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  Volume 43, Number 1, 2014 (Issue 133)

Table of Contents

Guest Editors: Nathalie Rachlin & Rosemarie Scullion

Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization

pp. 3-12
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Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror

pp. 13-25
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Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema

pp. 26-43
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The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema

pp. 44-62
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Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne

pp. 63-81
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The Crisis before the Crisis: Reading Films by Laurent Cantet and Jean-Pierre and Luc Dardenne Through the Lens of Debt

pp. 82-95
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Claire Denis and the World Cinema of Refusal

pp. 96-108
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Responding to Globalization: The Evolution of Agnès Varda

pp. 109-122
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Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema

pp. 123-137
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Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement

pp. 138-151
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Plus

The Linguistic Return: Deconstruction as Textual Messianism

pp. 152-165
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Mannerism, Baroque, and Modernism: Deleuze and the Essence of Art

pp. 166-190
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Reviews

The Mother of Us All?

pp. 191-197
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Contributors

pp. 198-199
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Research Areas

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