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Table of Contents

  1. The Robin Hood Folk Plays of South-Central England
  2. Michael J. Preston
  3. pp. 91-100
  4. DOI: https://doi.org/10.1353/cdr.1976.0003
  5. restricted access
  1. Italian Renaissance Drama in the Eighteenth Century
  2. Beatrice Corrigan
  3. pp. 101-115
  4. DOI: https://doi.org/10.1353/cdr.1976.0005
  5. restricted access
  1. The Trinity in Medieval Drama
  2. Lynette R. Muir
  3. pp. 116-129
  4. DOI: https://doi.org/10.1353/cdr.1976.0007
  5. restricted access
  1. Brecht’s Quarrel with God: From Anti-Theodicy to Eschatology
  2. Edward M. Berckman
  3. pp. 130-146
  4. DOI: https://doi.org/10.1353/cdr.1976.0009
  5. restricted access
  1. The Error of Our Eye in Troilus and Cressida
  2. John D. Cox
  3. pp. 147-171
  4. DOI: https://doi.org/10.1353/cdr.1976.0011
  5. restricted access
  1. The Theatrical Event: A Mythos, a Vocabulary, a Perspective by David Cole (review)
  2. Natalie Crohn Schmitt
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/cdr.1976.0000
  5. restricted access
  1. The Contemporary Spanish Theater (1949–1972) by Marion P. Holt (review)
  2. George Woodyard
  3. pp. 174-175
  4. DOI: https://doi.org/10.1353/cdr.1976.0002
  5. restricted access
  1. Schiller’s Drama: Talent and Integrity by Ilse Graham (review)
  2. Liselotte Dieckmann
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/cdr.1976.0004
  5. restricted access
  1. The Marlovian World Picture by W. L. Godshalk (review)
  2. William M. Jones
  3. pp. 179-180
  4. DOI: https://doi.org/10.1353/cdr.1976.0006
  5. restricted access
  1. Comedy: The Irrational Vision by Morton Gurewitch (review)
  2. Edward L. Galligan
  3. pp. 181-184
  4. DOI: https://doi.org/10.1353/cdr.1976.0010
  5. restricted access
  1. Contributors
  2. DOI: https://doi.org/10.1353/cdr.1976.0001
  3. restricted access