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In this Issue

Table of Contents

  1. Memorials, Vanitas and Death Themes in my Recent Mixed-Media Paintings
  2. Nicholas Orsini
  3. pp. 177-181
  4. restricted access
  1. A Report on my Cultural Mission as Sculptor and Architect to the Orient for the French Government
  2. Pierre Székely
  3. pp. 182-186
  4. restricted access
  1. On Producing Colours Using Birefringence Property of Transparent, Colourless Stretched Cellophane
  2. S. J. Edwards, A. J. Langley
  3. pp. 187-190
  4. restricted access
  1. The Ecology of J. J. Gibson’s Perception
  2. E. Bruce Goldstein
  3. pp. 191-195
  4. restricted access
  1. A Visual Art Project for Public Participation: A Means of Communicating About Art
  2. Dierk Engelken
  3. pp. 196-197
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  1. My Anamorphoses: Types That Produce Three Kinds of Images in Circular Cylindrical Mirrors
  2. Hans Hamngren
  3. pp. 198-201
  4. restricted access
  1. On the Signification of Doors and Gates in the Visual Arts
  2. Michael Moore
  3. pp. 202-205
  4. restricted access
  1. Report on the Ars Electronica 80 Symposium Held at Linz, Austria, in September 1980
  2. Susanne Päch
  3. pp. 206-207
  4. restricted access
  1. Kinetic Light Art: Continuous 3-Dimensional Luminous Images Produced on Rapidly Rotating Strings
  2. Andy Pepper
  3. pp. 208-209
  4. restricted access
  1. A Commentary on Harold Osborne’s Book Abstraction and Artifice in Twentieth-Century Art
  2. Ralph A. Smith
  3. pp. 210-212
  4. restricted access
  1. Kinetic Sculpture: My Mobiles of Wire and Thread Forming Geometrical Surfaces
  2. Jean-Louis Viora
  3. pp. 213-215
  4. restricted access
  1. ‘Water Portraits’: Colour Photographs of Reflections on Water Surfaces and an Audio-Visual Programme Based on Them
  2. Kazimierz Wejchert
  3. pp. 216-217
  4. restricted access
  1. Some Comments on the Pictorial Art by Schizophrenics
  2. Bogumil Wtorkiewicz
  3. pp. 218-219
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  1. An Exchange of Views on Gestalt Psychology and Aesthetic Explanation
  2. Monroe C. Beardsley, Rudolf Arnheim
  3. pp. 220-223
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  1. Discussions by Two Artists of the Background to their Drawings
  2. Illation Golitsyn, Kirill Sokolov, Avril Pyman
  3. pp. 224-229
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  1. Visual Art and Mathematics: Common Characteristics of Order
  2. Bruno D’Amore
  3. pp. 230-231
  4. restricted access
  1. On Order in Art and in Science
  2. Donald Brook
  3. pp. 231-232
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  1. The Golden Section and Human Evolution
  2. David S. Fensom
  3. pp. 232-233
  4. restricted access
  1. Comments on Aesthetically Satisfying Order in the Arts
  2. Herbert W. Franke
  3. pp. 233-234
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  1. On the Search for Order in the Physical Universe
  2. Gerald Holton
  3. pp. 234-235
  4. restricted access
  1. On Symmetry in Nature and in the Visual Arts
  2. Susanne Päch
  3. pp. 235-236
  4. restricted access
  1. The Nature of Blackness in Art and Visual Perception
  2. W. D. Wright
  3. pp. 236-237
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  1. Art and Science
  2. Victor F. Weisskopf
  3. pp. 238-242
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  1. Terminology
  3. p. 243
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  1. The Human Mystery: The Gifford Lectures, University of Edinburgh 1977–1978 by John C. Eccles (review)
  2. Anne K. Uemura
  3. p. 247
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  1. Ways of Worldmaking by Nelson Goodman (review)
  2. Jon W. Sharer
  3. pp. 247-248
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  1. The Myth of Metaphor by Colin M. Turbayne (review)
  2. Carl R. Hausmann
  3. p. 248
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  1. Main Trends of Research in the Social and Human Sciences: Anthropological and Historical Sciences, Aesthetics and the Sciences of Art ed. by Jacques Havet (review)
  2. R. W. Pickford
  3. pp. 248-249
  4. restricted access
  1. Civilization: Readings from Scientific American by Brian M. Fagan and W. H. Freeman (review)
  2. James A. Goldman
  3. p. 249
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  1. Culture as Polyphony. An Essay of the Nature of Paradigms by James M. Curtis (review)
  2. Nicholas Mann
  3. p. 250
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  1. Man and Technology: Toward the Measurement of a Culture by Edward Goodwin Ballard (review)
  2. Madhoor Kapur
  3. pp. 250-251
  4. restricted access
  1. The Technological Conscience: Survival and Dignity in an Age of Expertise by Manfred Stanley, and: Retrospective Technology Assessment—1976 ed. by Joel A. Tarr (review)
  2. J. C. Kapur
  3. pp. 251-252
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  1. Ideals and Idols: Essays on Values in History and in Art by E. H. Gombrich (review)
  2. David Carrier
  3. p. 252
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  1. Styles In Art by Heribert Hutter (review)
  2. S. I. Clerk
  3. p. 252
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  1. What Is a Masterpiece? by Kenneth Clark (review)
  2. Michael Krausz
  3. pp. 252-253
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  1. The Spirit of Surrealism by Edward B. Henning (review)
  2. Peter Fingesten
  3. p. 253
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  1. Chardin and the Still-Life Tradition in France by Gabriel P. Weisberg with S. Talbot (review)
  2. Peter Cannon-Brookes
  3. p. 253
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  1. 100 Artists 100 Years (review)
  2. LeGrace G. Benson
  3. pp. 253-254
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  1. The Apocalyptic Vision: The Art of Franz Marc as German Expressionism by Frederick S. Levine (review)
  2. John F. Moffitt
  3. p. 254
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  1. Daphnis and Chloe by Longus (review)
  2. Susan Montgomery
  3. pp. 254-255
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  1. Arshile Gorky by Phyllis Rosenzweig (review)
  2. Sherly Farness
  3. p. 255
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  1. Stanley Spencer at War by Richard Carline (review)
  2. Vic Gray
  3. p. 255
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  1. Popular Media in China: Shaping New Cultural Patterns ed. by Godwin C. Chu (review)
  2. Michael Gotz
  3. pp. 255-256
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  1. Watercolor Workbook by Bud Biggs and Lois Marshall (review)
  2. Nancy Hubbe
  3. p. 256
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  1. Let There Be Neon by Rudy Stern (review)
  2. Cork Marcheschi
  3. p. 256
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  1. Digital Image Processing by Rafael C. Gonzalez and Paul Wintz (review)
  2. Michael Thompson
  3. pp. 256-257
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  1. Textile Sculptures by Irene Waller (review)
  2. Marianne Straub
  3. p. 257
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  1. Performance: Live Art 1909 to the Present by Roselee Goldberg (review)
  2. Malcolm F. R. Miles
  3. p. 257
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  1. Art-Based Games by Don Pavey (review)
  2. Helen Kerr-Croft
  3. pp. 257-258
  4. restricted access
  1. Moments of Vision: The Stroboscopic Revolution in Photography by Harold E. Edgerton and James R. Killian, Jr. (review)
  2. Donna Stein
  3. p. 258
  4. restricted access
  1. Architectural Stained Glass ed. by Brian Clarke (review)
  2. Gwyneth Thurgood
  3. p. 258
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  1. Visionary Drawings of Architecture and Planning: 20th Century through the 1960s by George R. Collins (review)
  2. Zvi Hecker
  3. pp. 258-259
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  1. Promoting and Selling Your Art by Carole Katchen, and: This Business of Art by Diane Cochrane (review)
  3. p. 259
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  1. Phaidon Encyclopedia of Impressionism by Maurice Sérullaz, and: Phaidon Encyclopedia of Expressionism by Lionel Richard, and: Phsidon Encyclopedia of Surrealism by René Passeron (review)
  3. p. 259
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  1. The New Penguin Dictionary of Electronics by Carol Young (review)
  3. p. 259
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  1. Computerist’s Handy Databook/Dictionary by Clayton L. Hallmark (review)
  3. p. 259
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  1. Dictionary of American Art by Matthew Baigell (review)
  3. p. 260
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  1. Letters
  2. Paul Ré, David Carrier, Peter Kahn, Roger Fischler, Kit Pedler, Marie Naevestad, G. W. Granger
  3. pp. 262-264
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  1. Illustrations
  2. Dmitry Mitrokhin, Nicholas Orsini, S. J. Edwards, A. J. Langley, K. Wejchert, Jean-Louis Viora
  3. restricted access
  1. Books Received
  3. pp. 260-261
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