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In this Issue

Table of Contents

  1. Industrial Research Artist: A Proposal
  2. Stephen Wilson
  3. pp. 69-70
  4. restricted access
  1. Waterfields: Conceptual Water Drawings
  2. Robert C. Morgan
  3. pp. 71-74
  4. restricted access
  1. On the Designing of a Science Museum and a Particle Accelerator Laboratory: Interviews with Frank Oppenheimer and Robert Wilson
  2. Linda Dackman
  3. pp. 75-80
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  1. The Interaction of Art and Science
  2. Sheldon Richmond
  3. pp. 81-86
  4. restricted access
  1. Magic Wall: A Multi-Monitor, Computer-Controlled Installation
  2. Joanne Culver, Frank Dietrich, Zsuzsanna Molnar
  3. pp. 87-90
  4. restricted access
  1. Microphotographic Artworks and Silkscreen Prints Created with Use of a Polarizing Microscope
  2. Vin Kitayama
  3. pp. 91-94
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  1. Antarctica and Concepts of Order: Two Installations
  2. Rachel Weiss
  3. pp. 95-99
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  1. Art, Science, and Peace: The Proposed ‘World Man Center’ Project on Cyprus
  2. Florence Hetzler
  3. pp. 100-103
  4. restricted access
  1. Ruled Surfaces: The Mathematics of Three Straight-Line-Generated Constructions
  2. Joseph MacDonnell
  3. pp. 104-107
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  1. The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism
  2. Martin F. Norden
  3. pp. 108-112
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  1. Gregory Bateson: Old Men Ought To Be Explorers
  2. Stephen Nachmanovitch
  3. pp. 113-118
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  1. The Life, Writings and Art of Vasiliy Chekrygin
  2. E. A. Nekrasova
  3. pp. 119-123
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  1. Historical Perspectives on the Arts, Sciences and Technology
  2. David R. Topper
  3. pp. 124-126
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  1. The Cosmic Code: Quantum Physics as the Language of Nature by Heinz R. Pagels (review)
  2. Waldo E. Haisley
  3. p. 129
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  1. The Aesthetic Dimension of Science: The Sixteenth Nobel Conference ed. by Dean W. Curtin (review)
  2. Sheldon Richmond
  3. p. 129
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  1. Abusing Science, The Case Against Creationism by Philip Kitcher (review)
  2. Geoffrey Holister
  3. pp. 129-130
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  1. The Brains of Men and Machines by Ernest W. Kent, and: Brains, Behavior & Robotics by James S. Albus (review)
  2. S. Wilson
  3. p. 130
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  1. The Un/Necessary Image ed. by Peter D’Agostino, Antonio Muntadas (review)
  2. Tom McCourt
  3. p. 131
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  1. Seurat and the Science of Painting by William Innes Homer (review)
  2. David G. Stork
  3. p. 131
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  1. Philosophy and the Art of Writing: Studies in Philosophical and Literary Style by Berel Lang (review)
  2. Ray Racy
  3. pp. 131-132
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  1. Transparent Watercolor: Painting Methods and Materials by Inessa Derkatsch, and: Painting the Marine Scene in Watercolor by Herb Olsen (review)
  2. Nancy Hubbe
  3. p. 132
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  1. Basic Design: The Dynamics of Visual Form by Maurice de Sausmarez (review)
  2. Roy R. Behrens
  3. pp. 132-133
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  1. Vision and Design by Roger Fry (review)
  2. Roy R. Behrens
  3. p. 133
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  1. Architecture in Latin America by Jorge Glusberg (review)
  2. Kenneth Krabbenhoft
  3. pp. 133-134
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  1. A History of Mughal Architecture, Vol. I by R. Nath (review)
  2. R. F. Erickson
  3. p. 134
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  1. The De Stijl Environment by Nancy J. Troy (review)
  2. Hans Jaffe
  3. p. 134
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  1. Clorindo Testa, pintor y arquitecto by Jorge Glusberg (review)
  2. Kenneth Krabbenhoft
  3. pp. 134-135
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  1. Yves Tanguy Retrospective 1925–1955 by Dominique Bozo (review)
  2. Kenneth Krabbenhoft
  3. p. 135
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  1. Indian Miniature Painting by M. S. Randhawa (review)
  2. Carson I. A. Ritchie
  3. pp. 135-136
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  1. Psychology and the Arts ed. by David O’Hare (review)
  2. G. W. Granger
  3. p. 136
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  1. Letters
  2. Jacques G. Richardson, Julian Rowan, Michael S. Bell, Paul Pratchenko, Myron W. Krueger, Pierre Auger, Bella Feldman, George Coppel
  3. pp. 138-141
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  1. Illustrations
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  1. Introduction to Electro-Acoustic Music by Barry Schrader (review)
  2. S. Wilson
  3. pp. 130-131
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  1. Books Received
  3. pp. 136-137
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