1. Leonardo: The First Decade
  2. Frank J. Malina
  3. pp. 1-2
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  1. A Memoir on the Work of a Painter in India
  2. K. K. Hebbar, S. I. Clerk
  3. pp. 3-7
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  1. Implementation of Notions of Science in some of my Reliefs and Drawings
  2. John H. Holloway
  3. pp. 9-12
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  1. Computer Art: A Binary System for Producing Geometrical Nonfigurative Pictures
  2. Edvard Zajec
  3. pp. 13-21
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  1. Illustration
  2. p. 22
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  1. A Socialist Critique of Art History in the U.S.A.
  2. Edmund Burke Feldman
  3. pp. 23-28
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  1. Left and Right in Science and Art
  2. Charles G. Gross, Marc H. Bornstein
  3. pp. 29-38
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  1. Computer Music Produced with the Aid of a Digital-to-Analog Converter
  2. Frank Brown
  3. pp. 39-40
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  1. Report on Color 77, Third Congress of the International Color Association (AIC)
  2. Albert Garrett
  3. pp. 41-42
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  1. Artworks Based on Entomology
  2. Denyse Gibbs
  3. pp. 43-45
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  1. 1977 Symposium on Video and Communication, Barcelona, Spain
  2. Jorge Glusberg
  3. p. 46
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  1. Inexpensive Stage Scenery made from Materials for Paper Manufacture
  2. Paul Hubbe, Nancy Hubbe
  3. pp. 47-48
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  1. A Commentary on Daniel Bell’s Book The Cultural Contradictions of Capitalism
  2. Gifford Phillips
  3. pp. 49-51
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  1. On My ‘Imaginary Architecture’
  2. Friedrich St. Florian
  3. pp. 53-54
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  1. A Discussion of W. A. Adams’ Leonardo Article Entitled Problems of Pictorial Perception
  2. David R. Topper, William A. Adams
  3. pp. 55-58
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  1. Technology and the Composer
  2. Pierre Boulez
  3. pp. 59-62
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  1. The Possible Impact of Comparative Ethology on the Analysis of Works of Art
  2. Gerhard Charles Rump
  3. pp. 63-67
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  1. Terminology
  2. pp. 68-69
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  1. Insight and Illusion: Wittgenstein on Philosophy and the Metaphysics of Experience by P. M. S. Hacker (review)
  2. George W. Linden
  3. p. 74
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  1. The Human Experience of Time: The Development of Its Philosophic Meaning by Charles M. Sherover (review)
  2. Peter L. Young
  3. p. 74
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  1. The Key to the Sciences of Man: The ‘Impossible’ Relativity of Value Reactions by D. G. Garan (review)
  2. Gerhard H. Müller
  3. pp. 74-75
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  1. Stimulating Creativity: Vol. 1—Individual Procedures by Morris I. Stein (review)
  2. André Jaumotte, Jean Germain
  3. p. 75
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  1. Science and Its Public: The Changing Relationship ed. by Gerald Holton and William Blanpied (review)
  2. Robert F. Erickson
  3. pp. 75-76
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  1. India in the Year 2000 by J. C Kapur (review)
  2. S. K. Ghaswala
  3. p. 76
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  1. Art and Morality by Nishida Kitarō (review)
  2. Arnold Berleant
  3. pp. 76-77
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  1. The Pornography Controversy: Changing Moral Standards in American Life ed. by Ray C. Rist (review)
  2. Richard M. GoUin
  3. p. 77
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  1. Art and Social Function: Three Projects by Stephen Willats (review)
  2. Rémy G. Saisselin
  3. pp. 77-78
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  1. What is Art History? by Mark Roskill (review)
  2. Cecil Gould
  3. p. 78
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  1. Lectures on Art by Alphonse Mucha (review)
  2. John E. Bowlt
  3. p. 78
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  1. Ex Libris 6: Constructivism and Futurism: Russian and Other by Gail Harrison and Trevor Winkfield (review)
  2. John Milner
  3. pp. 78-79
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  1. Art in Israel by Ran Schechori (review)
  2. Meir Ronnen
  3. p. 79
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  1. Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg by W. J. Strachan (review)
  2. Geoffrey Smedley
  3. pp. 79-80
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  1. Ensor by Roger van Gindertael (review)
  2. Alfred Werner
  3. p. 80
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  1. Painting, Photography, Film by Laszlo Moholy-Nagy (review)
  2. Nathan Lerner
  3. pp. 80-81
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  1. The Sculpture of David Wynne: 1968/1974 by Clive Barda (review)
  2. Peter Lipman-Wulf
  3. p. 81
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  1. Figure Drawing: The Structure, Anatomy and Expressive Design of Human Form by Nathan Goldstein (review)
  2. Frank Covino
  3. p. 81
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  1. Soft Sculpture and Other Soft Art Forms by Dona Z. Meilach (review)
  2. Marianne Straub
  3. pp. 81-82
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  1. Artist and Computer ed. by Ruth Leavitt (review)
  2. Robert E. Mueller
  3. p. 82
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  1. Modern Chromatics: Students’ Text-Book of Color with Applications to Art and Industry by Ogden N. Rood (review)
  2. Marc H. Bornstein
  3. pp. 82-83
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  1. Ancient Pagan Symbols by Elisabeth Goldsmith (review)
  2. Peter Fingesten
  3. p. 83
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  1. Optical Designs in Motion with Moiré Overlays by Carol Berlanger Grafton (review)
  2. Frank J. Malina
  3. p. 83
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  1. Evaluating the Arts in Education: A Responsive Approach ed. by Robert Stake (review)
  2. Al Hurwitz
  3. p. 84
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  1. Investigating Art: A Practical Guide for Young People by Moy Keightley (review)
  2. David Friend
  3. pp. 84-85
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  1. Letters
  2. pp. 86-88
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  1. Books Received
  2. p. 85
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