1. The Catastrophic ‘Modernity’ and the ‘Uncivilized’ Civilization in Luigi Pirandello and Luigi Antonelli
  2. Annachiara Mariani
  3. pp. 251-262
  4. DOI: 10.1353/rmc.2013.0028
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  1. A Syn-aesthetic Path: The Notion of Counterpoint from Antonio Gramsci to Edward Said
  2. Lorenzo Salvagni
  3. pp. 263-272
  4. DOI: 10.1353/rmc.2013.0030
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  1. Country Life à la Carte in Pupi Avati’s The Story of Boys and Girls
  2. Rosetta Giuliani Caponetto
  3. pp. 273-281
  4. DOI: 10.1353/rmc.2013.0026
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  1. Vestido de noiva de Nelson Rodrigues y la fragmentación escénica del matrimonio
  2. David William Foster
  3. pp. 283-290
  4. DOI: 10.1353/rmc.2013.0032
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  1. Nature and Nurture in Jorge Amado’s Tent of Miracles
  2. Jerry Hoeg
  3. pp. 291-297
  4. DOI: 10.1353/rmc.2013.0024
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  1. Mérimée’s Feasts and the Undermining of Cultural Superiority
  2. Corry Cropper
  3. pp. 299-306
  4. DOI: 10.1353/rmc.2013.0034
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  1. La fonction emancipatrice du theatre dans Aline et Valcour
  2. Sophie Delahaye
  3. pp. 307-315
  4. DOI: 10.1353/rmc.2013.0035
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  1. Inescapable Present: Trauma and Memory in Octavio Paz’s Poetry
  2. Ángel Díaz Miranda
  3. pp. 317-327
  4. DOI: 10.1353/rmc.2013.0033
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  1. A Bloody Transition: Child Killers in Narciso Ibáñez Serrador’s ¿Quién puede matar a un niño? (1976)
  2. Eli Evans, Haley O’Neil
  3. pp. 329-335
  4. DOI: 10.1353/rmc.2013.0031
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  1. La muerte de un burócrata de Tomás Gutiérrez Alea: Entre révolution et hommage cinématographique
  2. Nicolas Balutet
  3. pp. 345-351
  4. DOI: 10.1353/rmc.2013.0029
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  1. Violencia y papas fritas: Cuba en la oscuridad en Posesas de la Habana de Teresa Dovalpage
  2. Marisela Fleites-Lear
  3. pp. 353-364
  4. DOI: 10.1353/rmc.2013.0025
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  1. Grietas en la razón melodramática: El control de las mujeres en Los bandidos de Río Frío
  2. José Ramón Ruisánchez Serra
  3. pp. 365-372
  4. DOI: 10.1353/rmc.2013.0027
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