1. From the Editors
  2. Emily Hipchen, Ricia Anne Chansky
  3. pp. 177-179
  4. DOI: 10.1353/abs.2013.0020
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  1. The Process: Poetic Re-presentation as Social Responsibility in a Collaborative Documentary
  2. Paola Bilbrough
  3. pp. 180-191
  4. DOI: 10.1353/abs.2013.0022
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  1. Auto/biographical Ethics: The Case of The Shoebox
  2. Janet Elizabeth Marles
  3. pp. 192-211
  4. DOI: 10.1353/abs.2013.0011
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  1. “I’ve spent a lot of time looking at these images”: The “Viewing 'I'” in Contemporary Autobiographical Documentary
  2. Leah Anderst
  3. pp. 212-241
  4. DOI: 10.1353/abs.2013.0013
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  1. Performing Identifications, Queering Autobiography: Reading Mark Dendy’s Dream Analysis
  2. Alison Bory
  3. pp. 242-271
  4. DOI: 10.1353/abs.2013.0015
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  1. Ekphrasis as an Analytical Mode in Biography: Finding Vida Lahey’s Romantic “Character”
  2. Sue Lovell
  3. pp. 272-295
  4. DOI: 10.1353/abs.2013.0017
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  1. Crossing Boundaries: Authority, Knowledge, and Experience in the Autobiography Vida y sucesos de la monja alférez
  2. Sonia Pérez Villanueva
  3. pp. 296-316
  4. DOI: 10.1353/abs.2013.0019
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  1. Writing the Lives of Painters: Biography and Artistic Identity in Britain 1760–1810 by Karen Junod (review)
  2. Daniel Vuillermin
  3. pp. 317-320
  4. DOI: 10.1353/abs.2013.0021
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  1. Teaching Olaudah Equiano’s Narrative: Pedagogical Strategies and New Perspectives edited by Eric D. Lamore (review)
  2. Lynn A. Casmier-Paz
  3. pp. 321-323
  4. DOI: 10.1353/abs.2013.0010
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  1. Borrowed Tongues: Life Writing, Migration, and Translation by Eva C. Karpinski (review)
  2. Anastasia Christou
  3. pp. 324-328
  4. DOI: 10.1353/abs.2013.0012
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  1. American Autobiography by Rachel McLennan (review)
  2. Laura Laffrado
  3. pp. 329-332
  4. DOI: 10.1353/abs.2013.0014
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  1. Books Received
  2. pp. 333-337
  3. DOI: 10.1353/abs.2013.0016
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  1. Contributors
  2. pp. 338-339
  3. DOI: 10.1353/abs.2013.0018
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