1. Choreographies of Protest
  2. Susan Leigh Foster
  3. pp. 395-412
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  1. Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies
  2. Jens Richard Giersdorf
  3. pp. 413-432
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  1. Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham
  2. Anthea Kraut
  3. pp. 433-450
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  1. Subversive Dancing: The Interventions in Jawole Willa Jo Zollar's Batty Moves
  2. Ananya Chatterjea
  3. pp. 451-465
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  1. Modern Visions of Greek Tragic Dancing
  2. Graham Ley
  3. pp. 467-480
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  1. The Economics of Theatrical Dance in Eighteenth-Century London
  2. Judith Milhous
  3. pp. 481-508
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  1. Casa, and: Metapolis Project 972 (review)
  2. Jen Harvie
  3. pp. 509-511
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  1. Isadora. .. No Apologies (review)
  2. Carrie J. Preston
  3. pp. 511-513
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  1. Antigone (review)
  2. Mary Fleischer
  3. pp. 513-514
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  1. Jennie Richee (Or Eating Jalooka Fruit Before It's Ripe) (review)
  2. M. J. Thompson
  3. pp. 514-516
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  1. Hashirigaki (review)
  2. Leslie Atkins Durham
  3. pp. 516-518
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  1. Big Head (review)
  2. Meiling Cheng
  3. pp. 518-519
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  1. Fresh Terrain: A Performance Art/Theatre Festival and Symposium (review)
  2. Jessica Hester
  3. pp. 519-522
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  1. The Philadelphia Fringe Festival (review)
  2. Allen J. Kuharski
  3. pp. 522-525
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  1. The Ramayana (review)
  2. Catherine Diamond
  3. pp. 526-527
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  1. The Beard of Avon (review)
  2. James Fisher
  3. pp. 528-530
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  1. Edgardo Mine (review)
  2. Edward R. Isser
  3. pp. 531-532
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  1. Machinal (review)
  2. Sara Freeman
  3. pp. 532-533
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  1. No Foreigners Beyond This Point (review)
  2. James Bunzli
  3. pp. 533-535
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  1. L'Orfeo (review)
  2. Elizabeth J. Montgomery
  3. pp. 535-536
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  1. South Pacific (review)
  2. Yuko Kurahashi
  3. pp. 536-538
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  1. Children of Herakles (review)
  2. Kermit Dunkelberg
  3. pp. 538-539
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  1. Black/"Urban" Standup Comedy: A Performance by Brandon Bowlin (review)
  2. Lanita Jacobs-Huey
  3. pp. 539-541
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  1. The Last Supper (review)
  2. Lars Parker-Myers
  3. pp. 541-542
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  1. Continental Divide: Mothers Against, and: Continental Divide: Daughters of the Revolution (review)
  2. Melissa Gibson
  3. pp. 543-544
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  1. Take Me Out (review)
  2. Una Chaudhuri
  3. pp. 544-546
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  1. Resurrection Blues, and: Good Boys (review)
  2. Sarah J. Rudolph
  3. pp. 546-549
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  1. Moving History / Dancing Cultures: A Dance History Reader (review)
  2. Naomi M. Jackson
  3. pp. 551-552
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  1. Dancing Desires: Choreographing Sexualities on and off the Stage (review)
  2. Zachary A. Dorsey
  3. pp. 552-553
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  1. The Work of Dance: Labor, Movement, and Identity in the 1930s (review)
  2. Susan Tenneriello
  3. pp. 553-555
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  1. Dance for Export: Cultural Diplomacy and the Cold War (review)
  2. Mary Louise Hill
  3. pp. 555-556
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  1. Kathakali Dance-Drama: Where Gods and Demons Come to Play
  2. Ananya Chatterjea
  3. pp. 556-558
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  1. Impossible Dance: Club Culture and Queer World-Making (review)
  2. Theresa Smalec
  3. pp. 558-559
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  1. Europe Dancing: Perspectives on Theatre Dance and Cultural Identity (review)
  2. J. Lucinda Kidder
  3. pp. 559-560
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  1. Buto(s) (review)
  2. Judith Graves Miller
  3. pp. 560-561
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  1. Moving Lessons: Margaret H'Doubler and the Beginnings of Dance in American Education (review)
  2. Peggy Willis-Aarnio
  3. pp. 562-563
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  1. Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y (review)
  2. J. Lucinda Kidder
  3. pp. 563-564
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  1. Choreographic Politics: State Folk Dance Companies, Representation and Power (review)
  2. Shannon M. Payne
  3. pp. 564-565
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  1. Orientalism in French Classical Drama (review)
  2. David Hammerbeck
  3. pp. 565-567
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  1. Staging Desire: Queer Readings of American Theater History (review)
  2. Jeff Turner
  3. pp. 567-568
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  1. Secrets of Acting Shakespeare: The Original Approach (review)
  2. Don Weingust
  3. pp. 568-569
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  1. American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)
  2. Brooks McNamara
  3. pp. 569-570
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  1. Susan Glaspell in Context: American Theater, Culture and Politics 1915-1948 (review)
  2. Marcia Noe
  3. pp. 570-571
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  1. The Dubious Spectacle: Extremities of Theater, 1976-2000 (review)
  2. William B. Worthen
  3. pp. 572-573
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  1. Stage Fright: Modernism Anti-Theatricality and Drama (review)
  2. David Krasner
  3. pp. 573-574
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  1. Errata
  2. p. 574
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  1. Artist Statement
  2. Alex Donis
  3. p. 584
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  1. Acknowledgements
  2. David Román
  3. p. 585
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  1. Fiona Shaw Performance at Project Muse
  2. p. 589
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  1. Congratulations
  2. David Román, Harry Justin Elam
  3. p. iv
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  1. Editorial Comment: Theater Journals: Dance Liberation
  2. David Román
  3. pp. vii-xxiv
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  1. Books Received
  2. pp. 575-579
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  1. Alex Donis: An Introduction
  2. Richard Meyer
  3. pp. 581-583
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