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  Volume 47, Number 4, Winter 2013

Table of Contents

“Wise Enough to Play the Fool”: Robert Armin and Shakespeare’s Sung Songs of Scripted Improvisation

pp. 419-449
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After Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison

pp. 451-472
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“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows

pp. 473-503
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Double Exposures: On the Reciprocity of Influence between Tennessee Williams and Jean Cocteau

pp. 505-527
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“I Have Done the State Some Service”: Reading Slavery in Othello through Juan Latino

pp. 529-551
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Reviews

Of Bondage: Debt, Property and Personhood in Early Modern England by Amanda Bailey (review)

pp. 553-556
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Shakespeare and the Book Trade by Lukas Erne (review)

pp. 557-559
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The Sentimental Theater of the French Revolution by Cecilia Feilla (review)

pp. 560-563
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Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

pp. 563-565
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The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)

pp. 566-568
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The Tears of Sovereignty: Perspectives of Power in Renaissance Drama by Philip Lorenz (review)

pp. 569-572
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Corpus Christi Plays at York: A Context for Religious Drama by Clifford Davidson (review)

pp. 572-576
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The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)

pp. 576-579
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The Modern Art of Influence and the Spectacle of Oscar Wilde by S. I. Salamensky (review)

pp. 579-582
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Acting Together: Performance and the Creative Transformation of Conflict. Volume I: Resistance and Reconciliation in Regions of Violence. and Volume II: Building Just and Inclusive Communities ed. by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker (review)

pp. 582-585
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Mortal Thoughts: Religion, Secularity, and Identity in Early Modern Culture by Brian Cummings (review)

pp. 585-588
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Brief Notices

pp. 589-595
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Contributors

pp. 597-599
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Research Areas

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