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In this Issue

Table of Contents

  1. Color Plate
  3. restricted access
  1. Sounds, Musics and Leonardo
  2. Larry Polansky, Roger F. Malina, Elliot Mazer
  3. pp. 1-2
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  1. Spatiai-Synesthetic Art through 3-D Projection: The Requirements of a Computer-Based Supermedium
  2. Robert Mallary
  3. pp. 3-16
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  1. Epigenetic Painting: Software as Genotype
  2. Roman Verostko
  3. pp. 17-23
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  1. Robot Choreography: Moving in a New Direction
  2. Margo K. Apostolus
  3. pp. 25-29
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  1. Concrete-Neon: A Paradoxical Alliance in Modern Sculpture
  2. Alain Buscarlet, Brigitte Kessel
  3. pp. 31-34
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  1. An Artist Explores the Concept of Levels in Matter
  2. Gertrude Myrrh Reagan
  3. pp. 35-40
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  1. Tapestry Design
  2. Yuan Yun-Fu, Joseph Pedoto, Shao Dazhen, Chen Shun-Xing
  3. pp. 41-44
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  1. The Composition of Auditory Space: Recent Developments in Headphone Music
  2. Durand R. Begault, Larry Polansky
  3. pp. 45-52
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  1. The Computer as the Artist’s Alter Ego
  2. Otto Laske
  3. pp. 53-66
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  1. A Review of The Music of Ben Johnston by Heidi Von Gunden
  2. Larry Polansky
  3. pp. 67-69
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  1. Experiments with Mirror Reflections
  2. Naomi Asakura, Junzo Shuto
  3. pp. 71-74
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  1. Randomness, Rules and Compositional Structure in Design
  2. Michael Eckersley
  3. pp. 75-80
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  1. Pictorial Communication: Pictures and the Synthetic Universe
  2. Stephen R. Ellis
  3. pp. 81-86
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  1. Computers and Dance: A Bibliography
  2. George Politis
  3. pp. 87-90
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  1. ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance
  2. Kristi Allik, Shane Dunne, Robert Mulder
  3. pp. 91-97
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  1. Storing Art Images in Intelligent Computers
  2. Joan L. Kirsch and, Russell A. Kirsch
  3. pp. 99-106
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  1. The Meteorological Odyssey of Vincent van Gogh
  2. Stanley David Gedzelman
  3. pp. 107-116
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  1. Amplifying the Mind’s Eye: Sketching and Visual Cognition
  2. Jonathan Fish, Stephen Scrivener
  3. pp. 117-126
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  1. VDT Hazards in Art
  2. Angela Babin
  3. pp. 127-128
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  1. Space Art: A Call for a Space Art Ethics Committee
  2. Jean-Marc Philippe, Philippe Poncet
  3. pp. 129-132
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  1. Synthesis: Visual Arts in the Electronic Culture, International Seminar with Experimental Workshop (1988)
  2. Manfred Eisenbeis
  3. pp. 133-138
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  1. The All-Union School Festival: ‘Light and Music’ (Kazan, 20–30 September 1987)
  2. Bulat Galeyev
  3. pp. 134-136
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  1. Viewer into Player: Notes on the Interactive Computer Art Installations at the 1988 SIGGRAPH Exhibition of Computer Art
  2. Jane Veeder
  3. pp. 136-138
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  1. Spectral Art: Photographing the Light Spectra of Gases in Electric Discharge Tubes
  2. Ronald A. Brown, Gary Burgess, Roger Malina
  3. p. 139
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  1. Quasicrystals for Architecture: The Visual Properties of Three-Dimensional Penrose Tessellation
  2. Tony Robbin, Roger F. Malina
  3. pp. 140-141
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  1. Reflections on the History of Art: Views and Reviews ed. by E. H. Gombrich and Richard Woodfield (review)
  2. Allan Shields
  3. p. 143
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  1. Beauty and the Brain: Biological Aspects of Aesthetics ed. by Ingo Rentschler, Barbara Herzburger, and David Epstein (review)
  2. Roger F. Molina
  3. p. 144
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  1. Beauty and the Brain: Biological Aspects of Aesthetics ed. by Ingo Rentschier, Barbara Herzberger, and Davis Epstein (review)
  2. Rudolf Arnheim
  3. pp. 144-145
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  1. Parables of Sun Light: Observations on Psychology, the Arts, and the Rest by Rudolf Arnheim (review)
  2. Elizabeth Crumley
  3. p. 145
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  1. Vers une Culture de L’interactivité ed. by C. Faure and A. Bacchetti (review)
  2. Roger F. Malina
  3. pp. 145-146
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  1. Art, Science and Technology ed. by Peter Hill (review)
  2. Roger F. Malina
  3. p. 146
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  1. Windows on Creativity and Invention ed. by Jacques Richardson (review)
  2. Roger F. Malina
  3. pp. 146-147
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  1. Memoir of a Modernist’s Daughter by Eleanor Munro (review)
  2. Allan Shields
  3. pp. 147-148
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  1. Is the Body Obsolete? ed. by Kevin Kelley (review)
  2. Roger F. Malina
  3. p. 148
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  1. Auditory Processing of Complex Sounds ed. by William A. Yost and Charles S. Watson (review)
  2. A. John Mallinckrodt
  3. p. 148
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  1. ‘Event’ Arts and Art Events by Stephen C. Foster (review)
  2. Bridget Jolly
  3. pp. 148-149
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  1. Gardner’s Whys and Wherefores by Martin Gardner (review)
  2. David Topper
  3. p. 149
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  1. Science, Order, and Creativity by David Bohm and F. David Peat (review)
  2. Leo Narodny
  3. pp. 149-150
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  1. Archimedes’ Revenge. The Joys and Perils of Mathematics by Paul Hoffman (review)
  2. John W. Cooper
  3. p. 150
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  1. Making Art Pay by Bernard Denvir and Howard Gray (review)
  2. John W. Cooper
  3. p. 150
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  1. The Poetics of Gardens by Charles W. Moore, William J. Mitchell, and William Turnbull, Jr. (review)
  2. Elizabeth Crumley
  3. p. 150
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  1. Publications
  3. pp. 152-154
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  1. Response to Joan Marter’s Comment
  2. Elizabeth Rankin
  3. p. 155
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  1. Reply to Jan Jagodzinski
  2. Tom Anderson
  3. p. 155
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  1. Let’s Have More Borodin
  2. Ian D. Rae
  3. p. 156
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  1. Reply to Lan D. Rae: Borodin’s Relations with Women
  2. George B. Kaufman
  3. p. 156
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  1. Comment on “How to Texture Design Using Recursive Composite Functions”
  2. Akhlesh Lakhtakia
  3. pp. 156-157
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  1. Commentary On “Need Of Perception For The Perception Of Needs”
  2. Lebbeus Woods
  3. pp. 157-158
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  1. Response to Lebbeus Woods’s Comment
  2. Heinz Von Foerster
  3. p. 158
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  1. Comment On “The Markov Process As A Compositional Model”
  2. David Zicarelli
  3. p. 158
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  1. Comment On “The Computer: A Composer’s Collaborator”
  2. Phil Winsor
  3. pp. 158-159
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  1. Comment on “Art and Mathematics in the Thought of Lissitzky”
  2. S. A. Mansbach
  3. pp. 159-160
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  1. Faber Birren 1900–1988
  2. Kenneth E. Burchett
  3. p. 160
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  1. Correction by Brian Reffin Smith
  2. Brian Reffin Smith
  3. p. 160
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  1. Comments on “The Space Chronometer”
  2. Robert Dixon
  3. p. 161
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  1. Response to Robert Hansen’s Comment
  2. Tomás Garcia Salgado
  3. pp. 161-162
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  1. Albert Friscia: Kinetic Artist, 22 July 1911–2 October 1989
  2. Roger Malina
  3. p. 162
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  1. Response to Comments by Pawlowski and Morawski
  2. Grzegorz Sztabinski
  3. pp. 162-163
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  1. Correction: Holography Marketplace
  3. p. 163
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  1. Correction: Holography Issue Editorial Board
  3. p. 163
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  1. Books Received
  3. pp. 150-152
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  1. Videotapes Received
  3. p. 152
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