1. Keynote Address: "The Blessed Assurance of Perhaps"
  2. Tom F. Driver
  3. pp. 7-25
  4. DOI: 10.1353/tsy.2013.0012
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  1. Transferring Belief: The Stage Presence of the Spiritual Meme
  2. Cohen Ambrose
  3. pp. 26-35
  4. DOI: 10.1353/tsy.2013.0001
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  1. Ritual Performance and Spirituality in the Work of The Living Theatre, Past and Present
  2. David Callaghan
  3. pp. 36-53
  4. DOI: 10.1353/tsy.2013.0003
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  1. Top Brass: Theatricality, Themes, and Theology in James Weldon Johnson's God's Trombones
  2. Gregory S. Carr
  3. pp. 54-58
  4. DOI: 10.1353/tsy.2013.0005
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  1. Pretty's Got Me All Bent Out of Shape: Jordan Harrison's Act a Lady and the Ritual of Queerness
  2. Matt DiCintio
  3. pp. 59-68
  4. DOI: 10.1353/tsy.2013.0007
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  1. Clash with the Vikings: Gerpla and the Struggle for National Identity in Iceland
  2. Steve Earnest
  3. pp. 69-77
  4. DOI: 10.1353/tsy.2013.0009
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  1. Heaven and Earth: Confession as Performance in Hamlet and Measure for Measure
  2. Jennifer Flaherty
  3. pp. 78-89
  4. DOI: 10.1353/tsy.2013.0011
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  1. Treasure in Clay Jars: Christian Liturgical Drama in Theory and Praxis
  2. Charles A. Gillespie, Justin Kosec, Kate Stratton
  3. pp. 90-103
  4. DOI: 10.1353/tsy.2013.0000
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  1. Between Piety and Sacrilege: Muslim Theatre and Performance
  2. Thomas King
  3. pp. 104-115
  4. DOI: 10.1353/tsy.2013.0002
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  1. Cave Rituals and the Brain's Theatre
  2. Mark Pizzato
  3. pp. 116-136
  4. DOI: 10.1353/tsy.2013.0004
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  1. Excerpts from "The Book of My Awkward Perspective"
  2. William Doan
  3. pp. 137-139
  4. DOI: 10.1353/tsy.2013.0006
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  1. Introduction
  2. E. Bert Wallace
  3. pp. 5-6
  4. DOI: 10.1353/tsy.2013.0010
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  1. Contributors
  2. pp. 141-144
  3. DOI: 10.1353/tsy.2013.0008
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