1. From the Editor
  2. Okwui Enwezor
  3. pp. 4-6
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  1. Mining Shakespeare: Fred Wilson’s Visual Translations of Othello
  2. Peter Erickson
  3. pp. 8-19
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  1. Moses Tladi, Landscape Painter: South Africa’s First Black Artist Working in the Western Tradition
  2. Angela Read Lloyd
  3. pp. 20-36
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  1. (Mis)seeing in/as Contemporary Art: Kiluanji Kia Henda and the Afronauts
  2. Rachel Nelson
  3. pp. 38-45
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  1. Reading the Lumpenproletariat: Zoe Leonard’s Kampala Photographs
  2. Charity Scribner
  3. pp. 46-55
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  1. Contemporary African Artists and the Pan-African Imaginary: Skunder Boghossian, Kwabena Ampofo-Anti, and Victor Ekpuk
  2. Chika Okeke-Agulu
  3. pp. 56-69
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  1. Analog Girls in a Digital World: Fatimah Tuggar’s Afrofuturist Intervention in the Politics of “Traditional” African Art
  2. Elizabeth Hamilton
  3. pp. 70-79
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  1. Postcolonial Grotesque: Jane Alexander’s Poetic Monsters
  2. Kobena Mercer
  3. pp. 80-90
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  1. Jane Alexander: Surveys (from the Cape of Good Hope)
  2. Pep Subirós
  3. pp. 92-99
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  1. Earth Matters: Land as Material and Metaphor in the Arts of Africa
  2. Karen E. Milbourne
  3. pp. 100-110
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  1. New Works by Zwelethu Mthethwa (review)
  2. Kristen Windmuller-Luna
  3. pp. 112-115
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  1. Revisions by Lalla Essaydi (review)
  2. Erin Farrell
  3. pp. 116-119
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