1. “This Wild Hunt for Rest”: Working at Play in The Ambassadors
  2. Shawna Ross
  3. pp. 1-20
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  1. Uncreative Influence: Louis Aragon’s Paysan de Paris and Walter Benjamin’s Passagen-Werk
  2. Vaclav Paris
  3. pp. 21-39
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  1. Flights of Memory: Teju Cole’s Open City and the Limits of Aesthetic Cosmopolitanism
  2. Pieter Vermeulen
  3. pp. 40-57
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  1. “Mark my words”: Speech, Writing, and Identity in Three Harlem Renaissance Stories
  2. Laura Barrett
  3. pp. 58-76
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  1. A Search for the Viscous and Sawdust: (Mis)pronunciation in Nabokov’s American Novels
  2. Maria Kager
  3. pp. 77-89
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  1. “I could not let eu go”: Robert Duncan falls for the wrong verb
  2. Sean Reynolds
  3. pp. 90-106
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  1. Junot Díaz’s “Otravida, Otravez” and Hospitalia: The Workings of Hostile Hospitality
  2. Ana María Manzanas Calvo
  3. pp. 107-123
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  1. Ming Vases, China Dolls, and Mandarins: Examining the Curation of China in the Galleries of Modernist Little Magazines, 1912–1930
  2. Gabriel Lovatt
  3. pp. 124-142
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  1. The Ambiguous Status of Native Speakers and Language Learners in Ulysses
  2. Elizabeth Kate Switaj
  3. pp. 143-157
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  1. “A Conversation with Spectres”: Russian Ballet and the Politics of Voice in T.S. Eliot
  2. Ben J. Richardson
  3. pp. 158-177
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  1. “A perfect present”: A Review of T. S. Eliot’s Parisian Year
  2. Nancy K. Gish
  3. pp. 178-180
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  1. “Like a shell with no machinery in it”: The Letters of T.S. Eliot, Volume 1: 1898–1922 and Volume 2: 1923–1925
  2. Don James McLaughlin
  3. pp. 181-186
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  1. En ce bordeau où tenons nostre etat: A review of Schneider’s Zois in Nighttown
  2. Jean-Michel Rabaté
  3. pp. 187-189
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  1. New Jewish Geographies: Allison Schachter’s Diasporic Modernisms
  2. Emily Robins Sharpe
  3. pp. 190-193
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  1. Exploration of the Intercultural
  2. Wei Liu
  3. pp. 194-195
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  1. Erratum
  2. p. iv
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  1. Editor’s Introduction: Cosmopolitan Modernism, Polylingual Strategies and Cultural Hybridity
  2. Jean-Michel Rabaté
  3. pp. v-vi
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  1. Notes on Contributors
  2. pp. 196-198
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