Articles

  1. Why Write About the West?
  2. A. B. Guthrie Jr.
  3. pp. 163-170
  4. DOI: 10.1353/wal.1972.0046
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  1. Jeffers’ “Cawdor” and the Hippolytus Story
  2. Robert J. Brophy
  3. pp. 171-178
  4. DOI: 10.1353/wal.1972.0055
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  1. An Approach to the Western Poetry of Thomas Hornsby Ferril
  2. Jack Scherting
  3. pp. 179-190
  4. DOI: 10.1353/wal.1972.0007
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  1. Point of View in “Returned to Say” and the Wilderness of William Stafford
  2. Carol Kyle
  3. pp. 191-202
  4. DOI: 10.1353/wal.1972.0016
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  1. Charlie Siringo: Reluctant Propagandist
  2. Orlan Sawey
  3. pp. 203-210
  4. DOI: 10.1353/wal.1972.0025
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  1. Andy Adams and the Real West
  2. Barbara Quissell
  3. pp. 211-219
  4. DOI: 10.1353/wal.1972.0034
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Notes

  1. Folklorists of Texas
  2. Martin Staples Shockley
  3. pp. 221-223
  4. DOI: 10.1353/wal.1972.0052
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  1. Eugene Cunningham: Realism and the Action Novel
  2. Donald G. Pike
  3. pp. 224-229
  4. DOI: 10.1353/wal.1972.0003
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Book Reviews

  1. Western Literature Association Newsletter
  2. p. 220
  3. DOI: 10.1353/wal.1972.0043
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  1. Conversations with Frank Waters ed. by John R. Milton. (review)
  2. Martin Bucco
  3. pp. 230-231
  4. DOI: 10.1353/wal.1972.0012
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  1. All Is But A Beginning by John G. Neihardt (review)
  2. Mildred R. Bennett
  3. pp. 231-233
  4. DOI: 10.1353/wal.1972.0021
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  1. Midwatch by Keith Wilson, and The Old Man and Others by Keith Wilson, and Rocks by Keith Wilson (review)
  2. Kenneth Brewer
  3. pp. 236-238
  4. DOI: 10.1353/wal.1972.0048
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  1. The Man Who Loved Cat Dancing by Marilyn Durham (review)
  2. Ernest L. Bulow
  3. pp. 238-239
  4. DOI: 10.1353/wal.1972.0057
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