1. Reconstructing Samuel Barber’s Christmas Cantata Christmas Eve: A Trio with Solos, Op. XIII
  2. Iain Quinn
  3. pp. 375-397
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  1. Photoplay Music From the Mirskey Collection at the University of Pittsburgh
  2. Carlos E. Peña
  3. pp. 398-412
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  1. Denkmäler der Tonkunst in Österreich (DTÖ): History and Editorial Program
  2. Martin Eybl
  3. pp. 413-420
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  1. Notes for Notes
  2. pp. 421-422
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  1. Bewitching Russian Opera: The Tsarina from State to Stage by Inna Naroditskaya (review)
  2. Richard Taruskin
  3. pp. 423-426
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  1. The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck by Michael Rose (review)
  2. George Kennaway
  3. pp. 427-429
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  1. Noah im kalten Krieg: Igor Strawinsky’s Musical Play “The Flood.” by Hannah Dübgen (review)
  2. Emily Richmond Pollock
  3. pp. 429-431
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  1. Music and Theology in Nineteenth-Century Britain ed. by Martin V. Clarke (review)
  2. Julian Onderdonk
  3. pp. 433-436
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  1. Pierre Cochereau: Organist of Notre-Dame by Anthony Hammond (review)
  2. Christina Linklater
  3. pp. 438-440
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  1. The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum (review)
  2. Kirstin Dougan
  3. pp. 440-442
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  1. Making Musicians: A Personal History of the Britten-Pears School by Moira Bennett (review)
  2. Shersten Johnson
  3. pp. 444-446
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  1. I Drum, Therefore I Am: Being and Becoming a Drummer by Gareth Dylan Smith (review)
  2. Mandy Smith
  3. pp. 446-448
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  1. Pionier der alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik by Nikolaus de Palézieux (review)
  2. Abby Anderton
  3. pp. 448-450
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  1. Cage & Consequences ed. by Julia H. Schröder and Volker Straebel (review)
  2. Clemens Gresser
  3. pp. 450-452
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  1. Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty (review)
  2. Travis D. Stimeling
  3. pp. 452-455
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  1. Afro-Cuban Music: A Bibliographic Guide by John Gray (review)
  2. Nolan Warden
  3. pp. 455-457
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  1. Engaging Haydn: Culture, Context, and Criticism ed. by Mary Hunter and Richard Will (review)
  2. Balázs Mikusi
  3. pp. 457-460
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  1. The Orchestral Revolution: Haydn and the Technologies of Timbre by Emily I. Dolan (review)
  2. Paul Christiansen
  3. pp. 460-462
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  1. Mozart-Jahrbuch 2011 ed. by Ulrich Leisinger and Johanna Senigl (review)
  2. Lisa de Alwis
  3. pp. 462-465
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  1. François-Joseph Fétis: Musicographe by Rémy Campos (review)
  2. Peter Bloom
  3. pp. 465-468
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  1. Expressive Intersections in Brahms: Essays in Analysis and Meaning ed. by Heather Platt and Peter H. Smith (review)
  2. Melissa Hoag
  3. pp. 468-471
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  1. “I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber (review)
  2. Andrea F. Bohlman
  3. pp. 473-475
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  1. Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith by Magnar Breivik (review)
  2. Michael J. Duffy IV
  3. pp. 475-477
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  1. The Great Orchestrator: Arthur Judson and American Arts Management by James M. Doering (review)
  2. Michael Mauskapf
  3. pp. 477-480
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 481-494
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  1. New Periodicals
  2. Jared Cowing
  3. pp. 495-498
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  1. SoundCloud (review)
  2. Francesca Giannetti
  3. pp. 499-503
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  1. ShareStream (review)
  2. Lisa Hooper
  3. pp. 503-506
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  1. Mahler on DVD: An Overview of Art Films, Documentaries, and Concert Videos
  2. James L. Zychowicz
  3. pp. 507-521
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  1. Arrangements by Clara Schumann
  2. Valerie Woodring Goertzen
  3. pp. 522-525
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  1. Lalo’s Fiesque
  2. Jacek Blaszkiewicz
  3. pp. 525-529
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  1. Transcriptions of Early Recorded Jazz
  2. Barry Kernfeld
  3. pp. 529-533
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  1. Two Versions of Janáček’s Glagolitic Mass
  2. John Tyrrell
  3. pp. 534-538
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  1. Maderna’s Requiem Recovered
  2. Claudia di Luzio
  3. pp. 538-541
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  1. Index to Advertisers
  2. p. 550
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  1. Music Received
  2. David Knapp
  3. pp. 542-549
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