1. Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror
  2. Mireille Rosello
  3. pp. 13-25
  4. DOI: 10.1353/sub.2014.0013
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  1. Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema
  2. Will Higbee
  3. pp. 26-43
  4. DOI: 10.1353/sub.2014.0001
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  1. The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema
  2. Nathalie Rachlin
  3. pp. 44-62
  4. DOI: 10.1353/sub.2014.0003
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  1. Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne
  2. Rosemarie Scullion
  3. pp. 63-81
  4. DOI: 10.1353/sub.2014.0005
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  1. Claire Denis and the World Cinema of Refusal
  2. Rosalind Galt
  3. pp. 96-108
  4. DOI: 10.1353/sub.2014.0009
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  1. Responding to Globalization: The Evolution of Agnès Varda
  2. Kelley Conway
  3. pp. 109-122
  4. DOI: 10.1353/sub.2014.0012
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  1. Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema
  2. Charlie Michael
  3. pp. 123-137
  4. DOI: 10.1353/sub.2014.0000
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  1. Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement
  2. Martine Guyot-Bender
  3. pp. 138-151
  4. DOI: 10.1353/sub.2014.0002
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  1. The Linguistic Return: Deconstruction as Textual Messianism
  2. Anthony Reynolds
  3. pp. 152-165
  4. DOI: 10.1353/sub.2014.0004
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  1. Mannerism, Baroque, and Modernism: Deleuze and the Essence of Art
  2. Sjoerd van Tuinen
  3. pp. 166-190
  4. DOI: 10.1353/sub.2014.0006
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  1. The Mother of Us All?
  2. Kevin Kopelson
  3. pp. 191-197
  4. DOI: 10.1353/sub.2014.0008
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  1. Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
  2. Nathalie Rachlin, Rosemarie Scullion
  3. pp. 3-12
  4. DOI: 10.1353/sub.2014.0010
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  1. Contributors
  2. pp. 198-199
  3. DOI: 10.1353/sub.2014.0011
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