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Table of Contents

  1. Sleep and Sleep-watching in Dickens: The Case of Barnaby Rudge
  2. Michael Greaney
  3. pp. 1-19
  4. DOI: https://doi.org/10.1353/sdn.2014.0026
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  1. Messianism and the Abject: Reading D. H. Lawrence’s The Plumed Serpent
  2. Camelia Raghinaru
  3. pp. 20-43
  4. DOI: https://doi.org/10.1353/sdn.2014.0029
  5. restricted access
  1. “Laura was not thinking”: Cognitive Minimalism in Sylvia Townsend Warner’s Lolly Willowes
  2. James Harker
  3. pp. 44-62
  4. DOI: https://doi.org/10.1353/sdn.2014.0032
  5. restricted access
  1. “Being Myriad, One”: Melville and the Ecological Sublime in Faulkner’s Go Down, Moses
  2. Zackary Vernon
  3. pp. 63-82
  4. DOI: https://doi.org/10.1353/sdn.2014.0035
  5. restricted access
  1. Redeeming the National Ideal: Revisiting E. L. Doctorow’s The Book of Daniel and Its Political Implications
  2. Jieun Kwon
  3. pp. 83-99
  4. DOI: https://doi.org/10.1353/sdn.2014.0021
  5. restricted access
  1. After the End
  2. Mark Osteen
  3. pp. 117-124
  4. DOI: https://doi.org/10.1353/sdn.2014.0025
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  1. Matters of Fact in Jane Austen: History, Location, and Celebrity by Janine BARCHAS (review)
  2. Kathryn Strong Hansen
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/sdn.2014.0031
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  1. Sympathetic Realism in Nineteenth-Century British Fiction by Rae GREINER (review)
  2. Rebecca N. Mitchell
  3. pp. 129-130
  4. DOI: https://doi.org/10.1353/sdn.2014.0034
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  1. Victorian Women Writers, Radical Grandmothers, and the Gendering of God by Gail Turley HOUSTON (review)
  2. Anne Stiles
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/sdn.2014.0036
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  1. Adapting Poe by Dennis R. PERRY, and Carl H. SEDERHOLM (review)
  2. Scott Peeples
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/sdn.2014.0027
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  1. Curious Subjects: Women and the Trials of Realism by Hilary M. SCHOR (review)
  2. Susan Jaret McKinstry
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/sdn.2014.0030
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  1. Editor’s Introduction
  2. Stephanie Hawkins
  3. pp. v-vii
  4. DOI: https://doi.org/10.1353/sdn.2014.0020
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  1. The Modernist Novel: A Critical Introduction by Stephen KERN (review)
  2. Jon Hegglund
  3. pp. 132-133
  4. DOI: https://doi.org/10.1353/sdn.2014.0022
  5. restricted access