1. The New York Digital Salon 2000: A Coming of Age
  2. Bruce Wands
  3. pp. 345-346
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  1. CollageMachine: An Interactive Agent of Web Recombination
  2. Andruid Kerne
  3. pp. 347-350
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  1. The Cybernetics of Performance and New Media Art
  2. Patrick Lichty
  3. pp. 351-354
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  1. Color, Form, and Motion: Dimensions of a Musical Art of Light
  2. Fred Collopy
  3. pp. 355-360
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  1. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology
  2. Barbara Becker
  3. pp. 361-365
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  1. Gene Culture: Molecular Metaphor in Visual Art
  2. Suzanne Anker
  3. pp. 371-375
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  1. The Fine Art of Creating Life
  2. Amy M. Youngs
  3. pp. 377-380
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  1. “Reality,” Artificial Reproduction, and Sexuality
  2. Jose Carlos Casado, Harkaitz Cano, Magüi Moreno
  3. pp. 381-385
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  1. Juror’s Statement: The Semiotic Ghost
  2. Victor Acevedo
  3. pp. 386-387
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  1. Computer Animations
  2. pp. 389-401
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  1. Gallery Artworks
  2. pp. 403-427
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  1. Web Sites
  2. pp. 429-433
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  1. Exhibiting Artists
  2. pp. 434-435
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  1. Jury
  2. p. 436
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  1. Graphic Tango
  2. Alberto Ferreiro
  3. p. 437
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  1. CultureMap
  2. Andy Deck
  3. p. 438
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  1. The Vanishing Human
  2. Corinne Whitaker
  3. p. 438
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  1. Aitz Chayim
  2. Dena Elisabeth Eber
  3. pp. 438-439
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  1. Halo and Perforation
  2. Elise Co
  3. p. 439
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  1. Cellular Study 1
  2. Hilary Lorenz
  3. pp. 439-440
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  1. Jonathan Morse
  2. p. 440
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  1. Electricanada
  2. K-M. James, Carol Sill
  3. pp. 440-441
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  1. Kevin Mutch
  2. p. 441
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  1. Manfred Mohr
  2. pp. 441-442
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  1. Unconscious Flow
  2. Naoko Tosa
  3. p. 442
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  1. To Be Alive, To No Longer Be Alive, and Yet to Be Alive
  2. Jon Berge, Michelle Lach, Christopher Yoculan
  3. p. 443
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  1. X/Y Machina
  2. Xavier Roca
  3. pp. 443-444
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  1. Michael Trott
  2. pp. 444-445
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  1. Terminal Time
  2. Mike Mateas, Steffi Dornike, Paul Vanouse
  3. pp. 445-446
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  1. Leonardo/ISAST News: The Newsletter of the International Society for the Arts, Sciences and Technology
  2. Andrea Blum
  3. pp. 447-450
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  1. The Art of the Gene: Editor’s Introduction
  2. Richard Smoley
  3. pp. 368-369
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