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  Volume 55, Number 3, October 2003

Table of Contents

From: Theatre Journal

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Congratulations

p. iv
|

Editorial Comment: Theater Journals: Dance Liberation

pp. vii-xxiv
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Errata

p. 574
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Alex Donis: An Introduction

pp. 581-583
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Artist Statement

p. 584
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Acknowledgements

p. 585
|

Fiona Shaw Performance at Project Muse

p. 589
|

Articles

Choreographies of Protest

pp. 395-412
|

Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies

pp. 413-432
|

Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham

pp. 433-450
|

Subversive Dancing: The Interventions in Jawole Willa Jo Zollar's Batty Moves

pp. 451-465
|

Modern Visions of Greek Tragic Dancing

pp. 467-480
|

The Economics of Theatrical Dance in Eighteenth-Century London

pp. 481-508
|

Performance Review

Casa, and: Metapolis Project 972 (review)

pp. 509-511
|

Isadora. .. No Apologies (review)

pp. 511-513
|

Antigone (review)

pp. 513-514
|

Jennie Richee (Or Eating Jalooka Fruit Before It's Ripe) (review)

pp. 514-516
|

Hashirigaki (review)

pp. 516-518
|

Big Head (review)

pp. 518-519
|

Fresh Terrain: A Performance Art/Theatre Festival and Symposium (review)

pp. 519-522
|

The Philadelphia Fringe Festival (review)

pp. 522-525
|

The Ramayana (review)

pp. 526-527
|

The Beard of Avon (review)

pp. 528-530
|

Edgardo Mine (review)

pp. 531-532
|

Machinal (review)

pp. 532-533
|

No Foreigners Beyond This Point (review)

pp. 533-535
|

L'Orfeo (review)

pp. 535-536
|

South Pacific (review)

pp. 536-538
|

Children of Herakles (review)

pp. 538-539
|

Black/"Urban" Standup Comedy: A Performance by Brandon Bowlin (review)

pp. 539-541
|

The Last Supper (review)

pp. 541-542
|

Continental Divide: Mothers Against, and: Continental Divide: Daughters of the Revolution (review)

pp. 543-544
|

Take Me Out (review)

pp. 544-546
|

Resurrection Blues, and: Good Boys (review)

pp. 546-549
|

Book Review

Moving History / Dancing Cultures: A Dance History Reader (review)

pp. 551-552
|

Dancing Desires: Choreographing Sexualities on and off the Stage (review)

pp. 552-553
|

The Work of Dance: Labor, Movement, and Identity in the 1930s (review)

pp. 553-555
|

Dance for Export: Cultural Diplomacy and the Cold War (review)

pp. 555-556
|

Kathakali Dance-Drama: Where Gods and Demons Come to Play

pp. 556-558
|

Impossible Dance: Club Culture and Queer World-Making (review)

pp. 558-559
|

Europe Dancing: Perspectives on Theatre Dance and Cultural Identity (review)

pp. 559-560
|

Buto(s) (review)

pp. 560-561
|

Moving Lessons: Margaret H'Doubler and the Beginnings of Dance in American Education (review)

pp. 562-563
|

Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y (review)

pp. 563-564
|

Choreographic Politics: State Folk Dance Companies, Representation and Power (review)

pp. 564-565
|

Orientalism in French Classical Drama (review)

pp. 565-567
|

Staging Desire: Queer Readings of American Theater History (review)

pp. 567-568
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Secrets of Acting Shakespeare: The Original Approach (review)

pp. 568-569
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American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)

pp. 569-570
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Susan Glaspell in Context: American Theater, Culture and Politics 1915-1948 (review)

pp. 570-571
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The Dubious Spectacle: Extremities of Theater, 1976-2000 (review)

pp. 572-573
|

Stage Fright: Modernism Anti-Theatricality and Drama (review)

pp. 573-574
|

Books Received

pp. 575-579
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Research Areas

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