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In this Issue

Table of Contents

  1. Illustration
  2. restricted access
  1. My Sculpture Combining Oak and Stainless Steel
  2. Katherine Gould
  3. pp. 1-4
  4. restricted access
  1. On My Work as a Painter: A Memoir
  2. Takhir T. Salakhov, Yu. Osmolovsky
  3. pp. 13-16
  4. restricted access
  1. From Realistic Nature Studies to Geometric Nonfigurative Paintings in Which Identical Shapes Appear in Different Colors
  2. Adam Wsiolkowski
  3. pp. 17-21
  4. restricted access
  1. Visual Art: The Role of Capillarity and Rheological Properties in Painting
  2. Karol J. Mysels
  3. pp. 22-27
  4. restricted access
  1. A Commentary on the Book Visual Art, Mathematics and Computers: Selections from the Journal Leonardo
  2. Marc H. Bornstein
  3. pp. 28-30
  4. restricted access
  1. On the Application of the Golden Ratio in the Visual Arts
  2. Roger Fischler
  3. pp. 31-32
  4. restricted access
  1. The International Colour Association (A.I.C.) Study Group on Colour Education
  2. Albert Garrett
  3. pp. 33-34
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  1. Performance Art: What Is It?
  2. Klaus Groh
  3. p. 37
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  1. ‘Light Symphony, No. 1’: A Kinetic Pictorial Artwork with Light
  2. P. K. Hoenich
  3. pp. 38-40
  4. restricted access
  1. Definitions and Values of Archaism and the Archaic Style
  2. Seymour Howard
  3. pp. 41-44
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  1. Scalebound or Scaling shapes: A Useful Distinction in the Visual Arts and in the Natural Sciences
  2. Benoit B. Mandelbrot
  3. pp. 45-47
  4. restricted access
  1. Commentary on the Book The Concept of Style
  2. Gerhard Charles Rump
  3. pp. 48-50
  4. restricted access
  1. Art in the Law
  2. Peter H. Karlen
  3. pp. 51-56
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  1. Academics and their Writing
  2. David Lowenthal, Peter C. Wason
  3. p. 57
  4. restricted access
  1. Painting Influences (Malerische Einflüsse)
  2. Arnold Schoenberg, Gertrud Zeisl
  3. p. 58
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  1. Terminology
  2. pp. 59-60
  3. restricted access
  1. The Dancing Wu Li Masters: an Overview of the New Physics by Gary Zukav (review)
  2. Robert Draper
  3. pp. 64-65
  4. restricted access
  1. Technology at the Turning Point ed. by William B. Pickett (review)
  2. R. S. Hartenberg
  3. p. 65
  4. restricted access
  1. Every Object Is a System: A Cognitive Basis for System Description by Patric Doyle (review)
  2. Vladimir Bonačic
  3. p. 66
  4. restricted access
  1. Principles of Visual Perception by Carolyn M. Bloomer (review)
  2. Marc H. Bornstein
  3. pp. 66-67
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  1. The Interpretation of Visual Motion by Shimon Ullman (review)
  2. Jonathan C. Fish
  3. pp. 67-68
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  1. Biology and Ethics: Reflections Inspired by a Unesco Symposium by Bruno Ribes (review)
  2. Patrick Shaw
  3. p. 68
  4. restricted access
  1. Renaissance Man and Creative Thinking: A History of Concepts of Harmony 1400–1700 by Dorothy Koenigsberger (review)
  2. S. R. Holtzman
  3. pp. 68-69
  4. restricted access
  1. Human Emotions by Carroll E. Izard (review)
  2. Otto Klineberg
  3. p. 69
  4. restricted access
  1. Lying, Despair, Jealousy, Sex, Suicide, Drugs and the Good Life by Leslie H. Farber (review)
  2. Henry Abramovitch
  3. pp. 69-70
  4. restricted access
  1. Symbol, Myth and Culture: Essays and Lectures by Ernst Cassirer, 1935–1945 ed. by Donald P. Varene (review)
  2. Janet Daley
  3. p. 70
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  1. The Quest for Gaia: A Book of Changes by Kit Pedler (review)
  2. T. Healey
  3. pp. 70-71
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  1. The Aesthetic Dimension: Towards a Critique of Marxist Aesthetics by Herbert Marcuse (review)
  2. Berel Lang
  3. p. 71
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  1. Esthetics Contemporary ed. by Richard Kostelanetz (review)
  2. Haig Katchadourian
  3. pp. 71-72
  4. restricted access
  1. German Romantics in Context by Roger Cardinal (review)
  2. John Milner
  3. p. 72
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  1. Romantic Roots in Modern Art; Romanticism and Expressionism: A Study in Comparative Aesthetics by August K. Wiedmann (review)
  2. Joan Altabe
  3. pp. 72-73
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  1. Images of Horror and Fantasy by Gert Schiff (review)
  2. Peter Fingesten
  3. p. 73
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  1. Musical Instruments and Their Symbolism in Western Art: Studies in Musical Iconology by Emanuel Winternitz (review)
  2. James W. Davis
  3. pp. 73-74
  4. restricted access
  1. The Arts Betrayed by John Smith (review)
  2. Gerhard Charles Rump
  3. p. 74
  4. restricted access
  1. The Artist and the Camera by Albert Michini (review)
  2. Andrew G. Haley
  3. pp. 74-75
  4. restricted access
  1. James McNeill Whistler by Hilary Taylor (review)
  2. Christopher Crouch
  3. p. 75
  4. restricted access
  1. William Holman Hunt and Typological Symbolism by George P. Landow (review)
  2. John F. Moffitt
  3. p. 75
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  1. The Best of Aubrey Beardsley by Kenneth Clark (review)
  2. David H. Solkin
  3. pp. 75-76
  4. restricted access
  1. Drawings by Wharton Esherick ed. Gene Rochberg (review)
  2. Jeffrey S. Erickson
  3. p. 76
  4. restricted access
  1. The Legacy of Mark Rothko: An Exposé of the Greatest Scandal of Our Century by Lee Seldes (review)
  2. Henry P. Raleigh
  3. p. 76
  4. restricted access
  1. Bernard Berenson. The Making of a Connoisseur by Ernest Samuels (review)
  2. Gerhard Charles Rump
  3. p. 77
  4. restricted access
  1. Meet Moses: Fifty-Four Drawings by Mortimer Borne (review)
  2. R. S. Biran
  3. p. 77
  4. restricted access
  1. Five Hundred Years of Art in Illustration by Howard Simon, and: Printmaking in Britain by Richard T. Godfrey (review)
  2. Sean O’Driscoll
  3. p. 77
  4. restricted access
  1. Making Artist’s Tools by Vance Studley (review)
  2. George A. Agoston
  3. pp. 77-78
  4. restricted access
  1. Polyhedra Primer by Peter Pearce and Susan Price (review)
  2. p. 78
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  1. Digital Interfacing with an Analog World by Joseph J. Carr (review)
  2. Dale C. Sparks
  3. p. 78
  4. restricted access
  1. The Master Handbook of Electrical Wiring by Art Margolis (review)
  2. A. T. Lawton
  3. pp. 78-79
  4. restricted access
  1. American Furniture and Its Makers: Winterthur Portfolio 13 ed. by Ian M. G. Quimby (review)
  2. Mike Nevelson
  3. p. 79
  4. restricted access
  1. The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts by Philip Steadman (review)
  2. N. O. A. Bullock
  3. p. 80
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  1. A Pattern Language: Towns, Buildings, Construction by Christopher Alexander (review)
  2. Jack Quinan
  3. pp. 80-81
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  1. Educreation and Feedback: Education for Creation, Growth and Change by Paul Ritter (review)
  2. Robert F. Erickson
  3. p. 81
  4. restricted access
  1. ‘Timepieces’: A Series of Static and Kinetic Sculptural Constructions
  2. Bryan Rogers
  3. pp. 5-12
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  1. Changes in Relief and Color Over a Series of Pictorial Works
  2. Joseph Germana
  3. pp. 35-36
  4. restricted access
  1. Color Vision: An Historical Introduction by Gerald S. Wasserman (review)
  2. George A. Agoston
  3. p. 67
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  1. Books Received
  2. pp. 81-82
  3. restricted access