1. Illustration
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  1. My Sculpture Combining Oak and Stainless Steel
  2. Katherine Gould
  3. pp. 1-4
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  1. On My Work as a Painter: A Memoir
  2. Takhir T. Salakhov, Yu. Osmolovsky
  3. pp. 13-16
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  1. From Realistic Nature Studies to Geometric Nonfigurative Paintings in Which Identical Shapes Appear in Different Colors
  2. Adam Wsiolkowski
  3. pp. 17-21
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  1. Visual Art: The Role of Capillarity and Rheological Properties in Painting
  2. Karol J. Mysels
  3. pp. 22-27
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  1. A Commentary on the Book Visual Art, Mathematics and Computers: Selections from the Journal Leonardo
  2. Marc H. Bornstein
  3. pp. 28-30
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  1. On the Application of the Golden Ratio in the Visual Arts
  2. Roger Fischler
  3. pp. 31-32
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  1. The International Colour Association (A.I.C.) Study Group on Colour Education
  2. Albert Garrett
  3. pp. 33-34
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  1. Performance Art: What Is It?
  2. Klaus Groh
  3. p. 37
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  1. ‘Light Symphony, No. 1’: A Kinetic Pictorial Artwork with Light
  2. P. K. Hoenich
  3. pp. 38-40
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  1. Definitions and Values of Archaism and the Archaic Style
  2. Seymour Howard
  3. pp. 41-44
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  1. Scalebound or Scaling shapes: A Useful Distinction in the Visual Arts and in the Natural Sciences
  2. Benoit B. Mandelbrot
  3. pp. 45-47
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  1. Commentary on the Book The Concept of Style
  2. Gerhard Charles Rump
  3. pp. 48-50
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  1. Art in the Law
  2. Peter H. Karlen
  3. pp. 51-56
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  1. Academics and their Writing
  2. David Lowenthal, Peter C. Wason
  3. p. 57
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  1. Painting Influences (Malerische Einflüsse)
  2. Arnold Schoenberg, Gertrud Zeisl
  3. p. 58
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  1. Terminology
  2. pp. 59-60
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  1. The Dancing Wu Li Masters: an Overview of the New Physics by Gary Zukav (review)
  2. Robert Draper
  3. pp. 64-65
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  1. Technology at the Turning Point ed. by William B. Pickett (review)
  2. R. S. Hartenberg
  3. p. 65
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  1. Toward a Post-Industrial Psychology: Emerging Perspectives on Technology, Work, Education and Leisure by Don Mankin (review)
  2. J. Lukasiewicz
  3. p. 66
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  1. Every Object Is a System: A Cognitive Basis for System Description by Patric Doyle (review)
  2. Vladimir Bonačic
  3. p. 66
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  1. Principles of Visual Perception by Carolyn M. Bloomer (review)
  2. Marc H. Bornstein
  3. pp. 66-67
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  1. The Interpretation of Visual Motion by Shimon Ullman (review)
  2. Jonathan C. Fish
  3. pp. 67-68
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  1. Biology and Ethics: Reflections Inspired by a Unesco Symposium by Bruno Ribes (review)
  2. Patrick Shaw
  3. p. 68
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  1. Renaissance Man and Creative Thinking: A History of Concepts of Harmony 1400–1700 by Dorothy Koenigsberger (review)
  2. S. R. Holtzman
  3. pp. 68-69
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  1. Human Emotions by Carroll E. Izard (review)
  2. Otto Klineberg
  3. p. 69
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  1. Lying, Despair, Jealousy, Sex, Suicide, Drugs and the Good Life by Leslie H. Farber (review)
  2. Henry Abramovitch
  3. pp. 69-70
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  1. Symbol, Myth and Culture: Essays and Lectures by Ernst Cassirer, 1935–1945 ed. by Donald P. Varene (review)
  2. Janet Daley
  3. p. 70
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  1. The Quest for Gaia: A Book of Changes by Kit Pedler (review)
  2. T. Healey
  3. pp. 70-71
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  1. The Aesthetic Dimension: Towards a Critique of Marxist Aesthetics by Herbert Marcuse (review)
  2. Berel Lang
  3. p. 71
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  1. Esthetics Contemporary ed. by Richard Kostelanetz (review)
  2. Haig Katchadourian
  3. pp. 71-72
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  1. German Romantics in Context by Roger Cardinal (review)
  2. John Milner
  3. p. 72
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  1. Romantic Roots in Modern Art; Romanticism and Expressionism: A Study in Comparative Aesthetics by August K. Wiedmann (review)
  2. Joan Altabe
  3. pp. 72-73
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  1. Images of Horror and Fantasy by Gert Schiff (review)
  2. Peter Fingesten
  3. p. 73
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  1. Musical Instruments and Their Symbolism in Western Art: Studies in Musical Iconology by Emanuel Winternitz (review)
  2. James W. Davis
  3. pp. 73-74
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  1. The Arts Betrayed by John Smith (review)
  2. Gerhard Charles Rump
  3. p. 74
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  1. The Artist and the Camera by Albert Michini (review)
  2. Andrew G. Haley
  3. pp. 74-75
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  1. James McNeill Whistler by Hilary Taylor (review)
  2. Christopher Crouch
  3. p. 75
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  1. William Holman Hunt and Typological Symbolism by George P. Landow (review)
  2. John F. Moffitt
  3. p. 75
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  1. The Best of Aubrey Beardsley by Kenneth Clark (review)
  2. David H. Solkin
  3. pp. 75-76
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  1. Drawings by Wharton Esherick ed. Gene Rochberg (review)
  2. Jeffrey S. Erickson
  3. p. 76
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  1. The Legacy of Mark Rothko: An Exposé of the Greatest Scandal of Our Century by Lee Seldes (review)
  2. Henry P. Raleigh
  3. p. 76
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  1. Bernard Berenson. The Making of a Connoisseur by Ernest Samuels (review)
  2. Gerhard Charles Rump
  3. p. 77
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  1. Meet Moses: Fifty-Four Drawings by Mortimer Borne (review)
  2. R. S. Biran
  3. p. 77
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  1. Five Hundred Years of Art in Illustration by Howard Simon, and: Printmaking in Britain by Richard T. Godfrey (review)
  2. Sean O’Driscoll
  3. p. 77
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  1. Making Artist’s Tools by Vance Studley (review)
  2. George A. Agoston
  3. pp. 77-78
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  1. Polyhedra Primer by Peter Pearce and Susan Price (review)
  2. p. 78
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  1. Digital Interfacing with an Analog World by Joseph J. Carr (review)
  2. Dale C. Sparks
  3. p. 78
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  1. The Master Handbook of Electrical Wiring by Art Margolis (review)
  2. A. T. Lawton
  3. pp. 78-79
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  1. American Furniture and Its Makers: Winterthur Portfolio 13 ed. by Ian M. G. Quimby (review)
  2. Mike Nevelson
  3. p. 79
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  1. The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts by Philip Steadman (review)
  2. N. O. A. Bullock
  3. p. 80
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  1. A Pattern Language: Towns, Buildings, Construction by Christopher Alexander (review)
  2. Jack Quinan
  3. pp. 80-81
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  1. Educreation and Feedback: Education for Creation, Growth and Change by Paul Ritter (review)
  2. Robert F. Erickson
  3. p. 81
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  1. ‘Timepieces’: A Series of Static and Kinetic Sculptural Constructions
  2. Bryan Rogers
  3. pp. 5-12
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  1. Changes in Relief and Color Over a Series of Pictorial Works
  2. Joseph Germana
  3. pp. 35-36
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  1. Color Vision: An Historical Introduction by Gerald S. Wasserman (review)
  2. George A. Agoston
  3. p. 67
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  1. Books Received
  2. pp. 81-82
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