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In this Issue

Table of Contents

  1. Kinetic Art: On My Psychokinematic Objects
  2. Frederick S. Duncan
  3. pp. 97-101
  4. restricted access
  1. Glass Sculptures with and without Special Electric Light Illumination and with Op Art Effects
  2. Eric Hilton
  3. pp. 103-107
  4. restricted access
  1. Electric Light as a Medium in the Visual Fine Arts: A Memoir
  2. Frank J. Malina
  3. pp. 109-120
  4. restricted access
  1. On the University as the Best Environment for Training Artists
  2. August L. Freundlich
  3. pp. 121-124
  4. restricted access
  1. From Contrast to Assimilation: In Art and in the Eye
  2. Dorothea Jameson, Leo M. Hurvich
  3. pp. 125-131
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  1. Sculpture: Erotikons and Idolons
  2. Nina Holton
  3. pp. 133-135
  4. restricted access
  1. On the Creative Experiences of Beholders of Visual Art
  2. Erika Landau
  3. pp. 136-138
  4. restricted access
  1. Some Proposals for Art Objects in Extraterrestrial Space
  2. Albert Notarbartolo
  3. pp. 139-141
  4. restricted access
  1. Audio-Kinetic Art with Laser Beams and Electronic Systems
  2. Stanislaw Ostoja-Kotkowski
  3. pp. 142-144
  4. restricted access
  1. On Diversity in Visual Art
  2. Charles Pulsford
  3. pp. 145-147
  4. restricted access
  1. My Transformable Structures Based on the Möbius Strip
  2. Enrique Carbajal G. Sebastian
  3. pp. 148-149
  4. restricted access
  1. On the Development of My Non-figurative Paintings and Constructions
  2. Alan Turner
  3. pp. 150-152
  4. restricted access
  1. Some Remarks on Visual Fine Art in the Age of Advanced Technology
  2. Herbert W. Franke
  3. pp. 153-154
  4. restricted access
  1. Neurosis and the Artist
  2. Richard Wollheim
  3. pp. 155-157
  4. restricted access
  1. Terminology
  3. p. 158
  4. restricted access
  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. pp. 159-162
  4. restricted access
  1. Aesthetics for the Contemporary Artist
  2. Elmer H. Duncan
  3. pp. 163-166
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  1. The Paradoxical Nature of Reality by George Melhuish (review)
  2. Eric Toms
  3. p. 167
  4. restricted access
  1. Concepts of Modern Physics by Arthur Beiser, and: The Physical Universe by Konrad B. Krauskopf, Arthur Beiser (review)
  2. Grace Marmor Spruch
  3. p. 168
  4. restricted access
  1. Cults of Unreason by Christopher Evans (review)
  2. Lawrence E. Jerome
  3. p. 168
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  1. Cultural Policy in the Federal Republic of Germany (review)
  2. Gerhard Charles Rump
  3. p. 169
  4. restricted access
  1. Cultural Policy in Iran by Djamchid Behnam (review)
  2. Fazlollah Reza
  3. p. 169
  4. restricted access
  1. Cultural Policy in Sri Lanka by H. H. Bandara (review)
  2. Ellen Dissanayake
  3. p. 169
  4. restricted access
  1. The Concept of Expression: A Study in Philosophical Psychology and Aesthetics by Alan Tormey, and: Mind and Art: An Essay on the Varieties of Expression by Guy Sircello (review)
  2. Hilde Hein
  3. pp. 169-170
  4. restricted access
  1. Literature as Art: A Reader ed. by R. Britsch, T. Britsch, G. W. Bell (review)
  2. Annette Gadney
  3. pp. 170-171
  4. restricted access
  1. Creativity and Intuition: A Physicist Looks at East and West by Hideki Yukawa (review)
  2. Harold K. Hughes
  3. p. 172
  4. restricted access
  1. Sartre and the Artist by George Howard Bauer (review)
  2. Laurence Gane
  3. p. 172
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  1. Wood Engravings and Drawings of Iain Macnab of Bara-chastlain by Albert Garrett (review)
  2. Doreen Walker
  3. p. 173
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  1. Nuba Personal Art by James C. Faris, and: Self-Decoration in Mount Hagen by Andrew, Marilyn Strathern, and: Bangwa Funerary Sculpture by Robert Brain, Adam Pollock, and: House Decoration in Nubia by Marian Wenzel (review)
  2. Jack D. Flam
  3. p. 173
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  1. Mind and Context in the Art of Drawing by Kenneth Beittel (review)
  2. John Scott Willson
  3. pp. 173-174
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  1. Introducing Abstract Printmaking by Robin Capon (review)
  2. Sean O’Driscoll
  3. p. 174
  4. restricted access
  1. Plastics as Design Form by Thelma R. Newman, and: Plastics for Artists and Craftsmen by Harry B. Hollander (review)
  2. Peggy Goldstein
  3. p. 174
  4. restricted access
  1. Italy: The New Domestic Landscape: Achievements and Problems of Italian Design ed. by Emilio Ambasz (review)
  2. Donald J. Bush
  3. pp. 174-175
  4. restricted access
  1. American Architecture Comes of Age: European Reaction to H. H. Richardson and Louis Sullivan by Leonard K. Eaton, and: The Anti-Rationalists ed. by Nikolaus Pevsner, J. M. Richards (review)
  2. Eric G. Carlson
  3. pp. 175-176
  4. restricted access
  1. Art Students Observed by Charles Madge, Barbara Weinberger (review)
  2. Roy Ascott
  3. p. 176
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  1. Art in Perspective: A Brief History by Henri Dorra, and: Purposes of Art by Albert E. Elsen (review)
  2. Barron M. Hirsch
  3. pp. 176-177
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  1. Children and Their Art: Methods for the Elementary School by Charles D. Gaitskell, Al Hurwitz (review)
  2. John F. Mee
  3. p. 177
  4. restricted access
  1. New Unesco Source Book for Science Teaching (review)
  2. Constance E. Wagar
  3. pp. 177-178
  4. restricted access
  1. The Penguin Dictionary of Science by E. B. Uvarov, and: Glossary of Art, Architecture and Design since 1945 by John A. Walker, and: A Dictionary of Art & Artists by Peter, Linda Murray, and: Phaidon Dictionary of Twentieth-Century Art (review)
  3. p. 178
  4. restricted access
  1. Shepherd’s Glossary of Graphic Signs and Symbols by Walter Shepherd (review)
  2. G. A. Agoston
  3. p. 178
  4. restricted access
  1. Kinetic Art: Theory and Practice—Selections from the Journal Leonardo ed. by Frank J. Malina (review)
  2. Marc Bornstein
  3. pp. 178-179
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  1. Letters
  2. Jean-Claude Pecker, Lin Emery, John M. Kennedy, Reg Gadney, Herbert W. Franke, Stella A. Walker, Elsa H. Fine
  3. pp. 181-184
  4. restricted access
  1. Studies and Documents on Cultural Policies Series (review)
  3. pp. 168-169
  4. restricted access
  1. Leonardo: A Study in Chronology and Style by Carlo Pedretti (review)
  2. Raymond S. Stites
  3. pp. 171-172
  4. restricted access
  1. Books Received
  3. pp. 179-180
  4. restricted access