In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 35, Number 1, 2014Editorial Board
Editor
William Davies King, University of California, Santa Barbara
Book Review Editor
Kurt Eisen, Tennessee Tech University
Performance Review Editor
J. Chris Westgate, California State University Fullerton
Editorial Assistant
Sarah Hartmann, University of California, Santa Barbara
Editorial Board
Judith E. Barlow, SUNY Albany
Stephen A. Black, Simon Fraser University, emeritus
Steven F. Bloom, Lasell College
Zander Brietzke, Columbia University
Patrick Chura, University of Akron
Robert M. Dowling, Central Connecticut State University
Drew Eisenhauer, Lycée International Bossuet de Meaux
Eileen J. Herrman, Dominican University
Katie N. Johnson, Miami University
Bette Mandl, Suffolk University, emerita
Brenda Murphy, University of Connecticut
Laurin Porter, University of Texas, Arlington, emerita
Erika Rundle, Mt. Holyoke College
