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In this Issue

Table of Contents

Articles by Artists

  1. Reflectographs: Nonfigurative Artworks Made Using Photographic Materials
  2. Alan W. Bernheimer
  3. pp. 177-179
  4. restricted access
  1. Intaglio Prints of Scientific and Technological Subjects: A Joint Project of an Artist and a Research Engineer
  2. Robert J. Divita, Edward L. Divita
  3. pp. 181-186
  4. restricted access
  1. My Kinetic Electric Light Artworks and Stained Glass and Acrylic Airbrush Paintings
  2. Dale E. Mills, Mary Mills
  3. pp. 187-190
  4. restricted access
  1. Illustration
  2. p. 190
  3. restricted access

General Articles

  1. The Perceptual Constraints on Choosing a Pictorial Station Point
  2. Rebecca K. Jones, Margaret A. Hagen
  3. pp. 191-196
  4. restricted access
  1. An Account of Recent Changes in Dance in the U.S.A.
  2. Maxine Sheets-Johnstone
  3. pp. 197-201
  4. restricted access

Notes

  1. On Visual Art and Camouflage
  2. Roy R. Behrens
  3. pp. 203-204
  4. restricted access
  1. Pictures Based On Voice Graphs: Pictonoms
  2. Aage Justesen
  3. pp. 205-206
  4. restricted access
  1. Magic Squares: A Design Source
  2. Ben F. Laposky
  3. pp. 207-209
  4. restricted access
  1. On My Non-Figurative Drawings on Photosensitized Paper and Acrylic Paintings
  2. Arno Mandello
  3. pp. 210-212
  4. restricted access
  1. Intensity-Modulated Illumination of Paintings and an Unexpected 3-Dimensional Effect
  2. A. A. Mills
  3. p. 213
  4. restricted access
  1. Developing Countries and the Fruits of Science
  2. Michael J. Moravcsik
  3. pp. 214-216
  4. restricted access
  1. Computer Art: An Attempt To Automate Aspects of the Picture-Making Process
  2. Steve Scrivener
  3. pp. 217-218
  4. restricted access
  1. Kinetic Art: Producing ‘Floating Objects’ By Means of the Kaleido-Sculpture Device
  2. James F. Watkins
  3. pp. 219-220
  4. restricted access
  1. On My Visual Numerical Artworks
  2. Chris Watts
  3. pp. 221-222
  4. restricted access
  1. Kinetic Art: Constructions with Perspex Tubes and Rods
  2. Rhonda Whitehead, David Whitehead
  3. pp. 223-224
  4. restricted access

Documents

  1. The Relationship between Colour and Music
  2. W. Garner
  3. pp. 225-226
  4. restricted access
  1. The Ecological Approach to the Visual Perception of Pictures
  2. James J. Gibson
  3. pp. 227-235
  4. restricted access
  1. Health hazard evaluation of art materials used at the Cooper Union School of Art, New York
  2. Michael McCann
  3. pp. 236-237
  4. restricted access

  1. Terminology
  2. p. 238
  3. restricted access

Books

  1. The Nature of Scientific Discovery ed. by Owen Gingerich (review)
  2. John Scott Willson
  3. p. 241
  4. restricted access
  1. The Force of Knowledge: The Scientific Dimension of Society by John Ziman (review)
  2. James A. Goldman
  3. pp. 241-242
  4. restricted access
  1. The Future of Science and Technology: Proceedings of a Seminar ed. by Victor J. Danilov (review)
  2. Frank P. Davidson
  3. p. 242
  4. restricted access
  1. The Age of the Molecule: Chemistry in the World and Society by Frank W. Dobbs (review)
  2. James A. Goldman
  3. pp. 242-243
  4. restricted access
  1. The Psychology of Thinking by Neil Bolton (review)
  2. D. N. Perkins
  3. p. 243
  4. restricted access
  1. An Introduction to Perception by Irvin Rock (review)
  2. Kim James
  3. p. 243
  4. restricted access
  1. The Facts of Life: An Essay in Feelings, Facts and Fantasy by R. D. Laing (review)
  2. Jean-Michel Oughourlian
  3. pp. 243-244
  4. restricted access
  1. Perspectives in Creativity ed. by Irving A. Taylor and J. W. Getzels (review)
  2. Florence Vidal
  3. p. 244
  4. restricted access
  1. Savior Imaginer (Science and Techniques of Imagination) by Florence Vidal (review)
  2. Vera Ferenczi, André Jaumotte
  3. pp. 244-245
  4. restricted access
  1. The Pleasures of Deception by Norman Moss (review)
  2. John Scott Willson
  3. p. 245
  4. restricted access
  1. Sociology of Leisure by Joffre Dumazedier, The Sociology of Leisure by Stanley Parker (review)
  2. Otto Klineberg
  3. pp. 245-246
  4. restricted access
  1. The Sociology of the Arts by Mildred Weil and Duncan Hartley (review)
  2. John Adkins Richardson
  3. p. 246
  4. restricted access
  1. History of Photography (An international quarterly) ed. by Heinz K. Henisch (review)
  2. Jacques J. Halber
  3. p. 246
  4. restricted access
  1. Art Nouveau: Art and Design at the Turn of the Century ed. by Peter Selz and Mildred Constantine (review)
  2. Michael Rosenthal
  3. pp. 246-247
  4. restricted access
  1. History of Collage: An Anthology of Collage, Assemblage and Event Structures by Eddie Wolfram (review)
  2. Charles Pulsford
  3. p. 247
  4. restricted access
  1. Bauhaus 1919–1928 ed. by Herbert Bayer, Walter Gropius and Ise Gropius (review)
  2. Lloyd C. Engelbrecht
  3. pp. 247-248
  4. restricted access
  1. Progress in Art by Suzi Gablik (review)
  2. T. Healey
  3. pp. 248-249
  4. restricted access
  1. American Art by John Wilmerding (review)
  2. LeGrace Benson
  3. pp. 249-250
  4. restricted access
  1. America as Art by Joshua C. Taylor (review)
  2. Ferris Olin
  3. p. 250
  4. restricted access
  1. Alfred Stieglitz and the American Avant-Garde by William Innes Homer (review)
  2. Lincoln Rothschild
  3. p. 250
  4. restricted access
  1. Surrealism and American Art: 1931–1947 by Jeffrey Wechsler (review)
  2. Peter Fingesten
  3. pp. 250-251
  4. restricted access
  1. The Scene: Reports on Post-Modern Art by Calvin Tomkins (review)
  2. Harry Rand
  3. p. 251
  4. restricted access
  1. The Drawings of Norman McLaren by Norman McLaren (review)
  2. Glenn B. Hamm
  3. pp. 251-252
  4. restricted access
  1. The Complete Book of Cartooning by John Adkins Richardson (review)
  2. John Jensen
  3. p. 253
  4. restricted access
  1. Photomontage by Dawn Ades (review)
  2. Jacques J. Halber
  3. pp. 253-254
  4. restricted access
  1. Biofeedback and the Arts: Results of Early Experiments ed. by David Rosenboom (review)
  2. Robert Baldwin
  3. p. 254
  4. restricted access
  1. Environments of Musical Sculpture You Can Build ed. by John Grayson (review)
  2. Elena de Bértola
  3. p. 254
  4. restricted access
  1. Wonders of the Stereoscope by John Jones (review)
  2. Roger Ferragallo
  3. p. 255
  4. restricted access
  1. The New Television: A Public/Private Art ed. by Douglas Davis and Allison Simmons (review)
  2. Ray E. Knight
  3. pp. 255-256
  4. restricted access
  1. The Shapes of Structure by Heather Martienssen (review)
  2. Robert F. Erickson
  3. p. 256
  4. restricted access
  1. Sounds and Signals: How We Communicate by Charles T. Meadow (review)
  2. Stroud Cornock
  3. p. 256
  4. restricted access

  1. Books Received
  2. pp. 256-257
  3. restricted access