1. Plumbing the Depths of Galdos’s View of Spain: The Confounding Accomplishment of José Bergamín
  2. Peter Bly
  3. pp. 11-33
  4. DOI: 10.1353/ang.2013.0002
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  1. Los últimos días de Pompeya como fuente de inspiración de El Grande Oriente
  2. Fabio Javier García Saleh
  3. pp. 35-53
  4. DOI: 10.1353/ang.2013.0005
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  1. La representación de Juliana en Misericordia, de Galdós
  2. Daniel Lorca
  3. pp. 83-95
  4. DOI: 10.1353/ang.2013.0011
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  1. Maximiliano Rubín and the Context of Galdós’s Medical Knowledge
  2. Michael W. Stannard
  3. pp. 97-111
  4. DOI: 10.1353/ang.2013.0013
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  1. Tormento by Benito Pérez Galdós (review)
  2. Toni Dorca
  3. pp. 120-121
  4. DOI: 10.1353/ang.2013.0004
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  1. Cuentos morales by Leopoldo Alas (review)
  2. Denise DuPont
  3. pp. 122-123
  4. DOI: 10.1353/ang.2013.0007
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  1. Obras escogidas by Fernán Caballero (review)
  2. Rosa E. Montes Doncel
  3. pp. 124-126
  4. DOI: 10.1353/ang.2013.0010
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  1. Teatro completo by Emilia Pardo Bazán (review)
  2. Borja Rodríguez Gutiérrez
  3. pp. 127-128
  4. DOI: 10.1353/ang.2013.0012
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  1. The Rise of Middle-Class Culture in Nineteenth-Century Spain by Jesús Cruz (review)
  2. Jennifer Smith
  3. pp. 132-134
  4. DOI: 10.1353/ang.2013.0000
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  1. Pepita Jiménez by Juan Valera (review)
  2. Robert G. Trimble
  3. pp. 135-136
  4. DOI: 10.1353/ang.2013.0003
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  1. Casandra. El caballero encantado. La razón de la sinrazón by Benito Pérez Galdós (review)
  2. Dolores Troncoso
  3. pp. 137-138
  4. DOI: 10.1353/ang.2013.0006
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  1. “Náufragas” y otros cuentos by Emilia Pardo Bazán (review)
  2. Margot Versteeg
  3. pp. 139-140
  4. DOI: 10.1353/ang.2013.0009
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