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  Volume 53, Number 2, Winter 2014

Table of Contents

Articles

Depth Readings: Ken Jacobs’s Digital, Stereographic Films

pp. 1-26
|

Stardom, Sentimental Education, and the Shaping of Global Citizens

pp. 27-49
|

Exhausted Landscapes: Reframing the Rural in Recent Argentine and Brazilian Films

pp. 50-70
|

Cinema and Suicide: Necromanticism, Dead-already-ness, and the Logic of the Vanishing Point

pp. 71-92
|

Histrionic Gestures and Historical Representation: Masina’s Cabiria, Bazin’s Chaplin, and Fellini’s Neorealism

pp. 93-116
|

In Focus: Queer Approaches to Film, Television, and Digital Media

Introduction

pp. 117-121
|

The Sissy’s Courage: In Memoriam Alexander Doty

pp. 122-126
|

Six Crises

pp. 126-132
|

Queer Television Studies: Currents, Flows, and (Main)streams

pp. 133-139
|

Queer Recalibration

pp. 140-144
|

Queer Asian Cinema and Media Studies: From Hybridity to Critical Regionality

pp. 145-151
|

Queer OS

pp. 152-157
|

Contributors

pp. 158-159
|

Book Reviews: Queer Caucus

New Queer Cinema: The Director’s Cut by B. Ruby Rich (review)

pp. 160-164
|

The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema by Nick Davis (review)

pp. 164-169
|

LGBT Transnational Identity and the Media ed. by Christopher Pullen (review)

pp. 169-174
|

Love and Money: Queers, Class, and Cultural Production by Lisa Henderson (review)

pp. 174-178
|

The B Word: Bisexuality in Contemporary Film and Television by Maria San Filippo (review)

pp. 179-183
|

Contributors

p. 184
|

Forthcoming

p. 198
|

Research Areas

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