1. Figuring Jewishness in George Cukor’s A Double Life
  2. Elyce Rae Helford
  3. pp. 114-138
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  1. Challenging the “Hollywoodization” of the Holocaust: Reconsidering Judgment at Nuremberg (1961)
  2. Jennifer Frost
  3. pp. 139-165
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  1. Serial Trauma: Seriality and Post-Trauma in the Israeli Television Drama Parashat Ha-Shavu’a
  2. Itay Harlap
  3. pp. 166-189
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  1. The Good, the Bad, and the Fatal: Ben Urwand on the Hollywood Moguls and Hitler
  2. Joel Rosenberg
  3. pp. 190-214
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  1. On Brittain and Spotton’s Memorandum
  2. Jordan Osterer
  3. pp. 215-218
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  1. On Hicks’s First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938–1946
  2. Marat Grinberg
  3. pp. 219-222
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  1. On Dunn’s The Worlds of Wolf Mankowitz: Between Elite and Popular Cultures in Post-War Britain
  2. Searle Kochberg
  3. pp. 223-225
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  1. On Ashkenazi’s Weimar Film and Modern Jewish Identity
  2. Kerry Wallach
  3. pp. 226-229
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  1. On Reimer and Reimer’s Historical Dictionary of Holocaust Cinema
  2. Lawrence Baron
  3. pp. 230-232
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  1. On Epstein’s American Jewish Films: The Search for Identity
  2. Stephen J. Whitfield
  3. pp. 233-235
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  1. Introduction
  2. Nathan Abrams, Nir Cohen
  3. pp. 111-113
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