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Browse > Film, Theater, and Performing Arts > Theater and Performance Studies > Theatre Journal

  Volume 55, Number 3, October 2003

Table of Contents

From: Theatre Journal

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Congratulations

p. iv | DOI: 10.1353/tj.2003.0137
David Román, Harry Justin Elam
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Editorial Comment: Theater Journals: Dance Liberation

pp. vii-xxiv | DOI: 10.1353/tj.2003.0138
David Román
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Errata

p. 574 | DOI: 10.1353/tj.2003.0107
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Alex Donis: An Introduction

pp. 581-583 | DOI: 10.1353/tj.2003.0130
Richard Meyer
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Artist Statement

p. 584 | DOI: 10.1353/tj.2003.0103
Alex Donis
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Acknowledgements

p. 585 | DOI: 10.1353/tj.2003.0139
David Román
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Fiona Shaw Performance at Project Muse

p. 589 | DOI: 10.1353/tj.2003.0108
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Articles

Choreographies of Protest

pp. 395-412 | DOI: 10.1353/tj.2003.0111
Susan Leigh Foster
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Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies

pp. 413-432 | DOI: 10.1353/tj.2003.0114
Jens Richard Giersdorf
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Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham

pp. 433-450 | DOI: 10.1353/tj.2003.0125
Anthea Kraut
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Subversive Dancing: The Interventions in Jawole Willa Jo Zollar's Batty Moves

pp. 451-465 | DOI: 10.1353/tj.2003.0098
Ananya Chatterjea
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Modern Visions of Greek Tragic Dancing

pp. 467-480 | DOI: 10.1353/tj.2003.0128
Graham Ley
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The Economics of Theatrical Dance in Eighteenth-Century London

pp. 481-508 | DOI: 10.1353/tj.2003.0131
Judith Milhous
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Performance Review

Casa, and: Metapolis Project 972 (review)

pp. 509-511 | DOI: 10.1353/tj.2003.0116
Jen Harvie
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Isadora. .. No Apologies (review)

pp. 511-513 | DOI: 10.1353/tj.2003.0095
Carrie J. Preston
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Antigone (review)

pp. 513-514 | DOI: 10.1353/tj.2003.0110
Mary Fleischer
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Jennie Richee (Or Eating Jalooka Fruit Before It's Ripe) (review)

pp. 514-516 | DOI: 10.1353/tj.2003.0143
M. J. Thompson
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Hashirigaki (review)

pp. 516-518 | DOI: 10.1353/tj.2003.0106
Leslie Atkins Durham
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Big Head (review)

pp. 518-519 | DOI: 10.1353/tj.2003.0101
Meiling Cheng
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Fresh Terrain: A Performance Art/Theatre Festival and Symposium (review)

pp. 519-522 | DOI: 10.1353/tj.2003.0117
Jessica Hester
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The Philadelphia Fringe Festival (review)

pp. 522-525 | DOI: 10.1353/tj.2003.0126
Allen J. Kuharski
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The Ramayana (review)

pp. 526-527 | DOI: 10.1353/tj.2003.0102
Catherine Diamond
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The Beard of Avon (review)

pp. 528-530 | DOI: 10.1353/tj.2003.0109
James Fisher
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Edgardo Mine (review)

pp. 531-532 | DOI: 10.1353/tj.2003.0119
Edward R. Isser
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Machinal (review)

pp. 532-533 | DOI: 10.1353/tj.2003.0112
Sara Freeman
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No Foreigners Beyond This Point (review)

pp. 533-535 | DOI: 10.1353/tj.2003.0097
James Bunzli
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L'Orfeo (review)

pp. 535-536 | DOI: 10.1353/tj.2003.0133
Elizabeth J. Montgomery
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South Pacific (review)

pp. 536-538 | DOI: 10.1353/tj.2003.0127
Yuko Kurahashi
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Children of Herakles (review)

pp. 538-539 | DOI: 10.1353/tj.2003.0105
Kermit Dunkelberg
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Black/"Urban" Standup Comedy: A Performance by Brandon Bowlin (review)

pp. 539-541 | DOI: 10.1353/tj.2003.0121
Lanita Jacobs-Huey
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The Last Supper (review)

pp. 541-542 | DOI: 10.1353/tj.2003.0135
Lars Parker-Myers
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Continental Divide: Mothers Against, and: Continental Divide: Daughters of the Revolution (review)

pp. 543-544 | DOI: 10.1353/tj.2003.0113
Melissa Gibson
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Take Me Out (review)

pp. 544-546 | DOI: 10.1353/tj.2003.0100
Una Chaudhuri
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Resurrection Blues, and: Good Boys (review)

pp. 546-549 | DOI: 10.1353/tj.2003.0140
Sarah J. Rudolph
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Book Review

Moving History / Dancing Cultures: A Dance History Reader (review)

pp. 551-552 | DOI: 10.1353/tj.2003.0120
Naomi M. Jackson
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Dancing Desires: Choreographing Sexualities on and off the Stage (review)

pp. 552-553 | DOI: 10.1353/tj.2003.0104
Zachary A. Dorsey
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The Work of Dance: Labor, Movement, and Identity in the 1930s (review)

pp. 553-555 | DOI: 10.1353/tj.2003.0142
Susan Tenneriello
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Dance for Export: Cultural Diplomacy and the Cold War (review)

pp. 555-556 | DOI: 10.1353/tj.2003.0118
Mary Louise Hill
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Kathakali Dance-Drama: Where Gods and Demons Come to Play

pp. 556-558 | DOI: 10.1353/tj.2003.0099
Ananya Chatterjea
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Impossible Dance: Club Culture and Queer World-Making (review)

pp. 558-559 | DOI: 10.1353/tj.2003.0141
Theresa Smalec
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Europe Dancing: Perspectives on Theatre Dance and Cultural Identity (review)

pp. 559-560 | DOI: 10.1353/tj.2003.0122
J. Lucinda Kidder
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Buto(s) (review)

pp. 560-561 | DOI: 10.1353/tj.2003.0132
Judith Graves Miller
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Moving Lessons: Margaret H'Doubler and the Beginnings of Dance in American Education (review)

pp. 562-563 | DOI: 10.1353/tj.2003.0146
Peggy Willis-Aarnio
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Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y (review)

pp. 563-564 | DOI: 10.1353/tj.2003.0123
J. Lucinda Kidder
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Choreographic Politics: State Folk Dance Companies, Representation and Power (review)

pp. 564-565 | DOI: 10.1353/tj.2003.0136
Shannon M. Payne
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Orientalism in French Classical Drama (review)

pp. 565-567 | DOI: 10.1353/tj.2003.0115
David Hammerbeck
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Staging Desire: Queer Readings of American Theater History (review)

pp. 567-568 | DOI: 10.1353/tj.2003.0144
Jeff Turner
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Secrets of Acting Shakespeare: The Original Approach (review)

pp. 568-569 | DOI: 10.1353/tj.2003.0145
Don Weingust
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American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)

pp. 569-570 | DOI: 10.1353/tj.2003.0129
Brooks McNamara
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Susan Glaspell in Context: American Theater, Culture and Politics 1915-1948 (review)

pp. 570-571 | DOI: 10.1353/tj.2003.0134
Marcia Noe
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The Dubious Spectacle: Extremities of Theater, 1976-2000 (review)

pp. 572-573 | DOI: 10.1353/tj.2003.0147
William B. Worthen
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Stage Fright: Modernism Anti-Theatricality and Drama (review)

pp. 573-574 | DOI: 10.1353/tj.2003.0124
David Krasner
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Books Received

pp. 575-579 | DOI: 10.1353/tj.2003.0096
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