restricted access   Volume 70, Number 3, March 2014

Table of Contents

Reconstructing Samuel Barber’s Christmas Cantata Christmas Eve: A Trio with Solos, Op. XIII

pp. 375-397

Photoplay Music From the Mirskey Collection at the University of Pittsburgh

pp. 398-412

Denkmäler der Tonkunst in Österreich (DTÖ): History and Editorial Program

pp. 413-420

Notes for Notes

pp. 421-422

Book Reviews


Bewitching Russian Opera: The Tsarina from State to Stage by Inna Naroditskaya (review)

pp. 423-426

The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck by Michael Rose (review)

pp. 427-429

Noah im kalten Krieg: Igor Strawinsky’s Musical Play “The Flood.” by Hannah Dübgen (review)

pp. 429-431

Camille Saint-Saëns, 1835–1921: A Thematic Catalogue of His Complete Works, Volume II: The Dramatic Works by Sabina Teller Ratner (review)

pp. 431-433

Church Music

Music and Theology in Nineteenth-Century Britain ed. by Martin V. Clarke (review)

pp. 433-436

Die Lieder des Evangelischen Gesangbuchs, Band. 1: Kirchenjahr und Gottesdienst (EG 1-269). Kommentar zu Entstehung, Text und Musik by Karl Christian Thust (review)

pp. 436-438

Instruments and Performance

Pierre Cochereau: Organist of Notre-Dame by Anthony Hammond (review)

pp. 438-440

The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum (review)

pp. 440-442

Trumpets and other High Brass, Volume 1: A History Inspired by the Joe R. and Joella F. Utley Collection: Instruments of the Single Harmonic Series by Sabine Katharina Klaus (review)

pp. 442-444

Making Musicians: A Personal History of the Britten-Pears School by Moira Bennett (review)

pp. 444-446

I Drum, Therefore I Am: Being and Becoming a Drummer by Gareth Dylan Smith (review)

pp. 446-448


Pionier der alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik by Nikolaus de Palézieux (review)

pp. 448-450

Cage & Consequences ed. by Julia H. Schröder and Volker Straebel (review)

pp. 450-452


Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty (review)

pp. 452-455

Afro-Cuban Music: A Bibliographic Guide by John Gray (review)

pp. 455-457

Haydn and Mozart

Engaging Haydn: Culture, Context, and Criticism ed. by Mary Hunter and Richard Will (review)

pp. 457-460

The Orchestral Revolution: Haydn and the Technologies of Timbre by Emily I. Dolan (review)

pp. 460-462

Mozart-Jahrbuch 2011 ed. by Ulrich Leisinger and Johanna Senigl (review)

pp. 462-465

Nineteenth Century

François-Joseph Fétis: Musicographe by Rémy Campos (review)

pp. 465-468

Expressive Intersections in Brahms: Essays in Analysis and Meaning ed. by Heather Platt and Peter H. Smith (review)

pp. 468-471

The Collected Writings of Franz Liszt, vol. 2: Essays and Letters of a Traveling Bachelor of Music ed. and trans. by Janita R. Hall-Swadley (review)

pp. 471-472

Twentieth Century

“I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber (review)

pp. 473-475

Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith by Magnar Breivik (review)

pp. 475-477

The Great Orchestrator: Arthur Judson and American Arts Management by James M. Doering (review)

pp. 477-480

Books Recently Published

pp. 481-494

New Periodicals

pp. 495-498

Digital Media Reviews

SoundCloud (review)

pp. 499-503

ShareStream (review)

pp. 503-506

Video Reviews

Mahler on DVD: An Overview of Art Films, Documentaries, and Concert Videos

pp. 507-521

Music Reviews

Arrangements by Clara Schumann

pp. 522-525

Lalo’s Fiesque

pp. 525-529

Transcriptions of Early Recorded Jazz

pp. 529-533

Two Versions of Janáček’s Glagolitic Mass

pp. 534-538

Maderna’s Requiem Recovered

pp. 538-541

Music Received

pp. 542-549

Index to Advertisers

p. 550