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  Volume 70, Number 3, March 2014

Table of Contents

Reconstructing Samuel Barber’s Christmas Cantata Christmas Eve: A Trio with Solos, Op. XIII

pp. 375-397 | DOI: 10.1353/not.2014.0011

Photoplay Music From the Mirskey Collection at the University of Pittsburgh

pp. 398-412 | DOI: 10.1353/not.2014.0018

Denkmäler der Tonkunst in Österreich (DTÖ): History and Editorial Program

pp. 413-420 | DOI: 10.1353/not.2014.0024

Notes for Notes

pp. 421-422 | DOI: 10.1353/not.2014.0030

Book Reviews


Bewitching Russian Opera: The Tsarina from State to Stage by Inna Naroditskaya (review)

pp. 423-426 | DOI: 10.1353/not.2014.0036

The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck by Michael Rose (review)

pp. 427-429 | DOI: 10.1353/not.2014.0002

Noah im kalten Krieg: Igor Strawinsky’s Musical Play “The Flood.” by Hannah Dübgen (review)

pp. 429-431 | DOI: 10.1353/not.2014.0008

Camille Saint-Saëns, 1835–1921: A Thematic Catalogue of His Complete Works, Volume II: The Dramatic Works by Sabina Teller Ratner (review)

pp. 431-433 | DOI: 10.1353/not.2014.0015

Church Music

Music and Theology in Nineteenth-Century Britain ed. by Martin V. Clarke (review)

pp. 433-436 | DOI: 10.1353/not.2014.0022

Die Lieder des Evangelischen Gesangbuchs, Band. 1: Kirchenjahr und Gottesdienst (EG 1-269). Kommentar zu Entstehung, Text und Musik by Karl Christian Thust (review)

pp. 436-438 | DOI: 10.1353/not.2014.0028

Instruments and Performance

Pierre Cochereau: Organist of Notre-Dame by Anthony Hammond (review)

pp. 438-440 | DOI: 10.1353/not.2014.0034

The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum (review)

pp. 440-442 | DOI: 10.1353/not.2014.0000

Trumpets and other High Brass, Volume 1: A History Inspired by the Joe R. and Joella F. Utley Collection: Instruments of the Single Harmonic Series by Sabine Katharina Klaus (review)

pp. 442-444 | DOI: 10.1353/not.2014.0006

Making Musicians: A Personal History of the Britten-Pears School by Moira Bennett (review)

pp. 444-446 | DOI: 10.1353/not.2014.0013

I Drum, Therefore I Am: Being and Becoming a Drummer by Gareth Dylan Smith (review)

pp. 446-448 | DOI: 10.1353/not.2014.0020


Pionier der alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik by Nikolaus de Palézieux (review)

pp. 448-450 | DOI: 10.1353/not.2014.0026

Cage & Consequences ed. by Julia H. Schröder and Volker Straebel (review)

pp. 450-452 | DOI: 10.1353/not.2014.0032


Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty (review)

pp. 452-455 | DOI: 10.1353/not.2014.0038

Afro-Cuban Music: A Bibliographic Guide by John Gray (review)

pp. 455-457 | DOI: 10.1353/not.2014.0004

Haydn and Mozart

Engaging Haydn: Culture, Context, and Criticism ed. by Mary Hunter and Richard Will (review)

pp. 457-460 | DOI: 10.1353/not.2014.0010

The Orchestral Revolution: Haydn and the Technologies of Timbre by Emily I. Dolan (review)

pp. 460-462 | DOI: 10.1353/not.2014.0017

Mozart-Jahrbuch 2011 ed. by Ulrich Leisinger and Johanna Senigl (review)

pp. 462-465 | DOI: 10.1353/not.2014.0023

Nineteenth Century

François-Joseph Fétis: Musicographe by Rémy Campos (review)

pp. 465-468 | DOI: 10.1353/not.2014.0029

Expressive Intersections in Brahms: Essays in Analysis and Meaning ed. by Heather Platt and Peter H. Smith (review)

pp. 468-471 | DOI: 10.1353/not.2014.0035

The Collected Writings of Franz Liszt, vol. 2: Essays and Letters of a Traveling Bachelor of Music ed. and trans. by Janita R. Hall-Swadley (review)

pp. 471-472 | DOI: 10.1353/not.2014.0001

Twentieth Century

“I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber (review)

pp. 473-475 | DOI: 10.1353/not.2014.0007

Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith by Magnar Breivik (review)

pp. 475-477 | DOI: 10.1353/not.2014.0014

The Great Orchestrator: Arthur Judson and American Arts Management by James M. Doering (review)

pp. 477-480 | DOI: 10.1353/not.2014.0021

Books Recently Published

pp. 481-494 | DOI: 10.1353/not.2014.0027

New Periodicals

pp. 495-498 | DOI: 10.1353/not.2014.0033

Digital Media Reviews

SoundCloud (review)

pp. 499-503 | DOI: 10.1353/not.2014.0039

ShareStream (review)

pp. 503-506 | DOI: 10.1353/not.2014.0005

Video Reviews

Mahler on DVD: An Overview of Art Films, Documentaries, and Concert Videos

pp. 507-521 | DOI: 10.1353/not.2014.0012

Music Reviews

Arrangements by Clara Schumann

pp. 522-525 | DOI: 10.1353/not.2014.0019

Lalo’s Fiesque

pp. 525-529 | DOI: 10.1353/not.2014.0025

Transcriptions of Early Recorded Jazz

pp. 529-533 | DOI: 10.1353/not.2014.0031

Two Versions of Janáček’s Glagolitic Mass

pp. 534-538 | DOI: 10.1353/not.2014.0037

Maderna’s Requiem Recovered

pp. 538-541 | DOI: 10.1353/not.2014.0003

Music Received

pp. 542-549 | DOI: 10.1353/not.2014.0009

Index to Advertisers

p. 550 | DOI: 10.1353/not.2014.0016

Research Areas


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