restricted access   Volume 17, Number 4, October 1984

Table of Contents

From: Leonardo

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Volume Contents and Author Index Volume 17, 1984

Artist's Article

Painting and Physics: Modeling Artistic and Scientific Experience in Four Spatial Dimensions

pp. 227-233

Artists~ Notes

Mosaic Painting Using Natural and Industrial Materials

pp. 234-236

Performing Objects: Technology without Purpose

pp. 237-240

Skinning Cars in the American West: Transforming Automobile Bodies into Relief Sculptures

pp. 241-244

Combining Symbolism and Fantasy in Painting

pp. 245-246

General Articles

Surrealism–An Alternative Approach: Veristic Attitudes in the Work and Writings of Contemporary Surrealists

pp. 247-252

Tetrahedron Modeling: Art/Science Metaphors for Order in Space

pp. 253-260

On the Similarities between Scientific Discovery and Musical Creativity: A Philosophical Analysis

pp. 261-268


Drawing for Designing

pp. 269-276

Human Evolution in the Age of the Intelligent Machine

pp. 277-287

Theoretical Perspectives on the Arts, Sciences and Technology

pp. 288-294

Book Reviews

Electra (review)

p. 297

The Amazing Decade: Women and Performance Art in America 1970–1980 ed. by Moira Roth (review)

p. 297

Conceptual Issues in Evolutionary Biology—An Anthology ed. by Elliott Sober (review)

pp. 297-298

Science Defied and Science Deified: The Historical Significance of Science in Western Culture from the Bronze Age to the Beginning of the Modern Era, ca. 3500 B.C. to ca. A.D. 1640 by Richard Olson (review)

p. 298

Relativity Visualized by Lewis Epstein (review)

p. 299

Computer Images: State of the Art by Joseph Deken (review)

p. 299

The Handbook of Artificial Intelligence ed. by Avron Barr, Paul R. Cohen, Edward A. Feigenbaum (review)

pp. 299-300

Russian and Greek Ikons from the Charles Pankow Collection of Russian and Greek Ikons through the Nineteenth Century by Van Doren Galleries (review)

p. 300

Russian Avant-Garde Art: The George Costakis Collection ed. by Angelica Z. Rudenstine (review)

p. 300

Russian Constructivism by Christina Lodder (review)

pp. 300-301

Dreams and Nightmares: Utopian Visions in Modern Art by Valerie J. Fletcher (review)

p. 301

The Interpretation of Visual Motion by Shimon Ullman (review)

pp. 301-302

Distortion in Art: the Eye and the Mind by J. B. Deregowski (review)

p. 302

The Genius of Arab Civilization ed. by J. R. Hayes (review)

pp. 302-303

The Aesthetic Imperative, Relevance and Responsibility in Arts Education, Curriculum Issues in Art Education, Vol. 2 ed. by M. Ross (review)

p. 303

Balthus by Stanislas Klossowski De Rola (review)

pp. 303-304

Kettle’s Yard: A Way of Life by Jim Ede (review)

p. 304

Man About Town, Frank Lloyd Wright in New York City by Herbert Muschamp (review)

pp. 304-305

New American Art Museums by Helen Searing (review)

pp. 305-306

Books Received

p. 306