1. ‘Does all this have to happen again?’ Excavating heritage in Battlestar Galactica
  2. Shawn Malley
  3. pp. 1-29
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  1. 1950s science fiction cinema’s depersonalisation narratives in Britain
  2. Matthew Jones
  3. pp. 31-54
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  1. A journey into the shadows: The Twilight Zone’s visual critique of the Cold War
  2. Erik Mortenson
  3. pp. 55-76
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  1. Panic on the streets of London: Tourism and British dystopian cinema
  2. Aidan Power
  3. pp. 77-98
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  1. Why does your church look like a fortress?: God and the gothic in Doctor Who and Hammer
  2. Marcus Harmes
  3. pp. 99-116
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  1. Looper by Rian Johnson (review)
  2. Rebecca Bartlett
  3. pp. 117-120
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  1. Sound of My Voice by Zal Batmanglij (review)
  2. Shaun Duke
  3. pp. 120-124
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  1. The Already Dead: The New Time of Politics, Culture, and Illness by Eric Cazdyn (review)
  2. Valérie Savard
  3. pp. 125-130
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  1. Projecting Tomorrow: Science Fiction and Popular Cinema by James Chapman and Nicholas J. Cull (review)
  2. J.P. Telotte
  3. pp. 130-133
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  1. I See You: The Shifting Paradigms of James Cameron’s Avatar by Ellen Grabiner (review)
  2. Jody B. Cutler
  3. pp. 133-135
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  1. Artificial Culture: Identity, Technology, and Bodies by Tama Leaver (review)
  2. Veronica Hollinger
  3. pp. 137-140
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  1. The Worlds of Back to the Future: Critical Essays on the Films by Sorcha Ní Fhlainn, ed. (review)
  2. David Wittenberg
  3. pp. 140-143
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  1. Gothic Science Fiction, 1980–2010 by Sara Wasson and Emily Alder (eds) (review)
  2. Stephen Shapiro
  3. pp. 143-146
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  1. The Vampire Film: Undead Cinema by Jeffrey Weinstock (review)
  2. Stacey Abbott
  3. pp. 146-150
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  1. Time Travel: The Popular Philosophy of Narrative by David Wittenberg (review)
  2. Andrew Gordon
  3. pp. 150-155
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  1. Looking for Lost: Critical Essays on the Enigmatic Series by Randy Laist, ed. (review)
  2. Gozde Kilic
  3. pp. 135-137
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  1. About the contributors
  2. pp. 157-158
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