1. Algorithmic Art
  2. Frieder Nake
  3. p. 108
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  1. The Immortalisation of Billy Apple®: An Art-Science Collaboration
  2. Craig Hilton
  3. pp. 109-113
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  1. Color Plate Insert
  2. pp. 115-117
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  1. Artist as Scientist in a Reflective Universe: A Process of Discovery
  2. Gilah Yelin Hirsch
  3. pp. 118-128
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  1. Imagery and Astronomy: Visual Antecedents Informing Non-Reproductive Depictions of the Orion Nebula
  2. Shana Cooperstein
  3. pp. 129-134
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  1. Ten Questions Concerning Generative Computer Art
  2. Jon McCormack, Oliver Bown, Alan Dorin, Jonathan McCabe, Gordon Monro, Mitchell Whitelaw
  3. pp. 135-141
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  1. Art as a Stimulus for Structural DNA Nanotechnology
  2. Nadrian C. Seeman
  3. pp. 142-149
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  1. The Logic of Color: Theory and Graphics in Christine Ladd-Franklin’s Explanation of Color Vision
  2. Jeremy Kargon
  3. pp. 151-157
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  1. Dispositional Realism and the Specificity of Digital Media
  2. Ian Verstegen
  3. pp. 159-163
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  1. Embodiment, Interaction and Experience: Aesthetic Trends in Interactive Media Arts
  2. Lu Xiaobo, Liu Yuelin
  3. pp. 166-169
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  1. Ecological Outlook in Chinese Classical Design: From "Union of Heaven and Man" to "Following Natural Rules of Heaven"
  2. Li Yanzu
  3. pp. 170-172
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  1. Information-Based Development Trend of Building Skin Design
  2. Liang Feng, Liang Yuhong, Li Jian
  3. pp. 173-175
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  1. Fusion of Art and Technology in Professional Cycling Sportswear Design
  2. Jie Luo, Aihua Mao, Joe S. Au, Yi Li, Xing Zhang
  3. pp. 176-178
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  1. Searching for Authenticiy in Fashion Design and Art Collaboration (FDAC)
  2. Yuli Bai, Tsan-Ming Choi, Jeanne Tan, Raymond W. Au, Yingchun Zang
  3. pp. 179-182
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  1. Ancient Chinese Thought of Character Formation & Modern Logo Design
  2. Dai Wusan
  3. pp. 183-185
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  1. Doctored: The Medicine of Photography in Nineteenth-Century America by Tanya Sheehan (review)
  2. Hannah Drayson
  3. pp. 187-188
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  1. The Horror Sensorium: Media and the Senses by Angela Ndalianis (review)
  2. Jan Baetens
  3. p. 188
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  1. Theatre, Opera and Consciousness: History and Current Debates by Daniel Meyer-Dinkgräfe (review)
  2. Martha Blassnigg
  3. pp. 189-190
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  1. Ethnography and Virtual Worlds by Tom Boellstorff, Bonnie Nardi, Celia Pearce and T.L. Taylor (review)
  2. John F. Barber
  3. pp. 190-191
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  1. Ferocious Reality: Documentary According to Werner Herzog by Eric Ames (review)
  2. Nameera Ahmed
  3. pp. 191-192
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  1. Russia: A World Apart by Simon Marsden and Duncan McLaren (review)
  2. Allan Graubard
  3. pp. 192-193
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  1. At the Borders of Sleep: On Liminal Literature by Peter Schwenger (review)
  2. Will Luers
  3. p. 193
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  1. Creativity and Academic Activism: Instituting Cultural Studies edited by Meaghan Morris (review)
  2. Jan Baetens
  3. pp. 193-194
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  1. The Melancholy Art by Michael Ann Holly (review)
  2. Giovanna Costantini
  3. pp. 194-195
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  1. Prague, Capital of the Twentieth Century: A Surrealist History by Derek Sayer (review)
  2. Jan Baetens
  3. p. 196
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  1. Otherness in Hollywood Cinema by Michael Richardson (review)
  2. Allan Graubard
  3. p. 197
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  1. In the Field: The Art of Field Recording edited by Cathy Lane and Angus Carlyle (review)
  2. John F. Barber
  3. pp. 197-198
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  1. Leonardo Reviews On-line
  2. p. 198
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  1. Leonardo Network News
  2. pp. 199-200
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