1. Hoboes, Rubbish, and “The Big Rock Candy Mountain”
  2. Graham Raulerson
  3. pp. 420-449
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  1. Experiments in Early Sound Film Music: Strategies and Rerecording, 1928–1930
  2. Michael Slowik
  3. pp. 450-474
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  1. “Persuasive Americanism”?: The Reactionary Promotion and Reception of Warner Bros.’ The Music Man (1962)
  2. Leanne Wood
  3. pp. 475-500
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  1. Alan Lomax, Assistant in Charge: The Library of Congress Letters, 1935–1945 ed. by Ronald D. Cohen (review)
  2. Philip Vandermeer
  3. pp. 501-502
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  1. Sound Diplomacy: Music and Emotions in Transatlantic Relations, 1850–1920 by Jessica C. E. Gienow-Hecht (review)
  2. Nancy Newman
  3. pp. 503-505
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  1. Sounds American: National Identity and the Music Cultures of the Lower Mississippi River Valley, 1800–1860 by Ann Ostendorf (review)
  2. Mark McKnight
  3. pp. 505-508
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  1. Midnight Frolic: The Broadway Theater Music of Louis A. Hirsch (review)
  2. Jonas Westover
  3. pp. 509-510
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