+ MUSE Alert

In this Issue

Table of Contents

  1. Illustration
  3. restricted access
  1. A Discussion Paper on Research in the Visual Fine Arts Prepared for the Birmingham Polytechnic, England, In 1978
  2. Tom Jones
  3. pp. 89-93
  4. restricted access
  1. My Drawings and Paintings and a System for their Classification
  2. Paul Ré
  3. pp. 94-100
  4. restricted access
  1. Music and Visual Color: A Proposed Correlation
  2. Alan Wells
  3. pp. 101-107
  4. restricted access
  1. Visual Art and Mathematics: The Moebius Band
  2. Michele Emmer
  3. pp. 108-111
  4. restricted access
  1. On Some Possible Characteristics of Information in J. J. Gibson’s Ecological Approach to Visual Perception
  2. Kim James
  3. pp. 112-116
  4. restricted access
  1. A Commentary on Rudolf Arnheim’s Approach to Art and Visual Perception
  2. John M. Kennedy
  3. pp. 117-122
  4. restricted access
  1. On Aesthetic Education in Secondary Schools: A Belgian Experiment
  2. Willy Moerman
  3. pp. 123-127
  4. restricted access
  1. On My Drawings Illustrating Poems by Becquer
  2. Joan B. Altabe
  3. p. 128
  4. restricted access
  1. A Review of the Use of Photo Mixed Media in the U.S.A.
  2. Shelly Farkas, Henry P. Raleigh
  3. pp. 129-131
  4. restricted access
  1. International Meeting of Architecture Critics
  2. Jorge Glusberg
  3. p. 132
  4. restricted access
  1. Reflections on my Work as a Painter
  2. Quero
  3. pp. 133-134
  4. restricted access
  1. The Adult Learner: Comments on the Book Artforms
  2. Jean C. Rush
  3. pp. 135-136
  4. restricted access
  1. A Painting Procedure Based on the Use of Superimposed Reversed Transparent Photographic Images and an Implication of the Procedure
  2. David Zaig
  3. pp. 137-138
  4. restricted access
  1. The Art Critic and the Art Historian
  2. Quentin Bell
  3. pp. 139-142
  4. restricted access
  1. A Painter’s View of Self-Development and Creativity
  2. Michael Krausz
  3. pp. 143-145
  4. restricted access
  1. Notes on the Aesthetic Motive and Multicultural Education
  2. Ralph A. Smith
  3. pp. 146-148
  4. restricted access
  1. Terminology
  3. pp. 149-150
  4. restricted access
  1. International Association of Art (IAA) News
  2. Dunbar Marshall-Malagola
  3. p. 152
  4. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 153-156
  4. restricted access
  1. The Mysteries of Modern Science by Brian M. Stableford (review)
  2. Berol Robinson
  3. p. 157
  4. restricted access
  1. Man and the Stars by Hanbury Brown (review)
  2. Halton Arp
  3. p. 157
  4. restricted access
  1. The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes (review)
  2. F. H. C. Marriott
  3. pp. 157-158
  4. restricted access
  1. The Self and Its Brain: An Argument for Interactionism by Karl R. Popper and John C. Eccles (review)
  2. F. H. C. Marriott
  3. p. 158
  4. restricted access
  1. Thinking: Readings in Cognitive Science ed. by P. N. Johnson-Laird and P. C. Wason, and: Knowing, Thinking, and Believing ed. by Lewis Petrinovich and James L. McGaugh (review)
  2. D. N. Perkins
  3. p. 159
  4. restricted access
  1. Psyclosis: The Circularity of Experience by Ralph Berger (review)
  2. Tim Healey
  3. pp. 159-160
  4. restricted access
  1. Main Currents in Western Thought: Readings in Western European Intellectual History from the Middle Ages to the Present ed. by Franklin Le Van Baumer (review)
  2. Robert F. Erickson
  3. p. 160
  4. restricted access
  1. Chase, Chance and Creativity: The Lucky Art of Novelty by James H. Austin, and: The Gifted and the Creative: A Fifty-Year Perspective ed. by Julian C. Stanley, William C. George and Cecilia H. Solano, and: Making and Thinking: A Study of Intelligent Activities by Andrew Harrison (review)
  2. D. N. Perkins
  3. pp. 160-161
  4. restricted access
  1. The Art and Science of Invention by Gilbert Kivenson (review)
  2. S. K. Ghaswala
  3. p. 161
  4. restricted access
  1. Robots: Fact, Fiction + Prediction by Jasia Reichardt (review)
  2. Frank P. Davidson
  3. pp. 161-162
  4. restricted access
  1. The Art of Deception. How to: Win an Argument, Defend a Case, Recognize a Fallacy, See through Deception, Persuade a Skeptic, Turn Defeat into Victory by Nicholas Capaldi (review)
  2. Rebecca K. Jones
  3. p. 162
  4. restricted access
  1. Learning to Use Extrasensory Perception by Charles T. Tart. (review)
  2. Richard I. Land
  3. p. 162
  4. restricted access
  1. Astrology Disproved by Lawrence E. Jerome (review)
  2. Michael Zeilik II
  3. p. 163
  4. restricted access
  1. The Eclipse of Symbolism by Peter Fingesten (review)
  2. Hugh Mercer Curtler
  3. p. 163
  4. restricted access
  1. The Reversible World: Symbolic Inversion in Art and Society ed. by Barbara A. Babcock (review)
  2. Kenneth Adams
  3. pp. 163-164
  4. restricted access
  1. A World with a View: An Inquiry into the Nature of Scenic Values by Christopher Tunnard (review)
  2. Barry S. Maitland
  3. p. 164
  4. restricted access
  1. The Relationships of Painting to Literature: A Guide to Information Sources by Eugene L. Huddleston and Douglas A. Noverr (review)
  2. Rémy G. Saisselin
  3. p. 164
  4. restricted access
  1. The World Backwards: Russian Futurist Books 1912–16 by Susan P. Compton, and: Liberated Color and Form: Russian Non-Objective Art 1915–22 (review)
  2. John E. Bowlt
  3. p. 165
  4. restricted access
  1. Retorica del Arte Latinoamericano by Jorge Glusberg (review)
  2. Elena de Bértola
  3. p. 165
  4. restricted access
  1. Art and Politics in the Weimar Period: The New Sobriety, 1917–1933 by John Willett (review)
  2. Gerhard Charles Rump
  3. pp. 165-166
  4. restricted access
  1. Strindberg and Van Gogh by Karl Jaspers (review)
  2. Barbara Lipman-Wulf
  3. pp. 166-167
  4. restricted access
  1. Collected French Writings: Poems, Essays, Memories ed. by Jean (Hans) Arp. Marcel Jean (review)
  2. Clive Phillpot
  3. p. 167
  4. restricted access
  1. Barnett Newman by Harold Rosenberg (review)
  2. Harry Rand
  3. pp. 167-168
  4. restricted access
  1. Richard Florsheim: The Artist and His Art by August L. Freundlich (review)
  2. Lincoln Rothschild
  3. p. 168
  4. restricted access
  1. Richard Diebenkorn: 38th Venice Biennial 1978 by Linda L. Cathcart (review)
  2. Jeffrey S. Erickson
  3. p. 169
  4. restricted access
  1. How to Draw What You See by Rudy de Reyna, and: Drawing the Female Figure by Joseph Sheppard, and: Drawing the Human Form: Methods/Sources/Concepts: A Guide to Drawing from Life by William A. Berry, and: Anatomy Lessons from the Great Masters by Robert Beverly Hale and Terence Coyle (review)
  2. Norman Narotzky
  3. pp. 169-170
  4. restricted access
  1. Assemblage: Three-Dimensional Picture Making by Gerald Mc-Connell (review)
  2. John Shown
  3. p. 170
  4. restricted access
  1. Lost Wax Sculpture Foundry Equipment: Recommendations and Sources by Eiden C. Tefft (review)
  2. Arthur Bourne
  3. p. 170
  4. restricted access
  1. About Design by Ken Baynes, and: Design through Discovery by Marjorie Elliot Belvin (review)
  2. Rod Hackney
  3. p. 171
  4. restricted access
  1. Film Animation: A Simplified Approach by John Halas (review)
  2. Irving Kriesberg
  3. p. 171
  4. restricted access
  1. Emphasis Art: A Qualitative Art Program for the Elementary School by Frank Wachowiak (review)
  2. Jan Valtr
  3. pp. 171-172
  4. restricted access
  1. Illustrated Dictionary of Microcomputer Terminology by Michael Hordeski (review)
  3. p. 172
  4. restricted access
  1. Artist’s Market ’79 ed. Betsy Wones (review)
  3. p. 172
  4. restricted access
  1. Letters
  2. Pauline Sitwell, Willy Moerman, Arnold Berleant, W. M. H. Kaiser, Rudolf Arnheim, E. H. Gombrich, Rosemary Brooks
  3. pp. 174-176
  4. restricted access
  1. Introduction to Sensory Processes by Jacqueline Ludel (review)
  2. I. E. Gordon
  3. pp. 158-159
  4. restricted access
  1. A Practical Introduction to Electronic Circuits by Martin Hartley Jones, and: Electronic Inventions and Discoveries by G. W. A. Dummer (review)
  2. A. T. Lawton
  3. pp. 170-171
  4. restricted access
  1. Books Received
  3. pp. 172-173
  4. restricted access