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In this Issue

Table of Contents

  1. Color Plate
  3. restricted access
  1. Philosophy and Visual Representation: Imaging the Impossible
  2. Carl Francis DiSalvo
  3. pp. 83-86
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  1. Crinklage: A New Art Process
  2. Chris Foster
  3. pp. 87-88
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  1. The Laser Beam As an Artist’s Tool
  2. Rashid G. Tukhvatullin
  3. pp. 88-89
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  1. Globe Theater: Robotic Pageants
  2. Adrianne Wortzel
  3. pp. 89-90
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  1. Virtual Cairo: An Urban Historian’s View of Computer Simulation
  2. Nezar AlSayyad
  3. pp. 93-100
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  1. The National Museums of Kenya: A Brief Overview
  2. Lorna Abungu
  3. p. 101
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  1. The Old Testament Trinity of Andrey Rublyov: Geometry and Philosophy
  2. Alexander V. Voloshinov
  3. pp. 103-112
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  1. The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp’s “Hilarious Picture”
  2. Linda Dalrymple Henderson
  3. pp. 113-126
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  1. On the Need for Visual Formalisms in Music Processing
  2. Mira Balaban, Michael Elhadad
  3. pp. 127-134
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  1. Leonardo On-Line Bibliographies
  2. Crétien van Campen, Greta Berman, Eduardo Kac, David Topper, Eduardo Kac, James Harley
  3. pp. 135-136
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  1. Commentary on “Lygia Clark and Hilio Oiticica: a Legacy of Interactivity and Participation for a Telematic Future”
  2. Adelheid Mers
  3. p. 137
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  1. Response by Simone Osthoff
  2. Simone Osthoff
  3. p. 137
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  1. Commentary on “Vermeer and the Camera Obscura: Some Practical Considerations”
  2. Philip Steadman
  3. pp. 137-140
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  1. Response by Allan a. Mills
  2. Allan A. Mills
  3. pp. 140-141
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  1. The Panorama: History of a Mass Medium by Stephan Oettermann (review)
  2. Oliver Grau, Michael Punt, Kasey Rios Asberry
  3. pp. 143-144
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  1. Perception and Imaging by Richard D. Zakia (review)
  2. Roy Behrens
  3. p. 144
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  1. Bodies of Subversion: A Secret History of Women and Tattoo by Margot Mifflin (review)
  2. Mike Mosher
  3. pp. 144-145
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  1. To Light Such a Candle: Chapters in the History of Science and Technology by Keith J. Laidler (review)
  2. Wilfred Niels Arnold
  3. pp. 145-146
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  1. Hyperkult: Geschichte, Theorie Und Kontext Digitaler Medien (Hypercult: History, Theory and Context of Digital Media) ed. by Martin Warnke (review)
  2. Yvonne Spielmann
  3. pp. 146-147
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  1. Les Particules Elementaires by Michel Houellebecq (review)
  2. Roger F. Malina
  3. pp. 147-148
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  1. The House as a Place to Share
  2. Gianni Romano
  3. pp. 149-151
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  1. Leonardo/ISAST NEWS
  2. Andrea Blum
  3. pp. 153-154
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  1. Materials Received
  3. p. 148
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