restricted access   Volume 11, Number 1, Winter 1978

Table of Contents

Leonardo: The First Decade

pp. 1-2

Articles by Artists

A Memoir on the Work of a Painter in India

pp. 3-7

Implementation of Notions of Science in some of my Reliefs and Drawings

pp. 9-12

Computer Art: A Binary System for Producing Geometrical Nonfigurative Pictures

pp. 13-21


p. 22

General Articles

A Socialist Critique of Art History in the U.S.A.

pp. 23-28

Left and Right in Science and Art

pp. 29-38


Computer Music Produced with the Aid of a Digital-to-Analog Converter

pp. 39-40

Report on Color 77, Third Congress of the International Color Association (AIC)

pp. 41-42

Artworks Based on Entomology

pp. 43-45

1977 Symposium on Video and Communication, Barcelona, Spain

p. 46

Inexpensive Stage Scenery made from Materials for Paper Manufacture

pp. 47-48

A Commentary on Daniel Bell’s Book The Cultural Contradictions of Capitalism

pp. 49-51

On My ‘Imaginary Architecture’

pp. 53-54

A Discussion of W. A. Adams’ Leonardo Article Entitled Problems of Pictorial Perception

pp. 55-58


Technology and the Composer

pp. 59-62

The Possible Impact of Comparative Ethology on the Analysis of Works of Art

pp. 63-67


pp. 68-69


Insight and Illusion: Wittgenstein on Philosophy and the Metaphysics of Experience by P. M. S. Hacker (review)

p. 74

The Human Experience of Time: The Development of Its Philosophic Meaning by Charles M. Sherover (review)

p. 74

The Key to the Sciences of Man: The ‘Impossible’ Relativity of Value Reactions by D. G. Garan (review)

pp. 74-75

Stimulating Creativity: Vol. 1—Individual Procedures by Morris I. Stein (review)

p. 75

Science and Its Public: The Changing Relationship ed. by Gerald Holton and William Blanpied (review)

pp. 75-76

India in the Year 2000 by J. C Kapur (review)

p. 76

Art and Morality by Nishida Kitarō (review)

pp. 76-77

The Pornography Controversy: Changing Moral Standards in American Life ed. by Ray C. Rist (review)

p. 77

Art and Social Function: Three Projects by Stephen Willats (review)

pp. 77-78

What is Art History? by Mark Roskill (review)

p. 78

Lectures on Art by Alphonse Mucha (review)

p. 78

Ex Libris 6: Constructivism and Futurism: Russian and Other by Gail Harrison and Trevor Winkfield (review)

pp. 78-79

Art in Israel by Ran Schechori (review)

p. 79

Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg by W. J. Strachan (review)

pp. 79-80

Ensor by Roger van Gindertael (review)

p. 80

Painting, Photography, Film by Laszlo Moholy-Nagy (review)

pp. 80-81

The Sculpture of David Wynne: 1968/1974 by Clive Barda (review)

p. 81

Figure Drawing: The Structure, Anatomy and Expressive Design of Human Form by Nathan Goldstein (review)

p. 81

Soft Sculpture and Other Soft Art Forms by Dona Z. Meilach (review)

pp. 81-82

Artist and Computer ed. by Ruth Leavitt (review)

p. 82

Modern Chromatics: Students’ Text-Book of Color with Applications to Art and Industry by Ogden N. Rood (review)

pp. 82-83

Ancient Pagan Symbols by Elisabeth Goldsmith (review)

p. 83

Optical Designs in Motion with Moiré Overlays by Carol Berlanger Grafton (review)

p. 83

Acrylic for Sculpture & Design: A Guide to Processes and to the Uses that Have Been Made of Solid Acrylic thus Far by Clarence Bunch (review)

p. 83

Unbuilt America: Forgotten Architecture in the United States from Thomas Jefferson to the Space Age by Alison Sky and Michelle Stone (review)

p. 84

Evaluating the Arts in Education: A Responsive Approach ed. by Robert Stake (review)

p. 84

Investigating Art: A Practical Guide for Young People by Moy Keightley (review)

pp. 84-85

Books Received

p. 85


pp. 86-88