal Scandals: Foxconn, Mike Daisey, and the Turn Toward Nonfiction Drama

pp. 1-18

Prostitutes, Nuns, Actresses: Breaking the Convent Wall in Seventeenth-Century Venice

pp. 19-35

Rethinking Buenos Aires Theatre in the Wake of 2001 and Emerging Structures of Resistance and Resilience

pp. 37-54

Whose Joke Is It Anyway?: Originality and Theft in the World of Standup Comedy

pp. 55-71

The Act of Being Saved: Hell House and the Salvific Performative

pp. 73-92

Revitalizing Japanese American Internment: Critical Empathy and Role-Play in the Musical Allegiance and the Video Game Drama in the Delta

pp. 93-115

Performance Reviews

Theatertreffen 2013 (review)

pp. 117-122

In The Beginning Was The End by dreamthinkspeak (review)

pp. 122-124

Bodytalk: Schlangen! by Rainer Kwasi and bodytalk (review)

pp. 124-126

Children of the Sun by Maxim Gorky, adapted by Andrew Upton, directed by Howard Davies (review)

pp. 126-127

Oedipus Rex by Sophocles, Italian translation by Guido Paduano, directed by Daniele Salvo (review)

pp. 128-129

I, Cinna (The Poet) written and directed by Tim Crouch (review)

pp. 129-132

Pericles, Prince of Tyre by William Shakespeare, directed by Mark Wing-Davey (review)

pp. 132-133

Othello: A Dance in Three Acts by Lar Lubovitch, directed by Ashley D. Wheater, and: Macbeth by Paul Vasterling, directed by Paul Vasterling (review)

pp. 134-136

Eterniday by Charles Mee, directed and choreographed by Dan Safer (review)

pp. 137-139

Sing Me a Tale, Tell Me a Song created and directed by Gilbert Laumord (review)

pp. 139-140

Christmas in Hanoi by Eddie Borey, directed by Jeff Liu (review)

pp. 141-143

The Night Alive by Conor McPherson, directed by Conor McPherson (review)

pp. 143-145

The Happiest Song Plays Last by Quiara Alegría Hudes, directed by Edward Torres, and: Water by the Spoonful by Quiara Alegría Hudes, directed by Davis McCallum (review)

pp. 145-149

Review Essay

Shakespeare and His Contemporaries?

pp. 151-159

Book Reviews

Shakesqueer: A Queer Companion to the Complete Works of Shakespeare edited by Madhavi Menon (review)

pp. 161-162

Persecution, Plague, and Fire: Fugitive Histories of the Stage in Early Modern England by Ellen MacKay (review)

pp. 162-163

Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion by Lynn Enterline (review)

pp. 163-164

Dramatic Battles in Eighteenth-Century France: Philosophes, Anti-Philosophes and Polemical Theatre by Logan J. Connors (review)

pp. 165-166

Entertaining Crisis in the Atlantic Imperium, 1770–1790 by Daniel O’Quinn (review)

pp. 166-167

Theatre of Crisis: The Performance of Power in the Kingdom of Ireland, 1662–1692 by Patrick Tuite (review)

pp. 167-168

Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)

pp. 168-170

Pioneer Performances: Staging the Frontier by Matthew Rebhorn, and: Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western Experience in Performing Arts by Richard Wattenberg (review)

pp. 170-172

Uncle Tom’s Cabin On the American Stage and Screen by John W. Frick (review)

pp. 172-173

Baggy Pants Comedy: Burlesque and the Oral Tradition by Andrew Davis (review)

pp. 173-174

Automata and Mimesis on the Stage of Theatre History by Kara Reilly (review)

pp. 174-175

Great Lengths: Seven Works of Marathon Theater by Jonathan Kalb (review)

pp. 176-177

Site-Specific Performance by Mike Pearson (review)

pp. 177-178

Masculinities and The Contemporary Irish Theatre by Brian Singleton (review)

pp. 178-179

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