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  Volume 28, Number 1, Fall 2013

Table of Contents

Editorial Note

p. 4 | DOI: 10.1353/dtc.2013.0027


What Does it Take to Be a “Good Mother?”: Contemporary Motherhood Ideology and the Feminist Potential of Lisa Loomer’s Dramaturgy

pp. 5-22 | DOI: 10.1353/dtc.2013.0030

The Farceur as Modernist: Fernand Crommelynck, The Magnanimous Cuckold, and Twentieth-Century Western Drama

pp. 23-34 | DOI: 10.1353/dtc.2013.0033


pp. 35-59 | DOI: 10.1353/dtc.2013.0020

Dreamwrighting: The Oneiric in the Plays of Adrienne Kennedy and Eugène Ionesco

pp. 61-80 | DOI: 10.1353/dtc.2013.0022

Book Reviews

Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century by Alex Sayf Cummings (review)

pp. 83-85 | DOI: 10.1353/dtc.2013.0024

Demands of the Dead: Executions, Storytelling, and Activism in the United States ed. by Katy Ryan (review)

pp. 85-87 | DOI: 10.1353/dtc.2013.0026

Baggy Pants Comedy: Burlesque and the Oral Tradition by Andrew Davis (review)

pp. 87-89 | DOI: 10.1353/dtc.2013.0029

Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter by Michael Y. Bennett (review)

pp. 89-91 | DOI: 10.1353/dtc.2013.0032

Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht, and: Hard Times: The Adult Musical in 1970s New York City by Elizabeth L. Wollman (review)

pp. 92-95 | DOI: 10.1353/dtc.2013.0034

Theater Outside Athens: Drama in Greek Sicily and South Italy ed. by Kathryn Bosher (review)

pp. 95-97 | DOI: 10.1353/dtc.2013.0021

Uncle Tom’s Cabin on the American Stage and Screen by John W. Frick (review)

pp. 97-99 | DOI: 10.1353/dtc.2013.0023

Archaeologies of Presence: Art, Performance, and the Persistence of Being ed. by Gabriella Giannachi, Nick Kaye, and Michael Shanks (review)

pp. 100-102 | DOI: 10.1353/dtc.2013.0025

Speaking about Torture ed. by Julie A. Carlson and Elisabeth Weber (review)

pp. 102-104 | DOI: 10.1353/dtc.2013.0028

Books Received

pp. 105-112 | DOI: 10.1353/dtc.2013.0031

Research Areas


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