restricted access   Volume 65, Number 4, December 2013

Table of Contents

"Modernism"

Congratulations!

p. ix
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Editorial Comment: “Modernism”

pp. x-xiii
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Special-Issue Essays

Modernism, “Tradition,” and History in the Postcolony: Vijay Tendulkar’s Ghashiram kotwal (1972)

pp. 467-487
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A Modernist Audience: The Kawakami Troupe, Matsuki Bunkio, and Boston Japonisme

pp. 489-505
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“An Advance to New”: Interstitial Modernism and Toronto’s Theatre of Action, 1936–40

pp. 507-522
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Negotiating Theatrical Modernism in the Arab World

pp. 523-535
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Waiting for Godot in New Orleans: Modernist Autonomy and Transnational Performance in Paul Chan’s Beckett

pp. 537-557
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Performance Reviews

Rutherford and Son by Githa Sowerby, and: The Stepmother by Githa Sowerby (review)

pp. 559-561
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American Realness curated by Thomas Benjamin Snapp Pryor (review)

pp. 562-565
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Mies Julie by August Strindberg, and: Easter by August Strindberg, and: The Dance of Death by August Strindberg (review)

pp. 565-568
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Golden Boy by Clifford Odets, and: Picnic by William Inge (review)

pp. 568-571
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The Master and Margarita adapted by Simon McBurney, Edward Kemp (review)

pp. 572-574
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red, black, & GREEN: a blues by Marc Bamuthi Joseph (review)

pp. 574-576
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Ruff by Peggy Shaw and Lois Weaver (review)

pp. 576-577
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Ganesh Versus the Third Reich by Back to Back Theatre (review)

pp. 578-580
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King Kong by Craig Lucas and Marius de Vries (review)

pp. 580-582
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January Joiner: A Weight Loss Horror Comedy by Laura Jacqmin (review)

pp. 582-584
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The Glass Menagerie by Tennessee Williams (review)

pp. 584-585
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37th Annual Humana Festival of New American Plays (review)

pp. 586-589
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A Cage of Fireflies by Daniel Akiyama (review)

pp. 589-591
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Review Essay

The Transformative Aesthetics of the Gesamtkunstwerk/Total Work of Art as the Specter Haunting Modernism

pp. 593-603
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Book Reviews

Strindberg: A Life by Sue Prideaux, and: August Strindberg: Selected Plays ed. by Ann-Charlotte Gavel Adams and Anna Westerståhl Stenport (review)

pp. 605-607
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Shaw and Feminisms: On Stage and Off ed. by D. A. Hadfield and Jean Reynolds (review)

pp. 607-608
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Diaghilev and the Ballets Russes, 1909–1929: When Art Danced with Music ed. by Jane Pritchard, and: Diaghilev: A Life by Sjeng Scheijen, and: René Blum and the Ballets Russes: In Search of a Lost Life by Judith Chazin-Bennahum (review)

pp. 608-611
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Victory Over the Sun: The World’s First Futurist Opera ed. and trans. by Rosamund Bartlett and Sarah Dadswell (review)

pp. 611-614
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Avant-Garde Performance and Material Exchange: Vectors of the Radical ed. by Mike Sell (review)

pp. 614-615
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The Jewish Kulturbund Theatre Company in Nazi Berlin by Rebecca Rovit (review)

pp. 615-617
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Jews and the Making of Modern German Theatre ed. by Jeanette R. Malkin and Freddie Rokem (review)

pp. 617-618
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Daring to Play: A Brecht Companion by Manfred Wekwerth (review)

pp. 618-619
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Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)

pp. 619-620
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Staging Modern American Life: Popular Culture in the Experimental Theatre of Millay, Cummings, and Dos Passos by Thomas Fahy, and: The Theatre of E. E. Cummings ed. by George Firmage (review)

pp. 620-622
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Reading Modern Drama ed. by Alan Ackerman (review)

pp. 622-624
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To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre ed. by James Fisher (review)

pp. 624-625
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Index to Volume 65

Theatre Journal: Index to Volume 65

pp. 631-637
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