+ MUSE Alert

In this Issue

Table of Contents

  1. Ballast Reduction and the Audio Arts
  2. Gerald Hartnett
  3. pp. 1-6
  4. restricted access
  1. Merapia: A Composition for Gamelan and Computer-Generated Tape
  2. Lydia Ayers
  3. pp. 7-14
  4. restricted access
  1. A Personal Approach to Contemporary Jazz: Works for Saxophone and Computer-Controlled Electronics
  2. Neil Leonard III
  3. pp. 15-20
  4. restricted access
  1. Thresholds of Confidence: An Analysis of Statistical Methods for Composition: Part 2: Applications
  2. Charles Ames
  3. pp. 21-26
  4. restricted access
  1. Automated Composition from Computer Models of Biological behavior
  2. Stephen Brooks, Brian J. Ross
  3. pp. 27-31
  4. restricted access
  1. Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design
  2. Axel Mulder
  3. pp. 33-40
  4. restricted access
  1. The History of Electronic Music as a Reflection of Structural Paradigms
  2. Joel Chadabe
  3. pp. 41-44
  4. restricted access
  1. Light and Shadows of a Great Life: In Commemoration of the One-Hundredth Anniversary of the Birth of Leon Theremin, Pioneer of Electronic Art
  2. Bulat M. Galeyev, Vladimir Chudnovsky
  3. pp. 45-48
  4. restricted access
  1. The Design of a Musical Instrument Based on Cathode Relays
  2. Leon S. Theremin, Oleg Petrishev
  3. pp. 49-50
  4. restricted access
  1. My Experience with the Theremin
  2. Lydia Kavina, Elizabeth Parcells
  3. pp. 51-55
  4. restricted access
  1. The Theremin and Its Inventor in Twentieth-Century Russia
  2. Natalia Nesturkh
  3. pp. 57-60
  4. restricted access
  1. The Electronic Music School Studio at the Rimsky-Korsakov State Conservatory of St. Petersburg
  2. Alexander S. Belonenko
  3. p. 61
  4. restricted access
  1. Melody-Drawing Transformation
  2. Bulat M. Galeyev, Vladimir Chudnovsky
  3. pp. 61-62
  4. restricted access
  1. The Theremin Enthusiasts Club International
  2. Dan Gillard
  3. p. 63
  4. restricted access
  1. The Theremin in the United Kingdom
  2. Anthony J. Henk
  3. p. 63
  4. restricted access
  1. The Electroacoustic Music Studio of Yekaterinburg
  2. Tatiana Komarova
  3. p. 64
  4. restricted access
  1. The Graphovox System of Musical Transformation
  2. Lydia Lityagina, Nikolai Naumov
  3. pp. 64-65
  4. restricted access
  1. Followers of Theremin from Siberia
  2. Alexander P. Mentyukov
  3. p. 65
  4. restricted access
  1. The Theremin Center for Electroacoustic Music
  2. Andre Smirnov
  3. pp. 65-66
  4. restricted access
  1. Optical Theater
  2. Sergei M. Zorin
  3. pp. 66-67
  4. restricted access
  1. Mastering The Theremin by William Olsen, Compact Discs Featuring Theremin’s Instruments, Music, Electronics, Intonation by Alexander P. Mentyukov, Alexei A, Soviet Faust: Lev Termen, Pioneer Of Electronic Art by Bulat M. Galeyev, The Theremin In The Emergence Of Electronic Music by Albert Vincent Glinsky (review)
  2. Jason Barile, Matthias Sauer, Κ Kurlenya, Yuri V. Linnik, Matthias Sauer
  3. pp. 68-72
  4. restricted access
  1. Ρусская Библиографическая Термениана
  2. Н. Несмурх, Б. Галееϭ, С. Зорυн, И. Ванечкυна, С. Сυнυоϭа
  3. pp. 73-75
  4. restricted access
  1. Russian Bibliography
  2. N. Nesturkh, B. Galeyev, S. Zorin, I. Vanechkina, S. Sintzova, Vladimir Chudnovsky
  3. pp. 76-77
  4. restricted access
  1. International Theremin Resource Directory
  2. Matthias Sauer
  3. pp. 78-82
  4. restricted access
  1. Theremin Discography
  3. p. 83
  4. restricted access
  1. CD Companion
  3. p. 85
  4. restricted access
  1. The Lyre’s Island: Some Australian Music, Sound Art and Design
  2. Douglas Kahn
  3. pp. 89-93
  4. restricted access
  1. Speaking Pantomimes: Notes on The Calling to Come
  2. Paul Carter
  3. pp. 95-98
  4. restricted access
  1. Towards the Design of a Real-Time Interactive Performance Sound System
  2. Rainer Linz
  3. pp. 99-107
  4. restricted access
  1. Free Music
  2. Percy Aldridge Grainger
  3. p. 109
  4. restricted access
  1. The Electric Swaying Orchestra: A Music Machine with Certain Creative Powers
  2. Bosch Peter, Simons Simone
  3. pp. 116-117
  4. restricted access
  1. Toward the Integrated Support of Computer Graphics and Computer Music Creativity
  2. David Rossiter
  3. pp. 117-118
  4. restricted access
  1. Overture. Version 1.2 (review)
  2. Marc Battier
  3. p. 119
  4. restricted access
  1. Studio Vision Pro. Version 3.0 (review)
  2. Marc Battier
  3. pp. 119-121
  4. restricted access
  1. 1996 Index: Leonardo Volume 29 and Leonardo Music Journal Volume 6
  3. pp. 123-127
  4. restricted access
  1. Contributors’ Notes
  3. pp. 111-115
  4. restricted access
  1. Materials Received
  3. pp. 121-122
  4. restricted access

Previous Issue

Volume 5, 1995

Next Issue

Volume 7, 1997