1. Reflectographs: Nonfigurative Artworks Made Using Photographic Materials
  2. Alan W. Bernheimer
  3. pp. 177-179
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  1. Intaglio Prints of Scientific and Technological Subjects: A Joint Project of an Artist and a Research Engineer
  2. Robert J. Divita, Edward L. Divita
  3. pp. 181-186
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  1. My Kinetic Electric Light Artworks and Stained Glass and Acrylic Airbrush Paintings
  2. Dale E. Mills, Mary Mills
  3. pp. 187-190
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  1. Illustration
  2. p. 190
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  1. The Perceptual Constraints on Choosing a Pictorial Station Point
  2. Rebecca K. Jones, Margaret A. Hagen
  3. pp. 191-196
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  1. An Account of Recent Changes in Dance in the U.S.A.
  2. Maxine Sheets-Johnstone
  3. pp. 197-201
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  1. On Visual Art and Camouflage
  2. Roy R. Behrens
  3. pp. 203-204
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  1. Pictures Based On Voice Graphs: Pictonoms
  2. Aage Justesen
  3. pp. 205-206
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  1. Magic Squares: A Design Source
  2. Ben F. Laposky
  3. pp. 207-209
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  1. On My Non-Figurative Drawings on Photosensitized Paper and Acrylic Paintings
  2. Arno Mandello
  3. pp. 210-212
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  1. Intensity-Modulated Illumination of Paintings and an Unexpected 3-Dimensional Effect
  2. A. A. Mills
  3. p. 213
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  1. Developing Countries and the Fruits of Science
  2. Michael J. Moravcsik
  3. pp. 214-216
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  1. Computer Art: An Attempt To Automate Aspects of the Picture-Making Process
  2. Steve Scrivener
  3. pp. 217-218
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  1. Kinetic Art: Producing ‘Floating Objects’ By Means of the Kaleido-Sculpture Device
  2. James F. Watkins
  3. pp. 219-220
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  1. On My Visual Numerical Artworks
  2. Chris Watts
  3. pp. 221-222
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  1. Kinetic Art: Constructions with Perspex Tubes and Rods
  2. Rhonda Whitehead, David Whitehead
  3. pp. 223-224
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  1. The Relationship between Colour and Music
  2. W. Garner
  3. pp. 225-226
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  1. The Ecological Approach to the Visual Perception of Pictures
  2. James J. Gibson
  3. pp. 227-235
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  1. Health hazard evaluation of art materials used at the Cooper Union School of Art, New York
  2. Michael McCann
  3. pp. 236-237
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  1. Terminology
  2. p. 238
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  1. The Nature of Scientific Discovery ed. by Owen Gingerich (review)
  2. John Scott Willson
  3. p. 241
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  1. The Force of Knowledge: The Scientific Dimension of Society by John Ziman (review)
  2. James A. Goldman
  3. pp. 241-242
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  1. The Future of Science and Technology: Proceedings of a Seminar ed. by Victor J. Danilov (review)
  2. Frank P. Davidson
  3. p. 242
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  1. The Age of the Molecule: Chemistry in the World and Society by Frank W. Dobbs (review)
  2. James A. Goldman
  3. pp. 242-243
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  1. The Psychology of Thinking by Neil Bolton (review)
  2. D. N. Perkins
  3. p. 243
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  1. The Facts of Life: An Essay in Feelings, Facts and Fantasy by R. D. Laing (review)
  2. Jean-Michel Oughourlian
  3. pp. 243-244
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  1. Perspectives in Creativity ed. by Irving A. Taylor and J. W. Getzels (review)
  2. Florence Vidal
  3. p. 244
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  1. Savior Imaginer (Science and Techniques of Imagination) by Florence Vidal (review)
  2. Vera Ferenczi, André Jaumotte
  3. pp. 244-245
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  1. The Pleasures of Deception by Norman Moss (review)
  2. John Scott Willson
  3. p. 245
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  1. Sociology of Leisure by Joffre Dumazedier, The Sociology of Leisure by Stanley Parker (review)
  2. Otto Klineberg
  3. pp. 245-246
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  1. The Sociology of the Arts by Mildred Weil and Duncan Hartley (review)
  2. John Adkins Richardson
  3. p. 246
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  1. History of Photography (An international quarterly) ed. by Heinz K. Henisch (review)
  2. Jacques J. Halber
  3. p. 246
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  1. Art Nouveau: Art and Design at the Turn of the Century ed. by Peter Selz and Mildred Constantine (review)
  2. Michael Rosenthal
  3. pp. 246-247
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  1. History of Collage: An Anthology of Collage, Assemblage and Event Structures by Eddie Wolfram (review)
  2. Charles Pulsford
  3. p. 247
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  1. Bauhaus 1919–1928 ed. by Herbert Bayer, Walter Gropius and Ise Gropius (review)
  2. Lloyd C. Engelbrecht
  3. pp. 247-248
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  1. Progress in Art by Suzi Gablik (review)
  2. T. Healey
  3. pp. 248-249
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  1. American Art by John Wilmerding (review)
  2. LeGrace Benson
  3. pp. 249-250
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  1. America as Art by Joshua C. Taylor (review)
  2. Ferris Olin
  3. p. 250
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  1. Alfred Stieglitz and the American Avant-Garde by William Innes Homer (review)
  2. Lincoln Rothschild
  3. p. 250
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  1. Surrealism and American Art: 1931–1947 by Jeffrey Wechsler (review)
  2. Peter Fingesten
  3. pp. 250-251
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  1. The Scene: Reports on Post-Modern Art by Calvin Tomkins (review)
  2. Harry Rand
  3. p. 251
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  1. The Drawings of Norman McLaren by Norman McLaren (review)
  2. Glenn B. Hamm
  3. pp. 251-252
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  1. The Complete Book of Cartooning by John Adkins Richardson (review)
  2. John Jensen
  3. p. 253
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  1. Photomontage by Dawn Ades (review)
  2. Jacques J. Halber
  3. pp. 253-254
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  1. Biofeedback and the Arts: Results of Early Experiments ed. by David Rosenboom (review)
  2. Robert Baldwin
  3. p. 254
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  1. Environments of Musical Sculpture You Can Build ed. by John Grayson (review)
  2. Elena de Bértola
  3. p. 254
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  1. Wonders of the Stereoscope by John Jones (review)
  2. Roger Ferragallo
  3. p. 255
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  1. The New Television: A Public/Private Art ed. by Douglas Davis and Allison Simmons (review)
  2. Ray E. Knight
  3. pp. 255-256
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  1. The Shapes of Structure by Heather Martienssen (review)
  2. Robert F. Erickson
  3. p. 256
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  1. Sounds and Signals: How We Communicate by Charles T. Meadow (review)
  2. Stroud Cornock
  3. p. 256
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  1. An Introduction to Perception by Irvin Rock (review)
  2. Kim James
  3. p. 243
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  1. Books Received
  2. pp. 256-257
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