1. Plumbing the Depths of Galdos’s View of Spain: The Confounding Accomplishment of José Bergamín
  2. Peter Bly
  3. pp. 11-33
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  1. Los últimos días de Pompeya como fuente de inspiración de El Grande Oriente
  2. Fabio Javier García Saleh
  3. pp. 35-53
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  1. Inesismo y desdonjuanización en La Regenta de Clarín: La lectura quijotesca de Ana Ozores del drama de Zorrilla
  2. Alfonso Livianos Domínguez
  3. pp. 55-82
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  1. La representación de Juliana en Misericordia, de Galdós
  2. Daniel Lorca
  3. pp. 83-95
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  1. Maximiliano Rubín and the Context of Galdós’s Medical Knowledge
  2. Michael W. Stannard
  3. pp. 97-111
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  1. Revolución, restauración y novela ideológica. ‘La novela de Luis’ de S. Villarminio by Ignacio Javier López (review)
  2. Jorge Avilés Diz
  3. pp. 115-116
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  1. Tormento by Benito Pérez Galdós (review)
  2. Toni Dorca
  3. pp. 120-121
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  1. Cuentos morales by Leopoldo Alas (review)
  2. Denise DuPont
  3. pp. 122-123
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  1. Obras escogidas by Fernán Caballero (review)
  2. Rosa E. Montes Doncel
  3. pp. 124-126
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  1. Teatro completo by Emilia Pardo Bazán (review)
  2. Borja Rodríguez Gutiérrez
  3. pp. 127-128
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  1. The Rise of Middle-Class Culture in Nineteenth-Century Spain by Jesús Cruz (review)
  2. Jennifer Smith
  3. pp. 132-134
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  1. Pepita Jiménez by Juan Valera (review)
  2. Robert G. Trimble
  3. pp. 135-136
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  1. Casandra. El caballero encantado. La razón de la sinrazón by Benito Pérez Galdós (review)
  2. Dolores Troncoso
  3. pp. 137-138
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  1. “Náufragas” y otros cuentos by Emilia Pardo Bazán (review)
  2. Margot Versteeg
  3. pp. 139-140
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