restricted access   Volume 58, Number 1, Spring 2014 (T221)

Table of Contents


p. 1


What is to be done

pp. 2-3


Performing Shanghai and Beyond: An Introduction

pp. 7-8

Theatre Building, Building Theatre: Fostering Disruption and Community through Arts and Education

pp. 9-15

Performing Dream or Reality: The Dilemma of Chinese Community-Based Theatre

pp. 16-23

Spiritual Farming: Performance at Shanghai’s Downstream Garage

pp. 24-41

Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre

pp. 42-63

China’s Experimental Mainstream: The Badass Teatre of Meng Jinghui

pp. 64-88

Queer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Mother

pp. 89-107

Adaptation as Hospitality: Shanghai Theatre Academy Winter Institute 2013 Performance Series

pp. 108-117

Remembering and Reenacting Hunger: Caochangdi Workstation’s Minjian Memory Project

pp. 118-140


Shalom Shanghai

pp. 141-166


Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield (review)

pp. 167-169

Puppet: An Essay on Uncanny Life by Kenneth Gross (review)

pp. 169-171

Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements by Richard K. Sherwin (review)

pp. 171-173

Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)

pp. 174-175

Racial Indigestion: Eating Bodies in the 19th Century by Kyla Wazana Tompkins (review)

pp. 175-177

Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service by Sara Jane Bailes (review)

pp. 177-178

Voice: Vocal Aesthetics in Digital Arts and Media ed. by Norie Neumark, Ross Gibson, and Theo van Leeuwen, and: Dramatic Theories of Voice in the Twentieth Century by Andrew M. Kimbrough (review)

pp. 178-181

Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop (review)

pp. 181-183

More Books

pp. 183-184