1. Illustration
  2. W. Christian Sidenius, Sheila Pinkel, Yves Charnay, Peter Sedgley, Isia Léviant, Avgust Černigoj
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  1. Recursive Patterns or the Garden of Forking Paths
  2. A. H. J. Christensen
  3. pp. 177-182
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  1. My Kinetic Artworks and Paintings (1971–1982)
  2. Peter Sedgley, Heinz Ohff
  3. pp. 183-187
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  1. Lumia Kinetic Art with Music: My Theatre of Light
  2. W. Christian Sidenius, Raymond M. Farrell Jr.
  3. pp. 188-192
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  1. Endymion’s Moonbath: Art and Science in Girodet’s Early Masterpiece
  2. Barbara Stafford
  3. pp. 193-198
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  1. Collage as Jokework: Freud’s Theories of Wit as the Foundation for the Collages of Max Ernst
  2. Charlotte Stokes
  3. pp. 199-204
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  1. Size Constancy, Terry Pope’s Glasses, and the Moon Illusion
  2. David W. Brisson
  3. pp. 205-207
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  1. Order in Art and Science
  2. Donald Brook
  3. pp. 208-209
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  1. Space Art: The Impact of Space-Age Technology on Representational Art
  2. Michael W. Carroll
  3. pp. 210-212
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  1. An Art-Science Workshop in Edinburgh
  2. Christopher Cornford
  3. pp. 213-214
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  1. Avgust Černigoj and his Constructivism: A Memoir
  2. Peter Krečič, Edward Zajec
  3. pp. 215-218
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  1. A New Medium for Expression: Painting with Liquid Crystals
  2. Yves Charnay
  3. pp. 219-221
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  1. Illusory Motion within Still Pictures: The L-Effect
  2. Isia Léviant
  3. pp. 222-223
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  1. The Development of a Concrete Statue
  2. Paul F. Miller Jr.
  3. pp. 224-226
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  1. Manifestations of a Cube
  2. Sheila Pinker
  3. pp. 227-228
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  1. Computer-Assisted Etching
  2. Edith Smith
  3. pp. 229-230
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  1. Terminology
  2. pp. 231-232
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  1. Historical Perspectives on the Visual Arts, Science, and Technology
  2. David R. Topper
  3. pp. 234-237
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  1. The Airbrush Book: Art, History and Technique by Seng-gye Tombs Curtis and Christopher Hunt (review)
  2. Daniel Dallman
  3. p. 238
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  1. Arts and the Schools ed. by Jerome J. Hausman (review)
  2. Mary Spivey
  3. p. 238
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  1. How to Paint the Chinese Way by Jean Long (review)
  2. Jeffrey S. Erickson
  3. p. 239
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  1. Portrait of an Atom: Artist-Sculptor Kenneth Snelson’s Vizualization of the Atom’s Electronic Structure (review)
  2. Dietrich Schroeer, Lawrence Slifkin
  3. pp. 239-240
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  1. Brains, Machines and Persons by Donald M. MacKay (review)
  2. Peter Kugel
  3. p. 240
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  1. American Light: The Luminisi Movement, 1850–1875. Paintings, Drawings, Photographs (review)
  2. Frederick S. Levine
  3. pp. 240-241
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  1. Picasso Lithographs by Pablo Picasso (review)
  2. Madhoor Kapur
  3. p. 241
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  1. Art and Philosophy: Conceptual Issues in Aesthetics by Joseph Margolis (review)
  2. David Carrier
  3. p. 242
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  1. Machines Who Think: A Personal Inquiry into the History and Prospects of Artificial Intelligence by Pamela McCorduck (review)
  2. Michael J. Apter
  3. p. 242
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  1. The New Japanese House: Ritual and Anti-Ritual Patterns of Dwelling by Chris Fawcett (review)
  2. N. N. Patricious
  3. p. 243
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  1. The Story of Modem Art by Norbert Lynton (review)
  2. John Adkins Richardson
  3. p. 243
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  1. The History and Philosophy of Technology ed. by G. Bugliarello and D. B. Doner (review)
  2. James A. Goldman
  3. pp. 243-244
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  1. The Paintings of James McNeill Whistler by Andrew McLaren Young, et al. (review)
  2. Edward R. Pope
  3. p. 244
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  1. Dada Spectrum: The Dialectics of Revolt ed. by Stephen Foster and Rudolph Kuenzli (review)
  2. Joseph Germana
  3. p. 244
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  1. Disturbing the Universe by Freeman Dyson (review)
  2. Barry Barnes
  3. p. 246
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  1. Roger Fry: Art and Life by Frances Spalding (review)
  2. Donald Brook
  3. p. 246
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  1. Leonardo’s Rules of Painting: An Unconventional Approach to Modern Art by James Beck (review)
  2. Nicholas Orsini
  3. pp. 246-247
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  1. Jackson Pollock: Questions ed. by François-Marc Gagnon et al. (review)
  2. Dorothy Grotz
  3. pp. 247-248
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  1. Goncharova: Stage Designs and Paintings by Mary Chamot (review)
  2. Anthony Parton
  3. p. 248
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  1. Ideas of Space: Euclidean, Non-Euclidean, and Relativistic by Jeremy Gray (review)
  2. David W. Brisson
  3. p. 248
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  1. Health Hazards in the Arts and Crafts ed. by Michael McCann and Gail Barazani (review)
  2. George A. Agoston
  3. pp. 248-249
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  1. The Berlin Secession: Modernism and Its Enemies in Imperial Germany by Peter Paret (review)
  2. Gerhard Charles Rump
  3. p. 249
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  1. A Giacometti Portrait by James Lord (review)
  2. Kenneth R. Adams
  3. p. 250
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  1. Color Manual for Artists ed. by Arthur L. Guptill and Catherine Sullivan (review)
  2. George A. Agoston
  3. p. 250
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  1. The Perception of Pictures ed. by Margaret A. Hagen (review)
  2. David Carrier
  3. pp. 250-251
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  1. Silk Screen Techniques by J. I. Biegeleisen and Max Cohn (review)
  2. Romas Viesulas
  3. p. 251
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  1. The Great Statuary of China by Victor Segalen (review)
  2. Richard Perry
  3. pp. 251-252
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  1. The Artist by Himself: Self-portrait Drawings from Youth to Old Age ed. by Joan Kinneir (review)
  2. Inge Hoffman
  3. p. 252
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  1. Illustrated Notebooks: 1917–55 by Georges Braque (review)
  2. Inge Hoffman
  3. pp. 252-253
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  1. Picasso: Art As Autobiography by Mary Gedo (review)
  2. Constance Costigan
  3. p. 253
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  1. Letters
  2. Henri Gabriel, Joseph Germana, Rudolf Arnheim, John Willats, Lucien Jambrun, Pierre Auger, Robert Dixon, Kirill Sokolov, E. Wiese
  3. p. 256
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  1. Announcements
  2. p. i
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  1. Books Received
  2. pp. 253-255
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