restricted access   Volume 43, Number 1, 2014 (Issue 133)

Table of Contents

Guest Editors: Nathalie Rachlin & Rosemarie Scullion

Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization

pp. 3-12

Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror

pp. 13-25

Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema

pp. 26-43

The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema

pp. 44-62

Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne

pp. 63-81

The Crisis before the Crisis: Reading Films by Laurent Cantet and Jean-Pierre and Luc Dardenne Through the Lens of Debt

pp. 82-95

Claire Denis and the World Cinema of Refusal

pp. 96-108

Responding to Globalization: The Evolution of Agnès Varda

pp. 109-122

Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema

pp. 123-137

Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement

pp. 138-151


The Linguistic Return: Deconstruction as Textual Messianism

pp. 152-165

Mannerism, Baroque, and Modernism: Deleuze and the Essence of Art

pp. 166-190


The Mother of Us All?

pp. 191-197


pp. 198-199