restricted access   Volume 13, Number 2, Spring 1980

Table of Contents

Articles by Artists

A Discussion Paper on Research in the Visual Fine Arts Prepared for the Birmingham Polytechnic, England, In 1978

pp. 89-93

My Drawings and Paintings and a System for their Classification

pp. 94-100

Music and Visual Color: A Proposed Correlation

pp. 101-107

General Articles

Visual Art and Mathematics: The Moebius Band

pp. 108-111

On Some Possible Characteristics of Information in J. J. Gibson’s Ecological Approach to Visual Perception

pp. 112-116

A Commentary on Rudolf Arnheim’s Approach to Art and Visual Perception

pp. 117-122

On Aesthetic Education in Secondary Schools: A Belgian Experiment

pp. 123-127

Illustration

Notes

On My Drawings Illustrating Poems by Becquer

p. 128

A Review of the Use of Photo Mixed Media in the U.S.A.

pp. 129-131

International Meeting of Architecture Critics

p. 132

Reflections on my Work as a Painter

pp. 133-134

The Adult Learner: Comments on the Book Artforms

pp. 135-136

A Painting Procedure Based on the Use of Superimposed Reversed Transparent Photographic Images and an Implication of the Procedure

pp. 137-138

Documents

The Art Critic and the Art Historian

pp. 139-142

A Painter’s View of Self-Development and Creativity

pp. 143-145

Notes on the Aesthetic Motive and Multicultural Education

pp. 146-148

Terminology

pp. 149-150

International Association of Art (IAA) News

p. 152

Aesthetics for Contemporary Artists

pp. 153-156

Books

The Mysteries of Modern Science by Brian M. Stableford (review)

p. 157

Man and the Stars by Hanbury Brown (review)

p. 157

The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes (review)

pp. 157-158

The Self and Its Brain: An Argument for Interactionism by Karl R. Popper and John C. Eccles (review)

p. 158

Introduction to Sensory Processes by Jacqueline Ludel (review)

pp. 158-159

Thinking: Readings in Cognitive Science ed. by P. N. Johnson-Laird and P. C. Wason, and: Knowing, Thinking, and Believing ed. by Lewis Petrinovich and James L. McGaugh (review)

p. 159

Psyclosis: The Circularity of Experience by Ralph Berger (review)

pp. 159-160

Main Currents in Western Thought: Readings in Western European Intellectual History from the Middle Ages to the Present ed. by Franklin Le Van Baumer (review)

p. 160

Chase, Chance and Creativity: The Lucky Art of Novelty by James H. Austin, and: The Gifted and the Creative: A Fifty-Year Perspective ed. by Julian C. Stanley, William C. George and Cecilia H. Solano, and: Making and Thinking: A Study of Intelligent Activities by Andrew Harrison (review)

pp. 160-161

The Art and Science of Invention by Gilbert Kivenson (review)

p. 161

Robots: Fact, Fiction + Prediction by Jasia Reichardt (review)

pp. 161-162

The Art of Deception. How to: Win an Argument, Defend a Case, Recognize a Fallacy, See through Deception, Persuade a Skeptic, Turn Defeat into Victory by Nicholas Capaldi (review)

p. 162

Learning to Use Extrasensory Perception by Charles T. Tart. (review)

p. 162

Astrology Disproved by Lawrence E. Jerome (review)

p. 163

The Eclipse of Symbolism by Peter Fingesten (review)

p. 163

The Reversible World: Symbolic Inversion in Art and Society ed. by Barbara A. Babcock (review)

pp. 163-164

A World with a View: An Inquiry into the Nature of Scenic Values by Christopher Tunnard (review)

p. 164

The Relationships of Painting to Literature: A Guide to Information Sources by Eugene L. Huddleston and Douglas A. Noverr (review)

p. 164

The World Backwards: Russian Futurist Books 1912–16 by Susan P. Compton, and: Liberated Color and Form: Russian Non-Objective Art 1915–22 (review)

p. 165

Retorica del Arte Latinoamericano by Jorge Glusberg (review)

p. 165

Art and Politics in the Weimar Period: The New Sobriety, 1917–1933 by John Willett (review)

pp. 165-166

Strindberg and Van Gogh by Karl Jaspers (review)

pp. 166-167

Collected French Writings: Poems, Essays, Memories ed. by Jean (Hans) Arp. Marcel Jean (review)

p. 167

Barnett Newman by Harold Rosenberg (review)

pp. 167-168

Richard Florsheim: The Artist and His Art by August L. Freundlich (review)

p. 168

Richard Diebenkorn: 38th Venice Biennial 1978 by Linda L. Cathcart (review)

p. 169

How to Draw What You See by Rudy de Reyna, and: Drawing the Female Figure by Joseph Sheppard, and: Drawing the Human Form: Methods/Sources/Concepts: A Guide to Drawing from Life by William A. Berry, and: Anatomy Lessons from the Great Masters by Robert Beverly Hale and Terence Coyle (review)

pp. 169-170

Assemblage: Three-Dimensional Picture Making by Gerald Mc-Connell (review)

p. 170

Lost Wax Sculpture Foundry Equipment: Recommendations and Sources by Eiden C. Tefft (review)

p. 170

A Practical Introduction to Electronic Circuits by Martin Hartley Jones, and: Electronic Inventions and Discoveries by G. W. A. Dummer (review)

pp. 170-171

About Design by Ken Baynes, and: Design through Discovery by Marjorie Elliot Belvin (review)

p. 171

Film Animation: A Simplified Approach by John Halas (review)

p. 171

Emphasis Art: A Qualitative Art Program for the Elementary School by Frank Wachowiak (review)

pp. 171-172

Illustrated Dictionary of Microcomputer Terminology by Michael Hordeski (review)

p. 172

Artist’s Market ’79 ed. Betsy Wones (review)

p. 172

Books Received

pp. 172-173

Letters

pp. 174-176