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  Volume 43, Number 1, 2014 (Issue 133)

Table of Contents

Guest Editors: Nathalie Rachlin & Rosemarie Scullion

Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization

pp. 3-12 | DOI: 10.1353/sub.2014.0010

Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror

pp. 13-25 | DOI: 10.1353/sub.2014.0013

Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema

pp. 26-43 | DOI: 10.1353/sub.2014.0001

The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema

pp. 44-62 | DOI: 10.1353/sub.2014.0003

Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne

pp. 63-81 | DOI: 10.1353/sub.2014.0005

The Crisis before the Crisis: Reading Films by Laurent Cantet and Jean-Pierre and Luc Dardenne Through the Lens of Debt

pp. 82-95 | DOI: 10.1353/sub.2014.0007

Claire Denis and the World Cinema of Refusal

pp. 96-108 | DOI: 10.1353/sub.2014.0009

Responding to Globalization: The Evolution of Agnès Varda

pp. 109-122 | DOI: 10.1353/sub.2014.0012

Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema

pp. 123-137 | DOI: 10.1353/sub.2014.0000

Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement

pp. 138-151 | DOI: 10.1353/sub.2014.0002


The Linguistic Return: Deconstruction as Textual Messianism

pp. 152-165 | DOI: 10.1353/sub.2014.0004

Mannerism, Baroque, and Modernism: Deleuze and the Essence of Art

pp. 166-190 | DOI: 10.1353/sub.2014.0006


The Mother of Us All?

pp. 191-197 | DOI: 10.1353/sub.2014.0008


pp. 198-199 | DOI: 10.1353/sub.2014.0011

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