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Table of Contents

  1. Remembering James Farrell
  3. p. 5
  4. DOI: https://doi.org/10.1353/ams.2013.0110
  5. restricted access
  1. Groove Theory: A Vamp on the Epistemology of Funk
  2. Tony Bolden
  3. pp. 9-34
  4. DOI: https://doi.org/10.1353/ams.2013.0114
  5. restricted access
  1. “She Was Too Black for Rock and Too Hard for Soul”: (Re)discovering the Musical Career of Betty Mabry Davis
  2. Cheryl L. Keyes
  3. pp. 35-55
  4. DOI: https://doi.org/10.1353/ams.2013.0107
  5. restricted access
  1. The Feminist Funk Power of Betty Davis and Renée Stout
  2. Nikki A. Greene
  3. pp. 57-76
  4. DOI: https://doi.org/10.1353/ams.2013.0117
  5. restricted access
  1. Labelle: Funk, Feminism, and the Politics of Flight and Fight
  2. Francesca T. Royster
  3. pp. 77-98
  4. DOI: https://doi.org/10.1353/ams.2013.0120
  5. restricted access
  1. Make It Funky: Fela Kuti, James Brown and the Invention of Afrobeat
  2. Alexander Stewart
  3. pp. 99-118
  4. DOI: https://doi.org/10.1353/ams.2013.0124
  5. restricted access
  1. The Blues/Funk Futurism of Roger Troutman
  2. Scot Brown
  3. pp. 119-123
  4. DOI: https://doi.org/10.1353/ams.2013.0125
  5. restricted access
  1. “Chameleon” Meets Soul Train: Herbie, James, Michael, Damita Jo, and Jazz-Funk
  2. Steven F. Pond
  3. pp. 125-140
  4. DOI: https://doi.org/10.1353/ams.2013.0106
  5. restricted access
  1. Belief in Lyric
  2. Aldon Lynn Nielsen
  3. pp. 171-179
  4. DOI: https://doi.org/10.1353/ams.2013.0118
  5. restricted access
  1. Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
  2. Tammy L. Kernodle
  3. pp. 181-204
  4. DOI: https://doi.org/10.1353/ams.2013.0109
  5. restricted access
  1. Beyond Keeping It Real: OutKast, the Funk Connection, and Afrofuturism
  2. Howard Rambsy II
  3. pp. 205-216
  4. DOI: https://doi.org/10.1353/ams.2013.0113
  5. restricted access
  1. Now We Want Our Funk Cut: Janelle Monáe’s Neo-Afrofuturism
  2. Daylanne K. English, Alvin Kim
  3. pp. 217-230
  4. DOI: https://doi.org/10.1353/ams.2013.0116
  5. restricted access
  1. Grace (for Be’la Dona)
  2. DaMaris Hill
  3. p. 231
  4. DOI: https://doi.org/10.1353/ams.2013.0122
  5. restricted access
  1. The Seed of Starchild
  2. Glenn North
  3. pp. 232-233
  4. DOI: https://doi.org/10.1353/ams.2013.0126
  5. restricted access
  1. Untitled
  2. Tracie Morris
  3. p. 234
  4. DOI: https://doi.org/10.1353/ams.2013.0108
  5. restricted access
  1. Danger, Live Feed
  2. Duriel E. Harris
  3. pp. 245-247
  4. DOI: https://doi.org/10.1353/ams.2013.0115
  5. restricted access
  1. Notesofasoulfulson
  2. avery r. young
  3. pp. 248-252
  4. DOI: https://doi.org/10.1353/ams.2013.0123
  5. restricted access
  1. Oshun as Ohio Player(s)
  2. Krista Franklin
  3. p. 253
  4. DOI: https://doi.org/10.1353/ams.2013.0128
  5. restricted access
  1. Thrombipxtasy, and: The Slop, and: Insig, and: One Nation
  2. Harold Smith
  3. pp. 254-257
  4. DOI: https://doi.org/10.1353/ams.2013.0127
  5. restricted access
  1. Editor’s Introduction
  2. Tony Bolden
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/ams.2013.0111
  5. restricted access
  1. Exploring the Funkadelic Aesthetic: Intertextuality and Cosmic Philosophizing in Funkadelic’s Album Covers and Liner Notes
  2. Amy Nathan Wright
  3. pp. 141-169
  4. DOI: https://doi.org/10.1353/ams.2013.0121
  5. restricted access
  1. Crank Shaped Notes
  2. Thomas Sayers Ellis
  3. pp. 235-244
  4. DOI: https://doi.org/10.1353/ams.2013.0112
  5. restricted access
  1. Notes on Contributors
  3. pp. 258-260
  4. DOI: https://doi.org/10.1353/ams.2013.0119
  5. restricted access