1. Beckett’s Speaking Machines: Sound, Radiophonics and Acousmatics
  2. Emilie Morin
  3. pp. 1-24
  4. DOI: 10.1353/mod.2014.0000
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  1. Buster Keaton’s Climate Change
  2. Jennifer Fay
  3. pp. 25-49
  4. DOI: 10.1353/mod.2014.0006
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  1. Shock and “Perfect Contemplation”: Dorothy Richardson’s Mystical Cinematic Consciousness
  2. Jenelle Troxell
  3. pp. 51-70
  4. DOI: 10.1353/mod.2014.0012
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  1. The Author as Arsonist: Henry James and the Paris Commune
  2. Scott McCracken
  3. pp. 71-87
  4. DOI: 10.1353/mod.2014.0017
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  1. On Not Reading Freud: Amateurism, Expertise, and the “Pristine Unconscious” in D.H. Lawrence
  2. Jennifer Spitzer
  3. pp. 89-105
  4. DOI: 10.1353/mod.2014.0022
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  1. Spectacular Distractions: P.T. Barnum and American Modernism
  2. Mark Storey
  3. pp. 107-123
  4. DOI: 10.1353/mod.2014.0027
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  1. At Midcentury: Elizabeth Bowen’s The Heat of the Day
  2. Claire Seiler
  3. pp. 125-145
  4. DOI: 10.1353/mod.2014.0032
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  1. Poetry, Physics, and the Scientific Attitude at Mid-Century
  2. Peter Middleton
  3. pp. 147-168
  4. DOI: 10.1353/mod.2014.0004
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  1. Dada Engineering
  2. Arndt Niebisch
  3. pp. 169-177
  4. DOI: 10.1353/mod.2014.0010
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  1. Gas Mask Parade: Japan’s Anxious Modernism
  2. Gennifer Weisenfeld
  3. pp. 179-199
  4. DOI: 10.1353/mod.2014.0015
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  1. Redactionary Global Modernism: Kisses in Imperial Japan
  2. Jonathan E. Abel
  3. pp. 201-229
  4. DOI: 10.1353/mod.2014.0020
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  1. From Aesthetics to Work: Displaying Indian Labor as Modernist Form in Mexico City and New York
  2. Harper Montgomery
  3. pp. 231-251
  4. DOI: 10.1353/mod.2014.0025
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  1. Stalin’s PowerPoint
  2. Dennis Tenen
  3. pp. 253-267
  4. DOI: 10.1353/mod.2014.0030
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  1. Decadent Style with a Symbolist Worldview: Andrei Bely, Dmitrii Merezhkovskii, and the Perils of Surfaces
  2. Jonathan Stone
  3. pp. 269-282
  4. DOI: 10.1353/mod.2014.0002
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  1. Introducing Georgian Modernism
  2. Harsha Ram
  3. pp. 283-288
  4. DOI: 10.1353/mod.2014.0008
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  1. A City of Poets: The Cultural Life of Tbilisi 1910–1930
  2. Mzia Chikhradze
  3. pp. 289-305
  4. DOI: 10.1353/mod.2014.0013
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  1. The Kimerioni: A Modernist Café in Tbilisi (1919–1921)
  2. Tea Tabatadze
  3. pp. 307-316
  4. DOI: 10.1353/mod.2014.0018
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  1. First Utterance
  2. P’aolo Iashvili, Shota Papava, Harsha Ram
  3. pp. 317-319
  4. DOI: 10.1353/mod.2014.0023
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  1. With Blue Drinking Horns
  2. T’itsian T’abidze, Shota Papava, Harsha Ram
  3. pp. 321-342
  4. DOI: 10.1353/mod.2014.0028
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  1. Decadent Nationalism, “Peripheral” Modernism: The Georgian Literary Manifesto between Symbolism and the Avant-garde
  2. Harsha Ram
  3. pp. 343-359
  4. DOI: 10.1353/mod.2014.0033
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  1. Cosmopolitan, Diasporic and Transnational: The Flourishing of Hebrew Modernism
  2. Rachel S. Harris
  3. pp. 361-368
  4. DOI: 10.1353/mod.2014.0005
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  1. German Modernity: From the Baroque to the Present with Walter Benjamin
  2. Jessica Nitsche
  3. pp. 369-373
  4. DOI: 10.1353/mod.2014.0011
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  1. Empire’s Wake: Postcolonial Irish Writing and the Politics of Modern Literary Form by Mark Quigley (review)
  2. Laura Lovejoy
  3. pp. 375-377
  4. DOI: 10.1353/mod.2014.0016
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  1. A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton (review)
  2. Annabel Haynes
  3. pp. 379-381
  4. DOI: 10.1353/mod.2014.0026
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  1. Wallace Stevens, New York, and Modernism ed. by Lisa Goldfarb and Bart Eeckhout (review)
  2. Joshua Kotin
  3. pp. 381-383
  4. DOI: 10.1353/mod.2014.0031
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  1. Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult by Leigh Wilson (review)
  2. Thomas Steinfeld
  3. pp. 383-385
  4. DOI: 10.1353/mod.2014.0003
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  1. Icons in Time, Persons in Eternity: Orthodox Theology and the Aesthetics of the Christian Image by C. A. Tsakiridou (review)
  2. Suzanne Hobson
  3. pp. 385-387
  4. DOI: 10.1353/mod.2014.0009
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  1. Found Sculpture and Photography from Surrealism to Contemporary Art ed. by Anna Dezeuze and Julia Kelly (review)
  2. Jo Applin
  3. pp. 387-389
  4. DOI: 10.1353/mod.2014.0014
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  1. Latin American Modern Architectures: Ambiguous Territories ed. by Patricio del Real and Helen Gyger (review)
  2. Timothy Hyde
  3. pp. 389-390
  4. DOI: 10.1353/mod.2014.0019
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  1. American Modern: Hopper to O’Keeffe, MoMA, New York (review)
  2. Caroline Blinder
  3. pp. 391-395
  4. DOI: 10.1353/mod.2014.0024
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  1. La Poison dir. by Sacha Guitry (review)
  2. Melanie Conroy
  3. pp. 397-400
  4. DOI: 10.1353/mod.2014.0029
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  1. Fear and Desire dir. by Stanley Kubrick (review)
  2. Bruce Isaacs
  3. pp. 400-402
  4. DOI: 10.1353/mod.2014.0001
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  1. Recent Books of Interest
  2. pp. 403-405
  3. DOI: 10.1353/mod.2014.0007
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