1. Collective Art: Some Teaching Projects at the University of Guelph, Canada
  2. Eric Cameron
  3. pp. 289-295
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  1. An Artist in Modern Times: On Extraterrestrial Landscapes
  2. L. Pešek
  3. pp. 297-300
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  1. Images of Trajectories of Mobiles by Means of Photographs and Cinema: Metaforms
  2. Etienne Bertrand Weill
  3. pp. 301-306
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  1. Arne jacobsen: Architecture and Fine Art
  2. Rod Hackney
  3. pp. 307-313
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  1. Art, Technology and Satire: The Legacy of Rube Goldberg
  2. Peter C. Marzio
  3. pp. 315-324
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  1. Violence and Caprice in Recent Art
  2. Lincoln Rothschild
  3. pp. 325-328
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  1. On Space and Time in Art
  2. Albert Garrett
  3. pp. 329-331
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  1. The Studio of Word, Sound, Movement of the Janáček Academy of Music and Dramatic Art, Brno, Czechoslovakia
  2. Bedřich Jičínský
  3. pp. 333-335
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  1. Paintings on Unstretched Canvas
  2. Gareth Jones
  3. pp. 337-338
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  1. On Teaching Art in America
  2. Peter Lipman-Wulf
  3. pp. 339-341
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  1. The Palace of Arts and Science: An Exploratorium at San Francisco, California, U.S.A.
  2. Frank Oppenheimer
  3. pp. 343-346
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  1. Photographic Memory
  2. Mort la Brecque
  3. pp. 347-349
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  1. The American Artist as Uneconomic Man
  2. Russell Lynes
  3. pp. 351-354
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  1. Terminology
  2. p. 355
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  1. A Measure of Knowledge by James R. Simms, Human Factual Knowledge ed. by Mark Levensky (review)
  2. James W. Davis
  3. pp. 357-374
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  1. Knowing and Being: Essays by Michael Polanyi ed. by Marjorie Grene (review)
  2. James W. Davis
  3. pp. 358-359
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  1. Science and Society by H. Rose and S. Rose, Science and the Crisis in Society by F. H. George (review)
  2. David Smith
  3. p. 359
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  1. Imagery and Verbal Processes by Allan Paivio (review)
  2. Arpad Mezei
  3. pp. 359-360
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  1. Visual Perception by Tom N. Cornsweet (review)
  2. Dick Land
  3. pp. 360-361
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  1. Color and Symmetry by Arthur L. Loeb (review)
  2. Michael Holt
  3. p. 361
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  1. Color by Enid Verity (review)
  2. Dick Land
  3. pp. 361-362
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  1. The Secrets of Ancient Geometry—and Its Use by Tons Brunés (review)
  2. Crockett Johnson
  3. pp. 362-363
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  1. Art and Aesthetics in Primitive Societies ed. by Carol F. Jopling (review)
  2. Jack D. Flam
  3. pp. 363-364
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  1. Worship by Ken and Kate Baynes (review)
  2. Walter Gaudnek
  3. pp. 364-365
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  1. Science and Faith: Twin Mysteries by William G. Pollard (review)
  2. Richard H. Rogers
  3. pp. 365-366
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  1. Animals in Art and Thought by Francis Klingender (review)
  2. Carson I. A. Ritchie
  3. p. 366
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  1. Tantra Asana. A Way to Self-realization by Ajit Mookerjee (review)
  2. Vic Gray
  3. pp. 366-367
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  1. Inro and Other Miniature Forms of Japanese Lacquer Art by Melvin and Betty Jahss (review)
  2. Carson I. A. Ritchie
  3. p. 367
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  1. Computer Graphics—Computer Art by H. W. Franke (review)
  2. John H. Holloway
  3. pp. 367-369
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  1. Computers in Visual Communication (review)
  2. Dick Land
  3. p. 369
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  1. Art and the Stage in the 20th Century ed. by Henning Rischbieter (review)
  2. Elsa Gress
  3. pp. 369-370
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  1. Existence, Space and Architecture by Christian Norberg-Schulz, The Hidden Dimension by Edward T. Hall (review)
  2. Art Brenner
  3. pp. 370-371
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  1. The Nature and Art of Workmanship by David Pye, The Arts and Crafts Movement by Gillian Naylor (review)
  2. Mike Nevelson
  3. pp. 371-372
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  1. On Picture Varnishes and Their Solvents by R. L. Feller, N. Stolow and E. H. Jones (review)
  2. George A. Agoston
  3. pp. 372-373
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  1. The Artist’s Guide to His Market by Betty Chamberlain (review)
  2. Dorothy Grotz
  3. p. 373
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  1. International Science-Art News
  2. John H. Holloway
  3. pp. 375-377
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  1. Letters
  2. pp. 379-384
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  1. Books Received
  2. pp. 373-374
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