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In this Issue

Table of Contents

  1. ‘Musica est Optimum’: Martin Luther’s Theory of Music
  2. J. Andreas Loewe
  3. pp. 573-605
  4. restricted access
  1. Beyond the Composer-Conductor Dichotomy: Bernstein’s Copland-Inspired Mahler Advocacy
  2. Matthew Mugmon
  3. pp. 606-627
  4. restricted access
  1. Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim’s ‘Tongue of The Invisible’
  2. Eric Clarke, Mark Doffman, Liza Lim
  3. pp. 628-663
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review-article

  1. The Politics of the New Music
  2. Ben Earle
  3. pp. 664-671
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reviews

  1. The Cambridge Companion to Medieval Music ed. by Mark Everist (review)
  2. Henry Hope
  3. pp. 672-674
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  1. Albion and Albanius by Louis Grabu, and: Venus and Adonis by John Blow (review)
  2. Andrew R. Walkling
  3. pp. 674-680
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  1. The Theatre Career of Thomas Arne by Todd Gilman (review)
  2. John Cunningham
  3. pp. 680-682
  4. restricted access
  1. Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era by Karen McAulay (review)
  2. Ronnie Gibson
  3. pp. 682-684
  4. restricted access
  1. L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique: Approches comparées (1669–2010) ed. by Sabine Chaouche, Denis Herlin, and Solveig Serre (review)
  2. Mark Everist
  3. pp. 684-688
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  1. The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera by Nicholas Baragwanath (review)
  2. Chloe Valenti
  3. pp. 689-690
  4. restricted access
  1. The Politics of Plainchant in Fin-de-Siècle France by Katharine Ellis (review)
  2. Emma Adlard
  3. pp. 690-693
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  1. Melodramatic Voices: Understanding Music Drama ed. by Sarah Hibberd (review)
  2. Peter Franklin
  3. pp. 693-696
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  1. Češki glasbeniki v 19. in na začetku 20. stolet ja na Slovenskem by Jernej Weiss (review)
  2. John Tyrrell
  3. pp. 696-697
  4. restricted access
  1. Camille Saint-Saëns 1835—1921: A Thematic Catalogue of his Complete Works. Volume 2: The Dramatic Works by Sabina Teller Ratner (review)
  2. Michael Strasser
  3. pp. 697-699
  4. restricted access
  1. Composing for the Red Screen: Prokofiev and Soviet Film by Kevin Bartig (review)
  2. Pauline Fairclough
  3. pp. 699-701
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  1. Edward Elgar: Letters of a Lifetime ed. by Jerrold Northrop Moore (review)
  2. Daniel M. Grimley
  3. pp. 701-704
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  1. Letters from a Life: The Selected Letters of Benjamin Britten Volume Six: 1966–1976 ed. by Philip Reed and Mervyn Cooke, and: Britten in Pictures by Lucy Walker (review)
  2. Danielle Ward-Griffin
  3. pp. 704-707
  4. restricted access
  1. Irving Berlin’s American Musical Theatre by Jeffrey Magee (review)
  2. Naomi Graber
  3. pp. 707-709
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  1. György Ligeti: Of Foreign Lands and Strange Sounds ed. by Louise Duchesneau and Wolfgang Marx (review)
  2. Amy Bauer
  3. pp. 709-712
  4. restricted access
  1. Stockhausen: A Theological Interpretation by Thomas Ulrich (review)
  2. Paul V. Miller
  3. pp. 712-715
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  1. John Cage by Rob Haskins (review)
  2. Mark Delaere
  3. pp. 715-717
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  1. The Legacy of Cornelius Cardew by Tony Harris (review)
  2. Virginia Anderson
  3. pp. 717-719
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  1. Liveness in Modern Music: Musicians, Technology, and the Perception of Performance by Paul Sanden (review)
  2. Arved Ashby
  3. pp. 719-721
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  1. Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image by Yiu Fai Chow and Jeroen de Kloet (review)
  2. Shan Huang
  3. pp. 721-723
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  1. Postmodernism in Music by Kenneth Gloag (review)
  2. J. P. E. Harper-Scott
  3. pp. 723-727
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  1. Correspondence: To the Editors of ‘Music & Letters’
  2. Thomas M. Brodhead
  3. pp. 728-729
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  1. The Westrup Prize
  3. p. 730
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  1. ‘Music & Letters’ Awards
  3. p. 730
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  1. Authors of Articles in this Issue
  3. p. 732
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  1. Books Received
  3. pp. 733-734
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  1. Contents, Vol. 94
  3. pp. 737-738
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  1. Reviews of Books: Index
  3. pp. 739-741
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