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  Volume 57, Number 1, Spring 2014

Table of Contents

Articles

Tragedy and Theatricality in The Island

pp. 1-18

The Haunted Stage of Summer and Smoke: Tennessee Williams’s Forgotten Silent Film Sequences

pp. 19-40

Mac Wellman’s Antigone: The Hegelian Theme

pp. 41-64

From Laundries to Labour Camps: Staging Ireland’s “Rule of Silence” in Anu Productions’ Laundry

pp. 65-93

The Philippine Komedya and the Recuperation of the Cosmopolitan: From Colonial Legacy to Cross-Cultural Encounter

pp. 94-121

Reviews

Lives in Play: Autobiography and Biography on the Feminist Stage by Ryan Claycomb (review)

pp. 122-124

Theatres of Immanence: Deleuze and the Ethics of Performance by Laura Cull (review)

pp. 124-126

Bernard Shaw: Slaves of Duty and Tricks of the Governing Class by Bernard F. Dukore (review)

pp. 126-128

Archaeologies of Presence ed. by Gabriella Giannachi, Nick Kaye, Michael Shanks (review)

pp. 128-131

Shaw and Feminisms: On Stage and Off ed. by D.A. Hadfield, Jean Reynolds (review)

pp. 131-133

Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen, Patricia Ybarra (review)

pp. 133-136

Anne Charlotte Leffler and Modernist Drama: True Women and New Women on the Fin-de-Siècle Scandinavian Stage by Lynn R. Wilkinson (review)

pp. 136-138

Interrogating Antigone in Postmodern Philosophy and Criticism ed. by S.E. Wilmer, Audronė Žukausaitė (review)

pp. 138-141

Research Areas

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