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Table of Contents

  1. A Note on This War Portfolio
  2. Brian Turner
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/psg.2013.0147
  5. restricted access
  1. The War Ends
  2. Elyse Fenton
  3. p. 9
  4. DOI: https://doi.org/10.1353/psg.2013.0156
  5. restricted access
  1. Poem
  2. Al-Saddiq Al-Raddi, Mark Ford, Hafiz Kheir
  3. p. 10
  4. DOI: https://doi.org/10.1353/psg.2013.0165
  5. restricted access
  1. Texas, 2009
  2. Siobhan Fallon
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/psg.2013.0174
  5. restricted access
  1. The Kunar Nine
  2. Elliott D. Woods
  3. pp. 13-28
  4. DOI: https://doi.org/10.1353/psg.2013.0183
  5. restricted access
  1. Like a Desert Flower
  2. Parween Faiz Zadah Malaal, Dawood Azami
  3. p. 29
  4. DOI: https://doi.org/10.1353/psg.2013.0191
  5. restricted access
  1. This Prisoner Breathes
  2. Noshi Gillani, Lavinia Greenlaw, Nukhbah Langah
  3. p. 30
  4. DOI: https://doi.org/10.1353/psg.2013.0143
  5. restricted access
  1. Apples
  2. Mihaela Moscaliuc
  3. pp. 31-33
  4. DOI: https://doi.org/10.1353/psg.2013.0152
  5. restricted access
  1. One/Another
  2. James Byrne
  3. p. 34
  4. DOI: https://doi.org/10.1353/psg.2013.0161
  5. restricted access
  1. The Lady in the Red Coat
  2. Eduardo Halfon
  3. pp. 35-37
  4. DOI: https://doi.org/10.1353/psg.2013.0170
  5. restricted access
  1. Not the Thousand and One Nights, and: Crossing Back
  2. Moniza Alvi
  3. pp. 38-39
  4. DOI: https://doi.org/10.1353/psg.2013.0179
  5. restricted access
  1. The Fall
  2. Roy Scranton
  3. pp. 40-45
  4. DOI: https://doi.org/10.1353/psg.2013.0188
  5. restricted access
  1. Child Bomb
  2. Pedro Serrano, Anna Crowe
  3. pp. 46-47
  4. DOI: https://doi.org/10.1353/psg.2013.0140
  5. restricted access
  1. Belfast, Northern Ireland, Early 1990s
  2. Patrick Hicks
  3. pp. 48-49
  4. DOI: https://doi.org/10.1353/psg.2013.0149
  5. restricted access
  1. Election Supervisor, Bosnia
  2. Susan Rich
  3. pp. 50-51
  4. DOI: https://doi.org/10.1353/psg.2013.0158
  5. restricted access
  1. The Buddha in South Sudan
  2. Adrie Kusserow
  3. pp. 52-55
  4. DOI: https://doi.org/10.1353/psg.2013.0167
  5. restricted access
  1. Zimbabwe, 19___
  2. Terrileigh Anne Shepherd
  3. pp. 56-57
  4. DOI: https://doi.org/10.1353/psg.2013.0176
  5. restricted access
  1. The VA-Issued Crutch
  2. Tamra J. Higgins
  3. p. 58
  4. DOI: https://doi.org/10.1353/psg.2013.0185
  5. restricted access
  1. In Dari Class, and: The Dirt on Afghanistan
  2. Amin Esmaielpour
  3. pp. 59-60
  4. DOI: https://doi.org/10.1353/psg.2013.0137
  5. restricted access
  1. Say Again Your Last
  2. Benjamin Busch
  3. p. 61
  4. DOI: https://doi.org/10.1353/psg.2013.0145
  5. restricted access
  1. T. W. Jackson of Prairie Point, Mississippi, 1860–1957
  2. T. R. Hummer
  3. p. 62
  4. DOI: https://doi.org/10.1353/psg.2013.0154
  5. restricted access
  1. Stalingrad
  2. Kathy Shorr
  3. p. 63
  4. DOI: https://doi.org/10.1353/psg.2013.0163
  5. restricted access
  1. Ronald Colman, and: Second Lieutenant Tooke
  2. Michael Longley
  3. p. 64
  4. DOI: https://doi.org/10.1353/psg.2013.0172
  5. restricted access
  1. In Pérenchies, and: Advance, and: Clearing Station
  2. Wilhelm Klemm, Ted Genoways
  3. pp. 65-66
  4. DOI: https://doi.org/10.1353/psg.2013.0181
  5. restricted access
  1. Gin and Tonic, Florida
  2. Michael Robinson
  3. pp. 67-68
  4. DOI: https://doi.org/10.1353/psg.2013.0190
  5. restricted access
  1. Homeland
  2. Eliza Griswold
  3. p. 69
  4. DOI: https://doi.org/10.1353/psg.2013.0142
  5. restricted access
  1. The Great Gates of War
  2. Tomica Bajsić, Damir Šodan
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/psg.2013.0151
  5. restricted access
  1. Redeployment Packing Checklist
  2. Brooke King
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/psg.2013.0160
  5. restricted access
  1. Returned
  2. Elana Bell
  3. p. 74
  4. DOI: https://doi.org/10.1353/psg.2013.0169
  5. restricted access
  1. Paradise in Zurita: An Interview with Raúl Zurita
  2. Nathalie Handal, David Shook
  3. pp. 75-83
  4. DOI: https://doi.org/10.1353/psg.2013.0178
  5. restricted access
  1. A Walking Guide to the Heart of a City
  2. Kazim Ali
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/psg.2013.0187
  5. restricted access
  1. South Vietnam, 1970
  2. Preston Hood
  3. p. 87
  4. DOI: https://doi.org/10.1353/psg.2013.0139
  5. restricted access
  1. Hijra ’92
  2. Damir Šodan
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/psg.2013.0148
  5. restricted access
  1. Illegal Immigrant
  2. Reza Mohammadi, Nick Laird, Hamid Kabir
  3. p. 90
  4. DOI: https://doi.org/10.1353/psg.2013.0157
  5. restricted access
  1. Brothers
  2. Harry Mattison
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/psg.2013.0166
  5. restricted access
  1. Mosul, Iraq, 2004
  2. Colby Buzzell
  3. p. 94
  4. DOI: https://doi.org/10.1353/psg.2013.0175
  5. restricted access
  1. The Iraqi Nights
  2. Dunya Mikhail
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/psg.2013.0184
  5. restricted access
  1. When the ships say good-bye to us
  2. Gulala Nouri
  3. p. 99
  4. DOI: https://doi.org/10.1353/psg.2013.0192
  5. restricted access
  1. The poem, and: Remember me
  2. Bewketu Seyoum, Cheryl Moskowitz
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/psg.2013.0144
  5. restricted access
  1. On War Writing: A Roundtable Discussion
  2. Donald Anderson, Doug Anderson, Matt Gallagher, Sam Hamill, Peter Molin, Marilyn Nelson, Stacey Peebles
  3. pp. 102-114
  4. DOI: https://doi.org/10.1353/psg.2013.0153
  5. restricted access
  1. Quails, and: Pondering Pheasant
  2. Meg Kearney
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/psg.2013.0162
  5. restricted access
  1. Fifteen
  2. Lauren K. Alleyne
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/psg.2013.0171
  5. restricted access
  1. Scott, Supervisor of the Dispossessed
  2. Kevin Simmonds
  3. pp. 122-137
  4. DOI: https://doi.org/10.1353/psg.2013.0180
  5. restricted access
  1. Merrick’s Skeleton
  2. Carrie Shipers
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/psg.2013.0189
  5. restricted access
  1. Discipline
  2. TWIXT
  3. p. 140
  4. DOI: https://doi.org/10.1353/psg.2013.0141
  5. restricted access
  1. The Wait
  2. Pamela Davis
  3. p. 141
  4. DOI: https://doi.org/10.1353/psg.2013.0150
  5. restricted access
  1. Name
  2. Ryan Van Winkle
  3. p. 142
  4. DOI: https://doi.org/10.1353/psg.2013.0159
  5. restricted access
  1. Figures in Motion, and: Standing Here
  2. Austin LaGrone
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/psg.2013.0168
  5. restricted access
  1. When what they need is land
  2. Agnes Lam
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/psg.2013.0177
  5. restricted access
  1. Old Couple Swimming
  2. Frannie Lindsay
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/psg.2013.0186
  5. restricted access
  1. Salmon Summers
  2. Lilly Deng
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/psg.2013.0138
  5. restricted access
  1. Fishing
  2. Erik Fredericksen
  3. pp. 151-156
  4. DOI: https://doi.org/10.1353/psg.2013.0146
  5. restricted access
  1. The Woman in Mike’s
  2. Rachel Pastan
  3. pp. 157-169
  4. DOI: https://doi.org/10.1353/psg.2013.0155
  5. restricted access
  1. Fault Lines by Kendel Hippolyte (review)
  2. Ishion Hutchinson
  3. pp. 170-174
  4. DOI: https://doi.org/10.1353/psg.2013.0164
  5. restricted access
  1. Index: Contents of Volume 87, 2013
  2. pp. 186-190
  3. DOI: https://doi.org/10.1353/psg.2013.0182
  4. restricted access
  1. Contributors
  2. pp. 175-185
  3. DOI: https://doi.org/10.1353/psg.2013.0173
  4. restricted access