restricted access   Volume 11, Number 3, Summer 1978

Table of Contents

Articles by Artists

Reflectographs: Nonfigurative Artworks Made Using Photographic Materials

pp. 177-179

Intaglio Prints of Scientific and Technological Subjects: A Joint Project of an Artist and a Research Engineer

pp. 181-186

My Kinetic Electric Light Artworks and Stained Glass and Acrylic Airbrush Paintings

pp. 187-190

Illustration

p. 190

General Articles

The Perceptual Constraints on Choosing a Pictorial Station Point

pp. 191-196

An Account of Recent Changes in Dance in the U.S.A.

pp. 197-201

Notes

On Visual Art and Camouflage

pp. 203-204

Pictures Based On Voice Graphs: Pictonoms

pp. 205-206

Magic Squares: A Design Source

pp. 207-209

On My Non-Figurative Drawings on Photosensitized Paper and Acrylic Paintings

pp. 210-212

Intensity-Modulated Illumination of Paintings and an Unexpected 3-Dimensional Effect

p. 213

Developing Countries and the Fruits of Science

pp. 214-216

Computer Art: An Attempt To Automate Aspects of the Picture-Making Process

pp. 217-218

Kinetic Art: Producing ‘Floating Objects’ By Means of the Kaleido-Sculpture Device

pp. 219-220

On My Visual Numerical Artworks

pp. 221-222

Kinetic Art: Constructions with Perspex Tubes and Rods

pp. 223-224

Documents

The Relationship between Colour and Music

pp. 225-226

The Ecological Approach to the Visual Perception of Pictures

pp. 227-235

Health hazard evaluation of art materials used at the Cooper Union School of Art, New York

pp. 236-237

Terminology

p. 238

Books

The Nature of Scientific Discovery ed. by Owen Gingerich (review)

p. 241

The Force of Knowledge: The Scientific Dimension of Society by John Ziman (review)

pp. 241-242

The Future of Science and Technology: Proceedings of a Seminar ed. by Victor J. Danilov (review)

p. 242

The Age of the Molecule: Chemistry in the World and Society by Frank W. Dobbs (review)

pp. 242-243

The Psychology of Thinking by Neil Bolton (review)

p. 243

An Introduction to Perception by Irvin Rock (review)

p. 243

The Facts of Life: An Essay in Feelings, Facts and Fantasy by R. D. Laing (review)

pp. 243-244

Perspectives in Creativity ed. by Irving A. Taylor and J. W. Getzels (review)

p. 244

Savior Imaginer (Science and Techniques of Imagination) by Florence Vidal (review)

pp. 244-245

The Pleasures of Deception by Norman Moss (review)

p. 245

Sociology of Leisure by Joffre Dumazedier, The Sociology of Leisure by Stanley Parker (review)

pp. 245-246

The Sociology of the Arts by Mildred Weil and Duncan Hartley (review)

p. 246

History of Photography (An international quarterly) ed. by Heinz K. Henisch (review)

p. 246

Art Nouveau: Art and Design at the Turn of the Century ed. by Peter Selz and Mildred Constantine (review)

pp. 246-247

History of Collage: An Anthology of Collage, Assemblage and Event Structures by Eddie Wolfram (review)

p. 247

Bauhaus 1919–1928 ed. by Herbert Bayer, Walter Gropius and Ise Gropius (review)

pp. 247-248

Progress in Art by Suzi Gablik (review)

pp. 248-249

American Art by John Wilmerding (review)

pp. 249-250

America as Art by Joshua C. Taylor (review)

p. 250

Alfred Stieglitz and the American Avant-Garde by William Innes Homer (review)

p. 250

Surrealism and American Art: 1931–1947 by Jeffrey Wechsler (review)

pp. 250-251

The Scene: Reports on Post-Modern Art by Calvin Tomkins (review)

p. 251

The Drawings of Norman McLaren by Norman McLaren (review)

pp. 251-252

The Art of the Print: Masterpieces, History, Techniques by Fritz Eichenberg, and: Fine Prints: Collecting, Buying and Selling by Cecile Shapiro and Lauris Mason (review)

p. 252

The Complete Book of Cartooning by John Adkins Richardson (review)

p. 253

Revolutionary Soviet Film Posters by Mildred Constantine and Alan Fern, and: Unofficial Art from the Soviet Union by Igor Golomshtok and Alexander Glezer (review)

p. 253

Photomontage by Dawn Ades (review)

pp. 253-254

Biofeedback and the Arts: Results of Early Experiments ed. by David Rosenboom (review)

p. 254

Environments of Musical Sculpture You Can Build ed. by John Grayson (review)

p. 254

The Clock Book by Wallace Nutting, and: Early American Furniture Makers: A Social and Biographical Study by Thomas Hamilton Ormsbee (review)

p. 255

Wonders of the Stereoscope by John Jones (review)

p. 255

The New Television: A Public/Private Art ed. by Douglas Davis and Allison Simmons (review)

pp. 255-256

The Shapes of Structure by Heather Martienssen (review)

p. 256

Sounds and Signals: How We Communicate by Charles T. Meadow (review)

p. 256

Books Received

pp. 256-257

Letters

pp. 258-264