+ MUSE Alert

In this Issue

Table of Contents

Editorial

  1. International Aspects of Leonardo
  2. Makepeace Tsao, Roger F. Malina, Bryan Rogers
  3. pp. 1-2
  4. restricted access

Obituary

  1. R. Buckminster Fuller 1895–1983
  2. John Pastier
  3. p. 3
  4. restricted access

Artists' Articles

  1. Monitoring Nature’s Sounds with Terrain-Based Constructions
  2. Leif Brush, Gloria DeFilipps Brush
  3. pp. 4-7
  4. restricted access
  1. Letterpress Language: Typography as a Medium for the Visual Representation of Language
  2. Johanna Drucker
  3. pp. 8-16
  4. restricted access

Artists' Notes

  1. Primitive Paintings: Connections to Realism and Constructivism
  2. Gorki Bollar
  3. pp. 17-19
  4. restricted access
  1. The Envelope as an Art Form: Computer-Aided Images
  2. Brad McCormick
  3. pp. 20-23
  4. restricted access
  1. On Lacquer Painting
  2. Qiao Shi-guang, Yu Xiao-xing
  3. pp. 24-26
  4. restricted access
  1. Combining Color Xerography with the Techniques of Silkscreen and Intaglio
  2. Frances Valesco, Suzanne Fried
  3. pp. 27-32
  4. restricted access
  1. Illustrations
  3. restricted access

General Note

  1. Art and Technology: Innovations Report from the Twelfth International Sculpture Conference
  2. Mike Mosher
  3. pp. 33-34
  4. restricted access

Documents

  1. Creativity and Education: Some Critical Remarks
  2. Joseph Abinun
  3. pp. 35-39
  4. restricted access
  1. Source and Limits of Human Intellect
  2. Leon N. Cooper
  3. pp. 40-45
  4. restricted access
  1. The New Media as Contexts for Creativity
  2. Anthony Smith
  3. pp. 46-48
  4. restricted access

Book Reviews

  1. Street Murals by Volker Barthelmeh (review)
  2. Ralph Putzker
  3. p. 52
  4. restricted access
  1. Early American Modernist Painting 1910–1935 by Abraham A. Davidson (review)
  2. Harry Rand
  3. p. 52
  4. restricted access
  1. American Prints: Process and Proofs by Judith Goldman (review)
  2. Edith Smith
  3. pp. 52-53
  4. restricted access
  1. Drawing in Early Renaissance Italy by Francis Ames-Lewis (review)
  2. Nancy Hubbe
  3. p. 53
  4. restricted access
  1. Rodin in Perspective ed. by Ruth Butler (review)
  2. S. I. Clerk
  3. pp. 53-54
  4. restricted access
  1. The English Miniature by John Murdock, et al. (review)
  2. Carson I. A. Ritchie
  3. p. 54
  4. restricted access
  1. Still Life Painting, from Antiquity to the Twentieth Century by Charles Sterling (review)
  2. Peter Cannon-Brookes
  3. p. 54
  4. restricted access
  1. Cambridge Introduction to the History of Art: The Twentieth Century by Rosemary Lambert (review)
  2. Norman Narotzky
  3. pp. 54-55
  4. restricted access
  1. Focus on Art by Werner Spies (review)
  2. John A. Walker
  3. p. 55
  4. restricted access
  1. History of Art: A Student’s Handbook by Marcia Pointon (review)
  2. Timothy Weston
  3. p. 55
  4. restricted access
  1. International Directory of Exhibiting Artists ed. by V. B. Smith (review)
  2. Ralph Putzker
  3. p. 55
  4. restricted access
  1. Oil Painting: Traditional and New by Leonard Brooks, and: Controlled Painting: A Sound Approach to Realistic Painting in Oil and Acrylics by Frank Covino (review)
  2. Norman Narotzky
  3. pp. 55-56
  4. restricted access
  1. The Contemporary Oil Painter’s Handbook by Clifford T. Chieffo (review)
  2. Frank Covino
  3. p. 56
  4. restricted access
  1. Stained Glass—A Guide to Information Sources. Vol. 10 ed. by Darlene Brady, William Serban (review)
  2. Susan Glyn
  3. pp. 56-57
  4. restricted access
  1. L’Architecture de Survie: Ou Invente Aujourd’hui le Monde de Demain by Yona Friedman (review)
  2. Pierre Szekely
  3. p. 57
  4. restricted access
  1. In Defense of Narcissism: The Creative Self in Search of Meaning by Carl Goldberg (review)
  2. Hugh Mercer Curtler
  3. p. 57
  4. restricted access
  1. The Cosmic Code by Heinz R. Pagels (review)
  2. J. Guberman
  3. p. 58
  4. restricted access
  1. Future Worlds by John Gribbin (review)
  2. J. Lukasiewicz
  3. p. 58
  4. restricted access
  1. 2081: A Hopeful View of the Human Future by Gerard K. O’Neill (review)
  2. J. Lukasiewicz
  3. pp. 58-59
  4. restricted access
  1. Fundamentals of Interactive Computer Graphics by James D. Foley, Andries Van Dam (review)
  2. Richard Land
  3. p. 59
  4. restricted access
  1. Mapping Information: The Graphic Display of Quantitative Information by Howard T. Fisher (review)
  2. Richard Land
  3. pp. 59-60
  4. restricted access
  1. Brucken … Asthetik und Gestaltung (Bridges … Aesthetics and Design) by Fritz Leonhardt (review)
  2. S. K. Ghaswala
  3. p. 60
  4. restricted access
  1. The Fourth Dimension and Non-Euclidian Geometry in Modern Art by Linda Dalrymple Henderson (review)
  2. Roger F. Malina
  3. p. 60
  4. restricted access
  1. Calendar of Creative Man by John Paxton, Sheila Fairfield (review)
  2. James Goldman
  3. pp. 60-61
  4. restricted access
  1. Perspective and Other Drawing Systems by Fred Dubery, John Willats (review)
  2. Richard Greene
  3. p. 61
  4. restricted access
  1. Beauty and the Beasts by Stephen E. Weil (review)
  2. Harry Rand
  3. p. 61
  4. restricted access
  1. The Art of Painting on Glass by Albinas Elskus (review)
  2. Nan Conklin
  3. pp. 61-62
  4. restricted access
  1. Byte Book of Computer Music ed. by Christopher Morgan (review)
  2. S. Wilson
  3. p. 62
  4. restricted access
  1. The Evolution of Culture in Animals by John Tyler Bonner (review)
  2. Ellen Dissanayake
  3. p. 62
  4. restricted access
  1. The Sociology of Art by Arnold Hauser (review)
  2. Gifford Phillips
  3. pp. 62-63
  4. restricted access
  1. Russia on Canvas: Il’ya Repin by Fan Parker, Stephen Jan Parker (review)
  2. Kirill Sokolov
  3. p. 63
  4. restricted access
  1. Songs of Glory: The Romanesque Façades of Aquitaine by Linda Seidel (review)
  2. David A. Walsh
  3. pp. 63-64
  4. restricted access
  1. Half a Truth is Better than None by John A. Kouwenhoven (review)
  2. Donald J. Bush
  3. p. 64
  4. restricted access
  1. The Critics of Abstract Expressionism by Stephen C. Foster (review)
  2. Joseph Germana
  3. pp. 64-65
  4. restricted access
  1. On American Art During ’30s and ’40s. Abstract Expressionism: The Formative Years by Robert Carleton Hobbs, Gail Levin (review)
  2. S. I. Clerk
  3. p. 65
  4. restricted access
  1. Soho: The Artist in the City by Charles R. Simpson (review)
  2. Dorothy Grotz
  3. p. 65
  4. restricted access
  1. Basic Water Color Painting by Judith Campbell-Reed (review)
  2. Peggy Lecroart
  3. p. 66
  4. restricted access
  1. Variations in Watercolor by Naomi Brotherton and Lois Marshall, and: Controlled Watercolor Painting by Leo Stoutsenberger (review)
  2. James W. Davis
  3. p. 66
  4. restricted access
  1. Books Received
  3. pp. 66-67
  4. restricted access
  1. Letters
  2. Alfonz Lengyel, James Pridgeon, Fernando R. Casas
  3. p. 68
  4. restricted access