1. Everybody Loves Imparfait: Academic Cultures of Imperfection
  2. Cecily Devereux
  3. pp. 1-5
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  1. On David Bowie’s Perfect Imperfection, circa 1974
  2. Daniel Laforest
  3. pp. 6-8
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  1. Aesthetics, Value, and the Joy of Imperfections
  2. Karen Macfarlane
  3. pp. 9-12
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  1. The Queer Art of Imperfection
  2. Derritt Mason
  3. pp. 13-15
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  1. Mistaken Plaesures Pleasures
  2. Peter Schwenger
  3. pp. 16-19
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  1. Reflections on the Nature of Perfection
  2. Antonia Smith
  3. pp. 20-22
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  1. Cinematographic Imperfection: The Art of Life in Film (On John Huston’s The Misfits, 1961)
  2. Maïté Snauwaert
  3. pp. 23-29
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  1. In Memoriam: Rowland McMaster (1928 to 2013)
  2. Shirley Neuman
  3. pp. 31-42
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  1. Why Read?
  2. Rowland McMaster
  3. pp. 43-61
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  1. Grappling with Respect: Copway and Traill in a Conversation that Never Took Place
  2. Daniel Coleman
  3. pp. 63-88
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  1. Reading for the Other: Lessons from Karen Connelly’s The Lizard Cage
  2. Lena Khor
  3. pp. 89-113
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  1. On Lecturing and Being Beautiful: Zadie Smith, Elaine Scarry, and the Liberal Aesthetic
  2. Alexander Dick, Christina Lupton
  3. pp. 115-137
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  1. The Tropical Empire: Exotic Animals and Beastly Men in The Island of Doctor Moreau
  2. Payal Taneja
  3. pp. 139-159
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  1. Giving the Mundane its Due: One (Fine) Day in the Life of the Everyday
  2. Chiara Briganti
  3. pp. 161-180
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  1. “As liuing now, equald theyr vertues then”: Early Modern Allusions, Boudicca, and the Failure of Monologic Historiographies
  2. Laura Schechter
  3. pp. 181-215
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  1. The World After Progress: The Thomas Browne of W. G. Sebald
  2. Dawn Morgan
  3. pp. 217-249
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  1. Cutting into Diane Glancy’s Ghost Dance
  2. Rob Appleford
  3. pp. 251-275
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