1. Illustration
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  1. A Discussion Paper on Research in the Visual Fine Arts Prepared for the Birmingham Polytechnic, England, In 1978
  2. Tom Jones
  3. pp. 89-93
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  1. My Drawings and Paintings and a System for their Classification
  2. Paul Ré
  3. pp. 94-100
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  1. Music and Visual Color: A Proposed Correlation
  2. Alan Wells
  3. pp. 101-107
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  1. Visual Art and Mathematics: The Moebius Band
  2. Michele Emmer
  3. pp. 108-111
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  1. On Some Possible Characteristics of Information in J. J. Gibson’s Ecological Approach to Visual Perception
  2. Kim James
  3. pp. 112-116
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  1. A Commentary on Rudolf Arnheim’s Approach to Art and Visual Perception
  2. John M. Kennedy
  3. pp. 117-122
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  1. On Aesthetic Education in Secondary Schools: A Belgian Experiment
  2. Willy Moerman
  3. pp. 123-127
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  1. On My Drawings Illustrating Poems by Becquer
  2. Joan B. Altabe
  3. p. 128
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  1. A Review of the Use of Photo Mixed Media in the U.S.A.
  2. Shelly Farkas, Henry P. Raleigh
  3. pp. 129-131
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  1. International Meeting of Architecture Critics
  2. Jorge Glusberg
  3. p. 132
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  1. Reflections on my Work as a Painter
  2. Quero
  3. pp. 133-134
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  1. The Adult Learner: Comments on the Book Artforms
  2. Jean C. Rush
  3. pp. 135-136
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  1. A Painting Procedure Based on the Use of Superimposed Reversed Transparent Photographic Images and an Implication of the Procedure
  2. David Zaig
  3. pp. 137-138
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  1. The Art Critic and the Art Historian
  2. Quentin Bell
  3. pp. 139-142
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  1. A Painter’s View of Self-Development and Creativity
  2. Michael Krausz
  3. pp. 143-145
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  1. Notes on the Aesthetic Motive and Multicultural Education
  2. Ralph A. Smith
  3. pp. 146-148
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  1. Terminology
  2. pp. 149-150
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  1. International Association of Art (IAA) News
  2. Dunbar Marshall-Malagola
  3. p. 152
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  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 153-156
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  1. The Mysteries of Modern Science by Brian M. Stableford (review)
  2. Berol Robinson
  3. p. 157
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  1. Man and the Stars by Hanbury Brown (review)
  2. Halton Arp
  3. p. 157
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  1. The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes (review)
  2. F. H. C. Marriott
  3. pp. 157-158
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  1. The Self and Its Brain: An Argument for Interactionism by Karl R. Popper and John C. Eccles (review)
  2. F. H. C. Marriott
  3. p. 158
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  1. Psyclosis: The Circularity of Experience by Ralph Berger (review)
  2. Tim Healey
  3. pp. 159-160
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  1. The Art and Science of Invention by Gilbert Kivenson (review)
  2. S. K. Ghaswala
  3. p. 161
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  1. Robots: Fact, Fiction + Prediction by Jasia Reichardt (review)
  2. Frank P. Davidson
  3. pp. 161-162
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  1. Learning to Use Extrasensory Perception by Charles T. Tart. (review)
  2. Richard I. Land
  3. p. 162
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  1. Astrology Disproved by Lawrence E. Jerome (review)
  2. Michael Zeilik II
  3. p. 163
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  1. The Eclipse of Symbolism by Peter Fingesten (review)
  2. Hugh Mercer Curtler
  3. p. 163
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  1. The Reversible World: Symbolic Inversion in Art and Society ed. by Barbara A. Babcock (review)
  2. Kenneth Adams
  3. pp. 163-164
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  1. A World with a View: An Inquiry into the Nature of Scenic Values by Christopher Tunnard (review)
  2. Barry S. Maitland
  3. p. 164
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  1. Retorica del Arte Latinoamericano by Jorge Glusberg (review)
  2. Elena de Bértola
  3. p. 165
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  1. Art and Politics in the Weimar Period: The New Sobriety, 1917–1933 by John Willett (review)
  2. Gerhard Charles Rump
  3. pp. 165-166
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  1. Strindberg and Van Gogh by Karl Jaspers (review)
  2. Barbara Lipman-Wulf
  3. pp. 166-167
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  1. Collected French Writings: Poems, Essays, Memories ed. by Jean (Hans) Arp. Marcel Jean (review)
  2. Clive Phillpot
  3. p. 167
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  1. Barnett Newman by Harold Rosenberg (review)
  2. Harry Rand
  3. pp. 167-168
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  1. Richard Florsheim: The Artist and His Art by August L. Freundlich (review)
  2. Lincoln Rothschild
  3. p. 168
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  1. Richard Diebenkorn: 38th Venice Biennial 1978 by Linda L. Cathcart (review)
  2. Jeffrey S. Erickson
  3. p. 169
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  1. Assemblage: Three-Dimensional Picture Making by Gerald Mc-Connell (review)
  2. John Shown
  3. p. 170
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  1. Lost Wax Sculpture Foundry Equipment: Recommendations and Sources by Eiden C. Tefft (review)
  2. Arthur Bourne
  3. p. 170
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  1. About Design by Ken Baynes, and: Design through Discovery by Marjorie Elliot Belvin (review)
  2. Rod Hackney
  3. p. 171
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  1. Film Animation: A Simplified Approach by John Halas (review)
  2. Irving Kriesberg
  3. p. 171
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  1. Emphasis Art: A Qualitative Art Program for the Elementary School by Frank Wachowiak (review)
  2. Jan Valtr
  3. pp. 171-172
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  1. Illustrated Dictionary of Microcomputer Terminology by Michael Hordeski (review)
  2. p. 172
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  1. Artist’s Market ’79 ed. Betsy Wones (review)
  2. p. 172
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  1. Letters
  2. Pauline Sitwell, Willy Moerman, Arnold Berleant, W. M. H. Kaiser, Rudolf Arnheim, E. H. Gombrich, Rosemary Brooks
  3. pp. 174-176
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  1. Introduction to Sensory Processes by Jacqueline Ludel (review)
  2. I. E. Gordon
  3. pp. 158-159
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  1. Books Received
  2. pp. 172-173
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