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  Volume 53, Number 2, Winter 2014

Table of Contents


Depth Readings: Ken Jacobs’s Digital, Stereographic Films

pp. 1-26

Stardom, Sentimental Education, and the Shaping of Global Citizens

pp. 27-49

Exhausted Landscapes: Reframing the Rural in Recent Argentine and Brazilian Films

pp. 50-70

Cinema and Suicide: Necromanticism, Dead-already-ness, and the Logic of the Vanishing Point

pp. 71-92

Histrionic Gestures and Historical Representation: Masina’s Cabiria, Bazin’s Chaplin, and Fellini’s Neorealism

pp. 93-116

In Focus: Queer Approaches to Film, Television, and Digital Media


pp. 117-121

The Sissy’s Courage: In Memoriam Alexander Doty

pp. 122-126

Six Crises

pp. 126-132

Queer Television Studies: Currents, Flows, and (Main)streams

pp. 133-139

Queer Recalibration

pp. 140-144

Queer Asian Cinema and Media Studies: From Hybridity to Critical Regionality

pp. 145-151

Queer OS

pp. 152-157


pp. 158-159

Book Reviews: Queer Caucus

New Queer Cinema: The Director’s Cut by B. Ruby Rich (review)

pp. 160-164

The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema by Nick Davis (review)

pp. 164-169

LGBT Transnational Identity and the Media ed. by Christopher Pullen (review)

pp. 169-174

Love and Money: Queers, Class, and Cultural Production by Lisa Henderson (review)

pp. 174-178

The B Word: Bisexuality in Contemporary Film and Television by Maria San Filippo (review)

pp. 179-183


p. 184


p. 198

Research Areas


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