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In this Issue

Table of Contents

  1. Image
  3. p. 1
  4. restricted access
  1. What is to be done
  2. Milo Rau, Nina Wolters
  3. pp. 2-3
  4. restricted access
  1. Theatre Building, Building Theatre: Fostering Disruption and Community through Arts and Education
  2. Mary Schmidt Campbell
  3. pp. 9-15
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  1. Performing Dream or Reality: The Dilemma of Chinese Community-Based Theatre
  2. Shen Liang
  3. pp. 16-23
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  1. Spiritual Farming: Performance at Shanghai’s Downstream Garage
  2. Michael Leibenluft, Maja-Stina Johansson Wang
  3. pp. 24-41
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  1. Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre
  2. Emily E. Wilcox
  3. pp. 42-63
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  1. China’s Experimental Mainstream: The Badass Teatre of Meng Jinghui
  2. Claire Conceison
  3. pp. 64-88
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  1. Queer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Mother
  2. Ivy I-chu Chang
  3. pp. 89-107
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  1. Remembering and Reenacting Hunger: Caochangdi Workstation’s Minjian Memory Project
  2. Jiayun Zhuang
  3. pp. 118-140
  4. restricted access
  1. Shalom Shanghai
  2. William Huizhu Sun
  3. pp. 141-166
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  1. Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield (review)
  2. Pannill Camp
  3. pp. 167-169
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  1. Puppet: An Essay on Uncanny Life by Kenneth Gross (review)
  2. John Bell
  3. pp. 169-171
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  1. Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements by Richard K. Sherwin (review)
  2. Branislav Jakovljević
  3. pp. 171-173
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  1. Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)
  2. Colleen Rua
  3. pp. 174-175
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  1. Racial Indigestion: Eating Bodies in the 19th Century by Kyla Wazana Tompkins (review)
  2. Dorothy Chansky
  3. pp. 175-177
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  1. Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service by Sara Jane Bailes (review)
  2. Claire MacDonald
  3. pp. 177-178
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  1. Voice: Vocal Aesthetics in Digital Arts and Media ed. by Norie Neumark, Ross Gibson, and Theo van Leeuwen, and: Dramatic Theories of Voice in the Twentieth Century by Andrew M. Kimbrough (review)
  2. Gelsey Bell
  3. pp. 178-181
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  1. Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop (review)
  2. Kenn Watt
  3. pp. 181-183
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  1. More Books
  2. Lindsey Mantoan
  3. pp. 183-184
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  1. Performing Shanghai and Beyond: An Introduction
  2. William Huizhu Sun
  3. pp. 7-8
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  1. Adaptation as Hospitality: Shanghai Theatre Academy Winter Institute 2013 Performance Series
  2. Tarryn Li-Min Chun
  3. pp. 108-117
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