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In this Issue

Table of Contents

  1. Plate
  3. restricted access
  1. The Cultural Dimension of Space Exploration
  2. Roger F. Malina
  3. pp. 1-2
  4. restricted access
  1. Gateway
  2. Denise E. M. Penrose, William C. Castell, Roger F. Malina
  3. pp. 3-10
  4. restricted access
  1. Projects for the Reconstruction of the Firmament
  2. Francisco Infante
  3. p. 11
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  1. Languages, Science and the Search for Extraterrestrial Intelligence
  2. Carl L. DeVito
  3. pp. 13-16
  4. restricted access
  1. The Space Between the Real and the Imagined: Microwave Sculpture in Deep Space
  2. Michael L. Heivly, Michal Reed
  3. pp. 17-21
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  1. The Application of Lasers to Compose Pictures: The Method of Superpositioning
  2. Attila Csáji, Norbert Kroó
  3. pp. 23-28
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  1. Toward the Automatic Generation of Visual Music
  2. Lynn Pocock-Williams
  3. pp. 29-36
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  1. Notes toward a Radioactive Art
  2. George Gessert
  3. pp. 37-41
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  1. Soft Painting and Its Technology
  2. Calman Shemi
  3. pp. 43-45
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  1. The Image of Duplication
  2. Horacio Zabala
  3. pp. 47-50
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  1. My Electronic and Computer-Controlled Sculpture: Robotic Techniques Applied to Kinetic and Interactive Sculpture
  2. Barry Treu
  3. pp. 51-54
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  1. The Use of the Knight’s Tour to Create Abstract Art
  2. Ronald R. Brown
  3. pp. 55-58
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  1. NUNTIUS: A Computer System for the Interactive Composition and Analysis of Music and Dance
  2. Tamas Ungvary, Simon Waters, Peter Rajka
  3. pp. 59-68
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  1. Carpets and Rugs: An Exercise in Numbers
  2. Dann E. Passoja, Akhlesh Lakhtakia
  3. pp. 69-71
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  1. Anamorphosis and the Eccentric Observer: Inverted Perspective and Construction of the Gaze
  2. Daniel L. Collins
  3. pp. 73-82
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  1. Beyond Relativism and Formalism: The Empathy Principle
  2. W. Ray Crozier, Paul Greenhalgh
  3. pp. 83-87
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  1. Two Observations
  2. Matts Roos
  3. p. 89
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  1. Pseudo-Stereographic Images
  2. William J. Joel
  3. pp. 90-91
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  1. Dopplerdanse: Some Novel Applications Of Radar
  2. Steve Mann
  3. p. 91
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  1. About Words On Works
  2. Judy Malloy
  3. p. 93
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  1. Géo-Genetic
  2. Christiane Geoffroy
  3. p. 93
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  1. Longshot
  2. Lynn Hershman
  3. p. 93
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  1. Sonic Pass/Soundstair
  2. Christopher Janney
  3. pp. 93-94
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  1. Skeletons
  2. Jim Johnson
  3. p. 94
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  1. Engineers’ Notebooks the Geometry of Color
  2. Mary Jean Kenton
  3. p. 95
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  1. The Music for Sudden Changes
  2. Michael McNabb
  3. pp. 95-96
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  1. Seminal Chrono-Schema: An Electro-Kinetic Work for Computer Screen and Printout
  2. Stephen Moore
  3. p. 96
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  1. Ghost Nets: The Medicine Wheel Garden
  2. Aviva Rahmani
  3. pp. 96-97
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  1. Earth Signals
  2. Paul Sermon
  3. p. 97
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  1. The Challenge of Art to Psychology by Seymour B. Sarason (review)
  2. Rudolf Arnheim
  3. pp. 98-99
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  1. Colorcurve® Master Atlas, and: Colorcurve® Gray and Pastel Atlas (review)
  2. Joy Turner Luke
  3. pp. 99-100
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  1. Munsell® Book of Color, Nearly Neutrals Collection (review)
  2. Joy Turner Luke
  3. pp. 100-101
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  1. I–VI by John Cage (review)
  2. Carter Scholz
  3. p. 101
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  1. New Foundations: Classroom Lessons in Art/Science/Technology for the 1990s by Leonardo (review)
  2. Craig Roland
  3. pp. 101-103
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  1. The Object of Performance: The American Avant Garde Since 1970 by Henry M. Sayre, and: Feminism and Traditional Aesthetics, Special Issue of the Journal of Aesthetics and Art Criticism 48, No. 4 (Fall 1990) ed. by Peg Brand, Carolyn Korsmeyer (review)
  2. Roger F. Malina
  3. pp. 103-104
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  1. 100 Details from Picture in the National Gallery London by Kenneth Clark (review)
  2. J. William Shank
  3. p. 104
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  1. The Place of Narrative: Mural Decoration in Italian Churches, 431–1600 by Marilyn Aronberg Lavin (review)
  2. David Carrier
  3. pp. 104-105
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  1. Publications
  3. p. 105
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  1. Speakers’ Network
  3. pp. 106-108
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