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  Volume 15, Number 3, October 2013

Table of Contents

Special Issue: Artists and Adaptation
From the 8th International Conference in Rome


DOI: 10.1353/lvn.2013.0029

From the Mast-Head

pp. 1-2 | DOI: 10.1353/lvn.2013.0024


Special Issue: On Artists and Adaptation Introduction

pp. 4-5 | DOI: 10.1353/lvn.2013.0027

The Whiteness, An Unreadable Book

pp. 6-15 | DOI: 10.1353/lvn.2013.0030

A Closer Reading

pp. 16-26 | DOI: 10.1353/lvn.2013.0032

Franco Fortunato’s Mythic and Mystical Moby-Dick

pp. 27-40 | DOI: 10.1353/lvn.2013.0034

From Ancient Rome to Modern Italy: Italian Art in Melville’s Print Collection

pp. 41-54 | DOI: 10.1353/lvn.2013.0036

Melville and the Trope of the Starving American Artist in Rome

pp. 55-65 | DOI: 10.1353/lvn.2013.0023

Melville’s “Statues in Rome,” Billy Budd, and the Death of Delight

pp. 66-80 | DOI: 10.1353/lvn.2013.0026

Hunting Moby Dick: Melville in the Global Context of the American Studies Classroom

pp. 81-89 | DOI: 10.1353/lvn.2013.0031

Pulp(y) Fiction: A Dylan Dog Adaptation of Moby-Dick

pp. 90-103 | DOI: 10.1353/lvn.2013.0033

In the Shadow of No Whales: Rewriting Moby-Dick in Samuel R. Delany’s Nova

pp. 104-116 | DOI: 10.1353/lvn.2013.0035

“Something Further May Follow”: Melville’s Legacy and Contemporary Adaptations of The Confidence-Man

pp. 117-130 | DOI: 10.1353/lvn.2013.0022


All Astir

pp. 132-137 | DOI: 10.1353/lvn.2013.0025

Abstracts: ALA 2013-Boston

pp. 139-141 | DOI: 10.1353/lvn.2013.0028

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