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  Volume 55, Number 3, October 2003

Table of Contents

From: Theatre Journal

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p. iv | DOI: 10.1353/tj.2003.0137

Editorial Comment: Theater Journals: Dance Liberation

pp. vii-xxiv | DOI: 10.1353/tj.2003.0138


p. 574 | DOI: 10.1353/tj.2003.0107

Alex Donis: An Introduction

pp. 581-583 | DOI: 10.1353/tj.2003.0130

Artist Statement

p. 584 | DOI: 10.1353/tj.2003.0103


p. 585 | DOI: 10.1353/tj.2003.0139

Fiona Shaw Performance at Project Muse

p. 589 | DOI: 10.1353/tj.2003.0108


Choreographies of Protest

pp. 395-412 | DOI: 10.1353/tj.2003.0111

Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies

pp. 413-432 | DOI: 10.1353/tj.2003.0114

Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham

pp. 433-450 | DOI: 10.1353/tj.2003.0125

Subversive Dancing: The Interventions in Jawole Willa Jo Zollar's Batty Moves

pp. 451-465 | DOI: 10.1353/tj.2003.0098

Modern Visions of Greek Tragic Dancing

pp. 467-480 | DOI: 10.1353/tj.2003.0128

The Economics of Theatrical Dance in Eighteenth-Century London

pp. 481-508 | DOI: 10.1353/tj.2003.0131

Performance Review

Casa, and: Metapolis Project 972 (review)

pp. 509-511 | DOI: 10.1353/tj.2003.0116

Isadora. .. No Apologies (review)

pp. 511-513 | DOI: 10.1353/tj.2003.0095

Antigone (review)

pp. 513-514 | DOI: 10.1353/tj.2003.0110

Jennie Richee (Or Eating Jalooka Fruit Before It's Ripe) (review)

pp. 514-516 | DOI: 10.1353/tj.2003.0143

Hashirigaki (review)

pp. 516-518 | DOI: 10.1353/tj.2003.0106

Big Head (review)

pp. 518-519 | DOI: 10.1353/tj.2003.0101

Fresh Terrain: A Performance Art/Theatre Festival and Symposium (review)

pp. 519-522 | DOI: 10.1353/tj.2003.0117

The Philadelphia Fringe Festival (review)

pp. 522-525 | DOI: 10.1353/tj.2003.0126

The Ramayana (review)

pp. 526-527 | DOI: 10.1353/tj.2003.0102

The Beard of Avon (review)

pp. 528-530 | DOI: 10.1353/tj.2003.0109

Edgardo Mine (review)

pp. 531-532 | DOI: 10.1353/tj.2003.0119

Machinal (review)

pp. 532-533 | DOI: 10.1353/tj.2003.0112

No Foreigners Beyond This Point (review)

pp. 533-535 | DOI: 10.1353/tj.2003.0097

L'Orfeo (review)

pp. 535-536 | DOI: 10.1353/tj.2003.0133

South Pacific (review)

pp. 536-538 | DOI: 10.1353/tj.2003.0127

Children of Herakles (review)

pp. 538-539 | DOI: 10.1353/tj.2003.0105

Black/"Urban" Standup Comedy: A Performance by Brandon Bowlin (review)

pp. 539-541 | DOI: 10.1353/tj.2003.0121

The Last Supper (review)

pp. 541-542 | DOI: 10.1353/tj.2003.0135

Continental Divide: Mothers Against, and: Continental Divide: Daughters of the Revolution (review)

pp. 543-544 | DOI: 10.1353/tj.2003.0113

Take Me Out (review)

pp. 544-546 | DOI: 10.1353/tj.2003.0100

Resurrection Blues, and: Good Boys (review)

pp. 546-549 | DOI: 10.1353/tj.2003.0140

Book Review

Moving History / Dancing Cultures: A Dance History Reader (review)

pp. 551-552 | DOI: 10.1353/tj.2003.0120

Dancing Desires: Choreographing Sexualities on and off the Stage (review)

pp. 552-553 | DOI: 10.1353/tj.2003.0104

The Work of Dance: Labor, Movement, and Identity in the 1930s (review)

pp. 553-555 | DOI: 10.1353/tj.2003.0142

Dance for Export: Cultural Diplomacy and the Cold War (review)

pp. 555-556 | DOI: 10.1353/tj.2003.0118

Kathakali Dance-Drama: Where Gods and Demons Come to Play

pp. 556-558 | DOI: 10.1353/tj.2003.0099

Impossible Dance: Club Culture and Queer World-Making (review)

pp. 558-559 | DOI: 10.1353/tj.2003.0141

Europe Dancing: Perspectives on Theatre Dance and Cultural Identity (review)

pp. 559-560 | DOI: 10.1353/tj.2003.0122

Buto(s) (review)

pp. 560-561 | DOI: 10.1353/tj.2003.0132

Moving Lessons: Margaret H'Doubler and the Beginnings of Dance in American Education (review)

pp. 562-563 | DOI: 10.1353/tj.2003.0146

Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y (review)

pp. 563-564 | DOI: 10.1353/tj.2003.0123

Choreographic Politics: State Folk Dance Companies, Representation and Power (review)

pp. 564-565 | DOI: 10.1353/tj.2003.0136

Orientalism in French Classical Drama (review)

pp. 565-567 | DOI: 10.1353/tj.2003.0115

Staging Desire: Queer Readings of American Theater History (review)

pp. 567-568 | DOI: 10.1353/tj.2003.0144

Secrets of Acting Shakespeare: The Original Approach (review)

pp. 568-569 | DOI: 10.1353/tj.2003.0145

American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)

pp. 569-570 | DOI: 10.1353/tj.2003.0129

Susan Glaspell in Context: American Theater, Culture and Politics 1915-1948 (review)

pp. 570-571 | DOI: 10.1353/tj.2003.0134

The Dubious Spectacle: Extremities of Theater, 1976-2000 (review)

pp. 572-573 | DOI: 10.1353/tj.2003.0147

Stage Fright: Modernism Anti-Theatricality and Drama (review)

pp. 573-574 | DOI: 10.1353/tj.2003.0124

Books Received

pp. 575-579 | DOI: 10.1353/tj.2003.0096

Research Areas


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