+ MUSE Alert

In this Issue

Table of Contents

  1. On My Artistic Development Leading to Drawing on Fabrics
  2. Ewa Kuryluk
  3. pp. 265-270
  4. restricted access
  1. Hand-Woven Tapestries on Canvas Dealing with my Concerns about the Life of People in Industrial Societies
  2. Miriam Sacks
  3. pp. 271-275
  4. restricted access
  1. Constructions and Pictures Based on Letters and Words: ‘Logomorphs’ and ‘Wordforms’
  2. Brian Shaffer
  3. pp. 276-282
  4. restricted access
  1. Industrial Design: On Its Characteristics and Relationships to the Visual Fine Arts
  2. Curtis L. Carter
  3. pp. 283-289
  4. restricted access
  1. Concepts of Order in the Natural Sciences and in the Visual Fine Arts
  2. Harold Osborne
  3. pp. 290-294
  4. restricted access
  1. Kinetic Pictorial Art with Sun Spectra: My Heliochromic System
  2. Jean-Pierre Charrière
  3. pp. 295-296
  4. restricted access
  1. Report on the International Colloquium on Relationships Between Science, Art and Philosophy, Paris, November 1980
  2. R. Daudel, N. Lemaire d’Agaggio
  3. pp. 297-298
  4. restricted access
  1. Personal Computers and Notated Visual Art
  2. John G. Harries
  3. pp. 299-301
  4. restricted access
  1. Were the Cave Paintings in Southwest France Made by Women?
  2. Michel Schmidt-Chevalier
  3. pp. 302-303
  4. restricted access
  1. Report on the 1981 Meeting of the Inter-society Color Council and the Canadian Society for Color, Williamsburg, VA, U.S.A.
  2. Louise Z. Stahl
  3. p. 304
  4. restricted access
  1. My Background and Intent as a Painter of Nonfigurative or Abstract Pictures
  2. Jan Wunderman
  3. pp. 305-307
  4. restricted access
  1. My Polymorphic Sculpture: Transformables
  2. Wolfgang Zeiszner
  3. pp. 308-309
  4. restricted access
  1. The Visual Arts and the Future
  2. Yona Friedman
  3. p. 310
  4. restricted access
  1. Symmetry, Stability and Motion in Molecular Biology and in the Visual Arts
  2. T. L. Blundell
  3. pp. 311-313
  4. restricted access
  1. Visual Order in Visual Art and Visual Representations in Science
  2. John H. Holloway
  3. pp. 313-314
  4. restricted access
  1. On the Contribution of Visual Art to the Way of Thinking
  2. René Huyghe
  3. pp. 314-315
  4. restricted access
  1. Perception of Order Reveals Two Visual Systems
  2. Bela Julesz
  3. pp. 315-317
  4. restricted access
  1. Order: A Critical Definition
  2. Peter Kahn
  3. p. 318
  4. restricted access
  1. Some Personal Recollections of M. C. Escher [1]
  2. A. L. Loeb
  3. pp. 318-319
  4. restricted access
  1. Model Building in Visual Art and Natural Science: A Method for Analyzing Order and Regulation in Natural Systems and Artifacts
  2. Martin Pollock
  3. pp. 319-320
  4. restricted access
  1. Notes on Order and Reality in Art
  2. C. B. Wilson
  3. pp. 320-322
  4. restricted access
  1. Visual Artists and Government Policy in the Netherlands
  2. Theo Van Velzen
  3. pp. 323-324
  4. restricted access
  1. International Association of Art (IAA) News
  2. Dunbar Marshall-Malagola
  3. p. 326
  4. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 327-330
  4. restricted access
  1. The Excitement and Fascination of Science by William C. Gibson (review)
  2. Waldo E. Haisley
  3. p. 331
  4. restricted access
  1. The Origin of Life: A Warm Little Pond by Clair Edwin Folsome, and: Life: Origin and Evolution: Readings from Scientific American by Clair Edwin Folsome, and: How to Think about Evolution and Other Bible-Science Controversies by L. Duane Thurman (review)
  2. F. H. C. Marriott
  3. pp. 331-332
  4. restricted access
  1. Planets and Moons by William J. Kaufmann, III (review)
  2. Ralph Turner
  3. p. 332
  4. restricted access
  1. Exploring the Unknown: Great Mysteries Reexamined by Charles J. Cazeau and Stuart D. Scott (review)
  2. Lawrence E. Jerome
  3. p. 332
  4. restricted access
  1. The Republic of Technology: Reflections on Our Future Community by Daniel J. Boorstin (review)
  2. J. Lukasiewicz
  3. pp. 332-333
  4. restricted access
  1. Research in Philosophy and Technology ed. by Paul T. Durbin (review)
  2. J. C. Kapur
  3. p. 333
  4. restricted access
  1. Time and the Philosophies by H. Aguessy et al. (review)
  2. Alan Rahilly
  3. pp. 333-334
  4. restricted access
  1. The Arrogance of Humanism by David Ehrenfeld (review)
  2. Roy Bhaskar
  3. p. 334
  4. restricted access
  1. The Psychology of Perception: A Philosophical Examination of Gestah Theory and Derivative Theories of Perception by D. W. Hamlyn (review)
  2. Kim James
  3. pp. 334-335
  4. restricted access
  1. Seeing Is Deceiving:The Psychology of Visual Illusions by Stanley Coren and Joan Stern Girgus (review)
  2. Alan Turner
  3. p. 335
  4. restricted access
  1. Models: Representation and the Scientific Understanding by Marx W. Wartofsky (review)
  2. David R. Topper
  3. p. 335
  4. restricted access
  1. Research in Sociology of Knowledge, Sciences and Art (Vol. 2) by Robert Alun Jones and Henrika Kuklick (review)
  2. Gifford Phillips
  3. pp. 335-336
  4. restricted access
  1. The Obstacle Race: The Fortunes of Women Painters and Their Work by Germaine Greer (review)
  2. Naomi Boretz
  3. p. 336
  4. restricted access
  1. The Social Role of Art: 34 Essays in Criticism for a Newspaper Public by Richard Cork (review)
  2. Mitchell Silver
  3. pp. 336-337
  4. restricted access
  1. Hegel: On the Arts: Milestones of Thought by Henry Paolucci (review)
  2. Elmer H. Duncan
  3. p. 337
  4. restricted access
  1. What Is Literature? ed. by Paul Henardi (review)
  2. Richard Brown
  3. p. 337
  4. restricted access
  1. Science within Art by Lynette I. Rhodes (review)
  2. David R. Topper
  3. p. 338
  4. restricted access
  1. From A to Z: A Folk Art Alphabet by Karen M. Jones, and: Folk Art in America: Painting and Sculpture ed. by Jack T. Erickson (review)
  2. Judith Coxe
  3. p. 338
  4. restricted access
  1. German Romanticism and English Art by William Vaughan (review)
  2. David H. Solkin
  3. pp. 338-339
  4. restricted access
  1. Artists in Revolution: Portraits of the Russian Avant-Garde 1905–1925 by Robert C. Williams (review)
  2. Marylin R. Brown
  3. p. 339
  4. restricted access
  1. The Palette and the Flame: Posters of the Spanish Civil War ed. by John Tisa (review)
  2. John Adkins Richardson
  3. p. 340
  4. restricted access
  1. The Diary of Joseph Farington by Kenneth Garlick and Angus Macintyre (review)
  2. Malcolm Miles
  3. pp. 340-341
  4. restricted access
  1. Terminal Iron Works: The Sculpture of David Smith by Rosalind E. Krauss (review)
  2. Henry P. Raleigh
  3. p. 341
  4. restricted access
  1. Vieira da Silva by Jacques Lassaigne and Guy Weelen (review)
  2. Susan Montgomery
  3. pp. 341-342
  4. restricted access
  1. Joseph Beuys by Caroline Tisdall (review)
  2. Dorothy Grotz
  3. p. 342
  4. restricted access
  1. Eight Artists: The Elusive Image (review)
  2. R. S. Biran
  3. p. 342
  4. restricted access
  1. Pencil Drawing Step by Step by Arthur L. Guptill, and: Drawing with Pen and Ink by Arther L. Guptill, and: An Approach to Figure Painting for the Beginner by Howard K. Forsberg (review)
  2. Joan Altabe
  3. pp. 342-343
  4. restricted access
  1. Papermaking by Jules Heller (review)
  2. George A. Agosten
  3. p. 343
  4. restricted access
  1. The Woodturner’s Bible by Percy W. Blandford (review)
  2. Mike Nevelson
  3. p. 343
  4. restricted access
  1. Stained Glass: Music for the Eye by Robert and Jill Hill and Hans Halberstadt (review)
  2. Sean O’Driscoll
  3. p. 344
  4. restricted access
  1. How to Build Your Own Self-Programming Robot by David L. Heiserman, and: How to Build Your Own Working Robot Pet by Frank DaCosta (review)
  2. A.T. Lawton
  3. p. 344
  4. restricted access
  1. The Earth, the Temple, and the Gods: Greek Sacred Architecture by Vincent Scully (review)
  2. Guntis Plēsums
  3. pp. 344-345
  4. restricted access
  1. Cubism in Architecture and the Applied Arts: Bohemia and France, 1910–1914 by Ivan Margolius (review)
  2. Michael Levin
  3. p. 345
  4. restricted access
  1. Paris: A Century of Change, 1878–1978 by Norma Evenson (review)
  2. Barry S. Maitland
  3. p. 345
  4. restricted access
  1. New Directions in Dance: Collected Writings from the Seventh Dance in Canada Conference, Waterloo, Canada, June 1979 ed. by Diana Theodores Taplin (review)
  2. Lynn Matluck Brooks
  3. pp. 345-346
  4. restricted access
  1. Arts Review Yearbook 1980 ed. by Annabel Terry-Engell (review)
  3. p. 346
  4. restricted access
  1. Twentieth-Century European Painting: A Guide to Information Sources by Anne-Marie Cutul (review)
  3. p. 346
  4. restricted access
  1. Artists and Galleries of Australia and New Zealand by Max Germaine (review)
  3. p. 346
  4. restricted access
  1. The Pocket Dictionary of Art Terms by Julia M. Ehresmann (review)
  3. pp. 346-347
  4. restricted access
  1. Letters
  2. Mary J. Blair, Rudolf Arnheim, Roger Fischler, A. E. Davidson, Peter H. Karlen, Dave Warren, Harold Osborne, Nelson Goodman, Rudi Stern
  3. pp. 349-351
  4. restricted access
  1. Author Index
  3. pp. i-ii
  4. restricted access
  1. Illustrations
  3. restricted access
  1. An Introduction to Japanese Prints by Joe Earle, and: The History of Japanese Printing and Book Illustration by David Chibbett, and: Evolving Techniques in Japanese Woodblock Prints by Gaston Petit and Amadio Arboleda (review)
  2. Sean O’Driscoll
  3. p. 343
  4. restricted access
  1. Books Received
  3. pp. 347-348
  4. restricted access