1. The Nowhere of Truth: Kierkegaard's Discourse on the Occasion of Confession (1845)
  2. David Kangas
  3. pp. 987-1000
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  1. The Ironic Creativity of Socratic Doubt
  2. Jonathan Lear
  3. pp. 1001-1018
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  1. Constantin Constantius Goes to the Theater
  2. Michael Fried
  3. pp. 1019-1037
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  1. Dependence and its Discontents: Kierkegaard on being Sustained by Another
  2. Edward F. Mooney
  3. pp. 1038-1060
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  1. Irony and Dialectic: On a Critique of Romanticism in Kierkegaard and Hegel's Philosophy
  2. Lore Hühn
  3. pp. 1061-1082
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  1. The Kierkegaardian Moment: Dialectical Theology and Its Aftermath
  2. Hent de Vries
  3. pp. 1083-1114
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  1. The Transparency of Self-Love?: Kierkegaard vs. Frankfurt
  2. Pia Søltoft
  3. pp. 1115-1131
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  1. Kierkegaard in Romania before WWII: Reception or Rejection?
  2. Michael Finkenthal
  3. pp. 1132-1145
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  1. Taking a Joke Seriously: Mickey Mouse and William Kentridge
  2. Nienke Boer
  3. pp. 1146-1169
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  1. An Impossible Waiting—Reading Derrida's Reading of Heidegger in Aporias
  2. Hakhamanesh Zangeneh
  3. pp. 1170-1193
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  1. Cosmodernism: American Narrative, Late Globalization, and the New Cultural Imaginary by Christian Moraru (review)
  2. Henry Sussman
  3. pp. 1194-1198
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  1. After Translation: The Transfer and Circulation of Modern Poetics across the Atlantic by Ignacio Infante (review)
  2. Rachel Galvin
  3. pp. 1198-1203
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  1. Science, Democracy, and the American University. From the Civil War to the Cold War by Andrew Jewett (review)
  2. Larry S. McGrath
  3. pp. 1203-1207
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  1. Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)
  2. Sarah Senk
  3. pp. 1207-1211
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  1. The Rhetoric of Error from Locke to Kleist by Zachary Sng (review)
  2. Aakash M. Suchak
  3. pp. 1211-1214
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  1. Egyptian Oedipus: Athanasius Kircher and the Secrets of Antiquity by Daniel Stolzenberg (review)
  2. Willis G. Regier
  3. pp. 1215-1216
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  1. Empty Houses: Theatrical Failure and the Novel by David Kurnick (review)
  2. Daniel Williams
  3. pp. 1217-1220
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  1. Editorial Note
  2. The Editors
  3. p. vi
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