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  Volume 32, Number 1, Spring 2014

Table of Contents


Not Shakespeare: Early Modern Drama and Film

pp. 1-10 | DOI: 10.1353/shb.2014.0006


"You have no voice!": Constructing Reputation through Contemporaries in the Shakespeare Biopic

pp. 11-26 | DOI: 10.1353/shb.2014.0009

Genres: Cinematic and Early Modern

pp. 27-43 | DOI: 10.1353/shb.2014.0012

"Turn off the dark": A Tale of Two Shakespeares in Julie Taymor's Tempest

pp. 45-64 | DOI: 10.1353/shb.2014.0015

Staging and Filming John Bale's Three Laws

pp. 65-84 | DOI: 10.1353/shb.2014.0001

Review Essays

What's in an Ending?: Shakespeare on Stage in 2013

pp. 85-96 | DOI: 10.1353/shb.2014.0003

Seattle Shakespeare Company 2012-13 Season

pp. 97-109 | DOI: 10.1353/shb.2014.0005

Performance Reviews

Othello dir. by Nicholas Hytner (review)

pp. 111-115 | DOI: 10.1353/shb.2014.0008

A Midsummer Night's Dream dir. by Ian Talbot (review)

pp. 116-122 | DOI: 10.1353/shb.2014.0011

Measure for Measure dir. by J. Clark Nicholson and Fontaine Syer (review)

pp. 122-130 | DOI: 10.1353/shb.2014.0014

The Massacre at Paris dir. by Jeremy L. West (review)

pp. 130-133 | DOI: 10.1353/shb.2014.0000

Pericles, Prince of Tyre dir. by Julia Rodriguez-Elliott (review)

pp. 133-139 | DOI: 10.1353/shb.2014.0002

Measure for Measure dir. by Brian Isaac Phillips (review)

pp. 139-145 | DOI: 10.1353/shb.2014.0004

A Mad World My Masters dir. by Sean Foley (review)

pp. 146-149 | DOI: 10.1353/shb.2014.0007

Book Reviews

Living with Shakespeare ed. by Susannah Carson (review)

pp. 151-154 | DOI: 10.1353/shb.2014.0010

Shakespeare Made in Canada: Romeo and Juliet ed. by Daniel Fischlin, and: Shakespeare Made in Canada: The Tempest ed. by Daniel Fischlin (review)

pp. 155-158 | DOI: 10.1353/shb.2014.0013

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