1. Sleep and Sleep-watching in Dickens: The Case of Barnaby Rudge
  2. Michael Greaney
  3. pp. 1-19
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  1. Messianism and the Abject: Reading D. H. Lawrence’s The Plumed Serpent
  2. Camelia Raghinaru
  3. pp. 20-43
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  1. “Laura was not thinking”: Cognitive Minimalism in Sylvia Townsend Warner’s Lolly Willowes
  2. James Harker
  3. pp. 44-62
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  1. “Being Myriad, One”: Melville and the Ecological Sublime in Faulkner’s Go Down, Moses
  2. Zackary Vernon
  3. pp. 63-82
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  1. Redeeming the National Ideal: Revisiting E. L. Doctorow’s The Book of Daniel and Its Political Implications
  2. Jieun Kwon
  3. pp. 83-99
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  1. Humanity’s “True Moral Test”: Shame, Idyll, and Animal Vulnerability in Milan Kundera’s The Unbearable Lightness of Being
  2. Joseph Mai
  3. pp. 100-116
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  1. After the End
  2. Mark Osteen
  3. pp. 117-124
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  1. Joseph Conrad and the Reader: Questioning Modern Theories of Narrative and Readership by Amar ACHERAÏOU (review)
  2. Michael John Disanto
  3. pp. 125-126
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  1. Matters of Fact in Jane Austen: History, Location, and Celebrity by Janine BARCHAS (review)
  2. Kathryn Strong Hansen
  3. pp. 127-128
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  1. Sympathetic Realism in Nineteenth-Century British Fiction by Rae GREINER (review)
  2. Rebecca N. Mitchell
  3. pp. 129-130
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  1. Victorian Women Writers, Radical Grandmothers, and the Gendering of God by Gail Turley HOUSTON (review)
  2. Anne Stiles
  3. pp. 130-131
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  1. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual by Bonnie LATIMER (review)
  2. Jarrod Hurlbert
  3. pp. 133-135
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  1. Adapting Poe by Dennis R. PERRY, and Carl H. SEDERHOLM (review)
  2. Scott Peeples
  3. pp. 135-137
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  1. Curious Subjects: Women and the Trials of Realism by Hilary M. SCHOR (review)
  2. Susan Jaret McKinstry
  3. pp. 137-138
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  1. John Neal and Nineteenth-Century American Literature and Culture by Edward WATTS, and David J. CARLSON (review)
  2. Jill Kirsten Anderson
  3. pp. 138-140
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  1. Editor’s Introduction
  2. Stephanie Hawkins
  3. pp. v-vii
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  1. The Modernist Novel: A Critical Introduction by Stephen KERN (review)
  2. Jon Hegglund
  3. pp. 132-133
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